Posts Tagged ‘Tour Dates’

The Melvins’ latest opus, Tarantula Heart (April 19, Ipecac Recordings), is quite possibly the band’s most unconventional, catchiest and imaginative work yet, continuing a legacy celebrated for its eccentric and extraordinary output.

A preview of the five-song, 39-minute collection arrives with the release of ‘Working The Ditch,’ and the accompanying Jesse Nieminen-created video. Nieminen previously directed the band’s short film, ‘A Walk With Love and Death.’

Watch the video here:

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“The way we approached Tarantula Heart was different than any other Melvins’ album,” explains Buzz Osborne. “I had Dale and Roy Mayorga come in and play along with Steven and I to some riffs, then I took those sessions and figured out what parts would work and wrote new music to fit. This isn’t a studio approach we’ve ever taken. Usually we have the songs written BEFORE we start recording!”

“The majority of Tarantula Heart has dual drum parts,” adds long-time Melvins drummer Dale Crover. “Roy is an amazing drummer. We would discuss what we would do pattern wise, then we’d just go for it. Improvising riffs and trading off on drum fills.”

In actuality nothing appeared out of thin air. Buzz spent hours and hours with the drum tracks by himself writing songs to what he was hearing drum wise. “When the rest of the band heard these songs I’d created from the sessions, they were blown away,” Buzz shares. “These were fully developed new songs that they’d never heard before that had seemingly appeared out of thin air. Presto!”

Recorded, mixed and co-produced by longtime Melvins’ collaborator Toshi Kasai, the album also features We Are The Asteroid guitar player Gary Chester. Gary and the Melvins’ history goes back to their days on Boner Records, with the guitar player formerly having been a part of the legendary band, Ed Hall.

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Next month sees the Melvins head overseas, playing in Japan for the first time since 2019 following a stint where they join current labelmates, Mr. Bungle, for a trek across Australia and New Zealand. Buzz and Bungle bass player Trevor Dunn team up later this year for the “King Dunn Tour,” a 45-date excursion that sees the pair play songs from the King Buzzo releases: This Machine Kills Artists and Gift of Sacrifice. The full list of dates can be found via Ipecac.com/tours.

Melvins tour dates:

March 3  Auckland, NZ  Auckland Town Hall

March 6  Melbourne, AUS  Festival Hall

March 7  Adelaide, AUS  Hindley Street Music Hall

March 9  Sydney, AUS  Hordern Pavilion

March 10  Brisbane, AUS  Fortitude Music Hall

March 12  Perth, AUS  Metro City

March 17  Osaka, JP  Music Club Janus

March 19  Tokyo, JP  Shibuya WWW X

March 20  Tokyo, JP  Shibuya WWW X

Leeds based militant dance-punk duo Polevaulter dropped their debut album ‘Hang Wave’ on Friday to widespread acclaim.

If you haven’t heard it yet, it’s a superb sonic assault of seismically sharp bass and loin-grinding beats, and we wrote about it at length recently.

Now following the album release and ahead of their UK / EU tour starting this week, Polevaulter have unveiled a brand-new video for the album’s latest single ‘Pissed In The Baths’, which you can watch here:

The sonic assault the two create is almost arrogant, fathered from the marriage of seismically sharp bass and loin-grinding beats. The words are quipped and brayed atop the aural landscape. They are boastful, accusing, repellent and inviting, they question and skewer the veins of masculinity, sexuality, the order of things, the music industry and the miserable reality of the North. Polevaulter have toured with JOHN, shared a stage with Thank, Mandy Indiana, Pink Turns Blue, Bambara, A Place To Bury Strangers, VR Sex, and others.

Now, following the album release and ahead of their UK / EU tour starting this week, Polevaulter have unveiled a brand new video for the album’s latest single ‘Pissed In The Baths’.

On writing the track, Polevaulter’s Jon Franz explains; Pissed In The Baths came about from Dan’s chorus riff which he just pulled out of thin air, we made the verses more straight and got it to swing with my delay. I wrote the lyrics pretty quickly on a bus to the doctors, lyrically it’s about manifesting strength and about us setting sail, I tied the chorus into it as those lines came from a while ago about warming oceans and rising sea levels, it all got glued together.”

The result is a cacophonous injection of climate change activism, brimming with hypnotic beats and thick fuzzy bass and glossed in a coat of sharp unnerving darkness. Chaotic and smashing you in the face with its tidal wave of full-on noise and addictive shouted refrains, Polevaulter are not holding any punches with ‘Pissed In The Baths’ as they continue on their bulldozer-like mission to tear up boundaries.

Debut Polevaulter album ‘Hang Wave’, is a hard-hitting dark and fiercely off-kilter slab of awesome sickly noise alongside baritone-led lyricism acerbic, vitriolic and intense throughout, raising eyebrows and dropping jaws. The album features recent hits like ‘Trend’ and newly released single ‘Violently Ill’ which Polevaulter’s Jon Franz explains- has more sparse vocals than most of our tracks, gives our music a chance to shine. Its maybe my favourite song on the album.” Other tracks like ‘Pissed In The Baths’, ‘Mint Condition’ and ‘Mia Goth Made Me Do It’ all stand out in what is essentially an absolute mind melting juggernaut of a punk electro dance record for 2024, which lays down the gauntlet from a studio perspective alongside Polevaulter’s diligent process to earnestly take the title of ‘hardest working band in showbusiness’.

Polevaulter weren’t always a duo though as Jon Franz recalls, “We were steaming along as a post-punk band with various noise elements and then lost some members over covid, but me and Dan wanted to keep going. We thought about starting a new band, but we felt that this still had legs. Ultimately, it’s not that different, me and Dan did most of the composition, and we’ve got a clear vision on what we want to do. After touring last year as a two-piece, figuring out whether we could even do it, we realised there’s definitely no reason to stop – and it’s definitely getting better every time we have a round of gigs. I like not carrying instruments around – that’s quite nice. Although, having said that, we’re a duo now and we have more amps, which is weird. Dan has three amps now, and I have two.”

The album was co-produced by longtime friend and artist Shaene Hunter which straddles confidently atop several themes, to which Jon Franz says, “This being our first album or our maiden voyage, I dunno why, but I like a lot of nautical terminology and see that kind of visual imagery when this album was being made. I also write a lot of lyrics about things that directly affect me, like my masculinity, my mind, about being tough and overly arrogant to sell the image of us we’ve created. We have a lot of reference points that I work in, and since we’ve become a two piece, I think there is a lot more depth to everything we do now. We’ve made ‘Hang Wave’ because it’s about time we made this kind of a statement about who we are, what we want to do and what we sound like after multiple line-up changes and situations slowed the progress me and Dan were desperate to make. Since we’ve been a two piece, we’ve got far more done, and we both feel really proud of this album, and we feel strongly that it will do what we need it to do.”

Polevaulter recently performed their debut album on repeat for 8 hours straight via a livestream to raise funds for the Gaza Sunbirds, a para cycling team based in the Gaza Strip. The team is currently providing emergency food parcels and aid to families sheltering around the Gaza Strip. Watch the livestream back here:

– And to donate visit: https://www.justgiving.com/page/polevaulterforgazasunbirds

Polevaulter will tour the UK and EU as follows:

Jan 31st – The Fenton, Leeds – Album launch

Feb 2nd – Hatch, Sheffield

Feb 3rd – Little Buildings, Newcastle

Feb 6th – New Adelphi, Hull

Feb 7th – The Lounge, Manchester

Feb 8th – Old Blue Last, London

Feb 9th – Bear Cave, Bournemouth w/ JOHN

Feb 10th – Craufurd Arms, Milton Keynes w/ JOHN

Feb 13th – DAda, Toulouse, France

Feb 14th – TBA, France

Feb 15th – Le Lezard, France

Feb 16th – Melody Maker, Rennes, France

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Welsh disco-punkers Stickman announce their debut album Cyanide Smile. Due to release this Autumn, the record shares the flamboyant fruits of their summer touring & studio sessions. 

Described as ‘disco punk with a touch of mid-life crisis’ their sound is unmistakable.  Essentially anthemic alt.punk, their craft effortlessly switches up genres, complete with soaring choruses and dynamic melodies.

Lead-off single ‘My Genome’ is the first offering from the eagerly anticipated record,  releasing alongside their geometric music video, shot in 6:4. Watch the vid here:

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The debut album ‘Cyanide Smile’ is due to release 20th October via Criminal Records.

For Fans Of: The Darkness, Lawnmower Deth, Mr Bungle, Electric Six, Massive Wagons, Royal Republic

UPCOMING DATES

26th Aug – Carmarthen Music Festival, CWRW (Headliner)
2nd Sept – Frog and fiddle, Cheltenham w/BrokenJaw 
9th Sept – Hangar 18 w/Stop Stop 
20th October – EJ’s Llanelli (Headliner)
17th November – EJ’s Llanelli (Stickman’s Christmas bash)
26th May – Breaking Bands Festival (Headliner)

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KEN mode has released ‘These Wires,’ the latest single from its upcoming album, VOID.

The sequel to last year’s acclaimed NULL album, VOID will be released September 22nd on Artoffact Records.

Stream ‘These Wires’ here:

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KEN mode frontman Jesse Matthewson gives this statement about the new song: "Why would anything feel right again? Do you get the sense that a lot of people have been fundamentally damaged by the pandemic? The psychological fallout of this event is going to be seen for years to come, and this is its anthem."

An 8-minute epic, building from an icy lament into a deluge of distress, "These Wires" is perhaps the song that best expresses VOID’s story of sorrow and dismay. Centered around a simple piano melody, courtesy of newest member Kathryn Kerr, and Matthewson’s fragile spoken words, the song erupts into thunderous rhythms, propelled by the machine-like interplay of bassist Skot Hamilton and Jesse’s brother Shane Matthewson on drums. Jesse’s pleas hit with all the directness of Henry Rollins (whose "KEN mode" acronym, described in his book, Get in the Van, provided the Matthewsons with the inspiration for their band’s name, almost 25 years ago) as he belts out the song’s crucial six-word phrase: "Why would anything feel right again?"

Released in September of last year, KEN mode’s eighth album, NULL, was inspired by the bleakest days of the COVID-19 pandemic and saw the band create some of the rawest, harshest material of its career. The album also marked the official debut of multi-instrumentalist Kerr, who helped install a new palette of No Wave and industrial-tinged sounds into the band’s trademark mix of metallic hardcore and noise rock.

Amongst other honors, NULL earned KEN mode the front cover of Decibel Magazine, wherein the music was described as "evocative, guttural, Howl-esque poetry laid over frantic, Godflesh-ian soundscapes." A review from Stereogum stated: "NULL is KEN mode at their peak as composers."

Arriving exactly one year after NULL, VOID is KEN mode’s ninth full-length album. More than merely the follow-up to NULL, VOID is a companion to that album, inspired by the same events, and written and recorded within the same time frame. Where NULL embodied the chaos and shock of the early days of the pandemic, VOID is the sound of disappointment and sadness that followed.

Upon VOID’s release in September, KEN mode will embark on a tour of Europe, including dates with Fange and Lingua Ignota, followed by US dates with Baroness and a slot on the next Decibel Metal & Beer Fest in Denver.

Tour:

Sep 24 – Porto, PT @ Amplifest

Sep 26 – Rouen, FR @ Le 106 w/Fange

Sep 27 – Lille, FR @ L’Aéronef w/Fange

Sep 28 – Paris, FR @ Point Ephémère w/Fange

Sep 29 – Angoulême, FR @ La Nef w/Fange

Sep 30 – Clermont-Ferrand, FR @ La Coopérative de Mai w/Fange

Oct 1 – Yverdon-Les-Bains, CH @ L’Amalgame

Oct 2 – Karlsruhe, DE @ Jubez w/Fange

Oct 3 – Dresden, DE @ Ostpol w/Fange

Oct 4 – Wroclaw, PL @ Klub Łącznik w/Fange

Oct 5 – Berlin, DE @ Urban Spree w/Fange

Oct 7 – Aalborg, DK @ 1000 Fryd w/Fange

Oct 8 – Aarhus, DK @ HeadQuarters w/Fange

Oct 10 – Liege, BE @ La Zone w/Fange

Oct 11 – Haarlem, NL @ Patronaat w/Fange

Oct 12 – Bruxelles, BE @ Le Botanique w/Fange

Oct 13 – Brighton, UK @ The Hope & Ruin

Oct 14 – London, UK @ Islington Assembly Hall w/Lingua Ignota

Oct 31 – Portland, OR @ Hawthorne Theatre w/Baroness

Nov 3 – Seattle, WA @ Crocodile w/Baroness

Nov 4 – Vancouver, BC @ Rickshaw Theatre w/Baroness

Nov 6 – Edmonton, AB @ Union Hall w/Baroness

Nov 7 – Calgary, AB @ The Palace Theatre w/Baroness

Nov 10 – Saskatoon, SK @ Amigos Cantina

Nov 11 – Winnipeg, MB @ Good Will Social Club w/Tunic

Dec 1 – Denver, CO @ Decibel Metal & Beer Festival

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Photo: Brenna Faris Photography

Ahead of the release of their sprawling double-album 93696, out March 24th, Liturgy shares new single ‘Before I Knew The Truth’. Bounding with an incalculable momentum, "Before I Knew The Truth" exemplifies the new album’s equilibrium between meticulous composition and unbound ecstasy. Incendiary guitars glitch and fracture throughout, contorting and stuttering at lightning speed as keening vocals reach toward the sublime.

Following the release of 93696, Liturgy will be touring worldwide, including U.S. dates with support from labelmates BIG|BRAVE and sets at Big Ears Festival, Long Play and ArcTanGent.
The music of Liturgy is in a constant state of searching. In pursuit of larger truths, be they philosophical or personal, Ravenna Hunt-Hendrix and her band imbue their music with a sense of urgency and ceaseless longing.

93696 is a number derived from the religions of Christianity and Thelema, a numerological representation of heaven, or a new eon for civilization. Hunt-Hendrix composed the album as an exploration of eschatological possibility divided by the four “laws” that govern her own interpretation of heaven, “Haelegen”: Sovereignty, Hierarchy, Emancipation, and Individuation. These laws constitute the four movements of 93696 which act as dramas all their own within the framework of the record. Throughout the movements Hunt- Hendrix invokes the album’s myriad of personal and conceptual themes through the ensemble’s sheer force of sound, her will and intent blossoming from each bombarding gale.

Taken in its entirety, 93696 reflects the awe of the unknowable and celebrates what revelations and mysteries lie ahead.

Listen to Liturgy’s 93696 single ‘Before I Knew The Truth’ here:

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Liturgy 2023 tour dates:

Mar. 23 – Brooklyn, NY – TV Eye (93696 album release show)
Mar. 30 – Knoxville, TN – Big Ears Festival
May 7 – Brooklyn, NY – Long Play Festival
Jun. 10 – Montreal, QC – Bar Le Ritz PDB *
Jun. 11 – Toronto, ON – The Garrison *
Jun. 13 – Buffalo, NY – Mohawk *
Jun. 14 – Cleveland, OH – Grog Shop *
Jun. 15 – Detroit, MI – Sanctuary *
Jun. 16 – Chicago, IL – Empty Bottle *
Jun. 17 – St Paul, MN – Turf Club *
Jun. 18 – Fargo, ND – The Aquarium *
Jun. 21 – Calgary, AB – Sled Island Festival *
Jun. 23 – Vancouver, BC – Vancouver Jazz Fest *
Jun. 24 – Seattle, WA – Substation *
Jun. 25 – Portland, OR – Star Theater *
Jun. 27 – Sacramento, CA – Cafe Colonial *
Jun. 28 – San Francisco, CA – The Independent *
Jun. 29 – Los Angeles, CA – Resident *
Jun. 30 – Mesa, AZ – The Nile Underground *
Jul. 1 – Albuquerque, NM – Sister Bar *
Jul. 3 – Austin, TX – The Lost Well *
Jul. 4 – Houston, TX – The End *
Jul. 5 – New Orleans, LA – Gasa Gasa *
Jul. 7 – Atlanta, GA – The Earl *
Jul. 8 – Raleigh, NC – The Pour House *
Jul. 9 – Philadelphia, PA – Milk Boy *
Aug 16-19 – Bristol, UK – ArcTanGent Festival
* w/ BIG|BRAVE

Following the announcement of their monolithic new album nature morte, out February 24th, Canadian trio BIG|BRAVE has announced an extensive European tour for spring 2023. The tour includes performances at Roadburn Festival, Donaufestival and Desertfest, among others. The trio’s first nature morte single "carvers, farriers and knaves" captures the album’s striking balance between expansive atmospherics and direct emotional drive, guitar and vocals twisting atop thundering drums to create one of the most bracing and relentless pieces in the band’s ouvre.

BIG|BRAVE are an elemental trio who harness an earthen heaviness composed of distorted and textural drones, austere bombast, and Wattie’s heart-rending voice. Like recent collaborators The Body, BIG|BRAVE is at the forefront of reconfiguring the landscape of heavy music. The trio brandish sparseness and density like weapons, cast tense atmospheres with languid tempos and mutate feedback into eruptions of enveloping tempests. nature morte sharpens BIG|BRAVE’s ferocity and expansive sound into emotional elegies for the disenfranchised, wringing abstracted textures and pure fervence into songs of unfathomable mass.

Those dates in full:

BIG|BRAVE spring 2023 EU tour dates:

Apr. 9 – Hamburg, DE – Hafenklang
Apr. 10 – Copenhagen, DK – Loppen
Apr. 11 – Malmö, SE – Plan B
Apr. 12 – Oslo, NO Blå
Apr. 14 – Helsinki, FI – Kuudes Linja
Apr. 15 – Tallinn, EE – Sveta Baar
Apr. 16 – Riga, LV – Noass
Apr. 18 – Vilnius, LI – XI20
Apr. 19 – Warsaw, PL – Voodoo
Apr. 20 – Poznań, PL – Dom Tramwajarza
Apr. 21 – Berlin, DE – Urban Spree
Apr. 23 – Tilburg, NL – Roadburn Festival
Apr. 26 – Nurnberg, DE – KANTINE (beim Künstlerhaus)
Apr. 27 – Dresden, DE – Ostpol
Apr. 28 – Krems, AT – Donaufestival
Apr. 29 – Zagreb, HR – Kset
Apr. 30 – Bologna, IT – Circolo Dev
May 2 – Piediripa, IT (MC) Dong
May 4 – Busto Arsizio, IT – Circolo Gagarin
May 5 – Bulle, CH – Ebullition
May 7 – London, UK – Desertfest
May 9 – Manchester, UK – Soup Kitchen
May 10 – Glasgow, UK – Stereo
May 11 – Newcastle, UK – The Lubber Fiend
May 12 – Liverpool, UK – IWF Substation
May 13 – Norwich, UK – Voodoo Daddy
May 14 – Birmingham, UK – The Castle & Falcon
May 15 – Leeds, UK – Brudenell Social Club
May 16 – Bristol, UK – Dareshack
May 17 – Brighton, UK – The Hope & Ruin
May 18 – Brussels, BE – Ancienne Belgique

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Since 2006 Maybeshewill have released four full-length albums of towering, cinematic instrumental music. After a decade long career that saw them tour across four continents they bowed out in 2016 with a sold out show at London’s Koko. Having reformed briefly in 2018 at the request of The Cure’s Robert Smith for a show at Meltdown Festival, 2021 sees the band return with their first new material since 2014’s Fair Youth. Having worked on ideas separately in the intervening years, it was the sketches of music that would become ‘No Feeling is Final’ that pulled the band back together. Building on the songs that they felt needed to be heard, together.

‘No Feeling is Final’ was born from a place of weary exasperation. From the knowledge that we’re living in a world hurtling towards self-destruction. We watch as forests burn and seas rise. As the worst tendencies of humanity are championed by those in power; rage, fear, greed and apathy. We see every injustice, every conflict, every catastrophe flash up on our screens. We stay complacent and consume to forget our complicity in the structures and systems that sustain that behaviour. As the world teeters on the edge of disaster, we sigh and keep scrolling, the uneasy feeling in our stomachs eating away at us a little more each day.

However easy it would be to switch off and pretend all is lost, there’s no choice but to remain engaged. To set that feeling of hopelessness aside and use the fear and frustration as fuel to make something positive.

‘No Feeling is Final’ is a message of hope and solidarity. It’s a story of growing grassroots movements across the world that are rejecting the doomed futures being sold to us, and imagining new realities based on equality and sustainability. It’s a reckoning with the demons in our histories and a promise to right the wrongs of the past. It’s a plea to take action in shaping the world we leave for future generations. It’s a simple gesture of reassurance to anyone else struggling in these troubled times: “Just keep going. No feeling is final.”

Guitarist Robin Southby comments on the new video for first single ‘Refuturing’, directed by Fraser West,

“Conceptually, Refuturing (and the album as a whole) is concerned with the existential dread surrounding the climate crisis, how we understand our complicity in the crisis within the confines of our current morality system and ‘refuturing’ – rejecting existing power structures used to subjugate, and reimagining a future built on entirely new systems that are sustainable and beneficial to all.”

Watch the video now:

Maybeshewill will also perform their first London headline show since 2016 at Islington Assembly Hall on 15th December 2021. Tickets are on sale now.

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Clue Records – 27th September 2021

Christopher Nosnibor

The best thing about Team Picture is that, well, they’re Team Picture. A band that doesn’t look like a band, and certainly not in a cohesive, stylised way. The band’s name is a subtle but nifty encapsulation of what they’re about – the way teams at work are essentially a bunch of people thrown together with no commonality beyond their employment. They’re not your friends, they’re your colleagues, and while you may gel and not even loathe works nights out, those team photos only highlight the awkwardness, the disparities.

Every now and again, though, these disparate elements coalesce to positive ends, and this seems to be where the Leeds act are coming from, a band who are built on hybridity and variance. Their latest single – a scabrous satire of the pathetically sad and deeply toxic but occasionally dangerous incel community populated by predominantly low-IQ white misogynists – is a corker.

Speaking about the Single, Josh explained;“The Big Trees, The Little Trees’ is a sub-Talking Heads piece of black-pill satire. The title comes from what might be the first piece of incel literature ever unfortunately created, called ‘Might is Right’ by a total asshole called ‘Ragnar Redbeard’ (the pen name of one ‘Arthur Desmond’). The track was originally considered for the recording sessions for our 2nd record, but after completion of this version we decided it stood neatly enough on its own horrifying two feet to be presented separately…”

It’s got a nagging krautrocky groove that grabs you from the start, and even your dad might like it, and its success lies in its juxtaposition of the medium and the message.

The accompanying video really captures the band’s oddball nerdy misfit style, while pushing forward the homocentric / hypermasculine themes in an irreverent fashion – and it works well.

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Dates:

SEPTEMBER 
28th Bootleg Social, Blackpool 
29th The Parish, Huddersfield 
30th Broadcast, Glasgow 
OCTOBER 
1st Westgarth, Middlesbrough 
2nd Sidney + Matilda, Sheffield 
12th Yes, Manchester 
13th Camden Assembly, London 
14th Komedia, Brighton 
15th Brudenell Social Club, Leeds 
17th Wild Paths Festival, Norwich 
24th Karma Festival, Nottingham

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Fast-rising Hull six piece Low Hummer have shared new single ‘Human Behaviour’ – the second preview of their much anticipated debut album ‘Modern Tricks For Living’ due September 17th on Dance To The Radio records.

A group of self-described ‘misfits from Hull’ – Low Hummer are one of Yorkshire’s most exciting new bands, throwing together classic indie songwriting, anthemic noughties garage rock and more than a little 80’s inspired synth sounds. A handful of much hyped singles in, the band are finally ready to release their debut album ‘Modern Tricks For Living’ and unleash their much discussed and seldom-seen ferocious live show out into the world.

With each new single finding the band played more and more heavily across BBC Radio 1 and 6 Music, featured in Spotify UK’s New Music Friday and lauded by tastemakers including NME, Dork and Under The Radar, Low Hummer announced in May that they would at last be releasing their debut album. Released on black vinyl, the album will also get a special ‘Dinked’ edition release – available through UK record stores pressed to 500 copies and almost immediately sold out.

‘Human Behaviour’ is the follow up to latest single ‘The People, This Place’ – this new offering lowers the intensity a little, bringing the effortless, rich and mellow vocals of Aimee Duncan to the fore over synth-led indie anthem. Written, demoed and recorded entirely during the album sessions at The Nave Studio in Leeds with producer Matt Peel, ‘Human Behaviour’ was one of the last songs added to the record by the band.

Low Hummer are a band endlessly fascinated with the world around them, with alienation, social isolation, manipulation and disinformation. All ideas that songwriter Dan Mawer has drawn from in his quest to settle these questions in his head through the band’s music. ‘Human Behaviour’ is no different and finds the songwriter battling with ideas of apprehensive thoughts, fleeting youth and the passage of time with typical depth and eloquence.

“Too cold to care, too old to feel brand new, the future’s hollow, ageing shadow

All beauty fades, young dreams of me and you, breathe shallow, ageing shadow

Cheek to cheek, hand in hand

In loving sorrow, this ageing shadow

I don’t know enough to be young”

Working on their debut album, the band set out to capture a true snapshot of their lives and the world around them. With the opportunity of hashing out ideas on the road taken away from them, Low Hummer began dissecting the tracks and piecing them back together on record, giving them the chance to explore their creative boundaries not just individually but as a group.

Released on 17th September, Modern Tricks For Living is available for pre-order now.

Low Hummer will be performing live throughout the rest of 2021, beginning with their biggest ever headline show to launch their debut album at The Social in Hull, before setting out to festivals including Reading & Leeds, Live at Leeds, Long Division and Gathering Sounds for the remainder of the year.

Full dates below. Check ‘Human Behaviour’ here:

Live Dates:

Gold Sounds Festival – Leeds – Sat 7th August

Reading & Leeds Festival – Reading – Friday 27th August

Reading & Leeds Festival – Leeds – Saturday 28th August

The Social – Hull – (Album Launch) – 24th September

Gathering Sounds – Stockton on Tees – 25th September

Long Division Festival – Wakefield – 25th September

Live at Leeds Festival – 16th October

Karma Weekender – Nottingham – 23 – 24 October

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Christopher Nosnibor

I’m both intrigued and vaguely amused by the focus of the press release, which informs us that ‘In anticipation of their upcoming European tour in support of Suffocation, Belphegor and Hate, Italian metallers Necrosy have released a brand-new video for the track “Drown In Perdition” (at 320 bpm)’. But then, in certain circles, presumably including those of Thrash Speed, and Technical Death Metal (the latter being where this Venetian foursome position themselves in genre terms), the pace is of importance.

The album, Perdition, was in fact released back in 2015, and this video single is something of a stop-gap while they piece together album number two and gear up for a significant tur of the European mainland. What no UK dates? Well, no, and it’ probably not necessarily a Brexit thing, but while we’re at it, fuck Brexit and the damage the latest piece of hateful, movement-limiting legislation will do to touring bands and the music industry. Bands and fans and the economy alike will suffer.

On the subject of suffering, ‘Drown Into Perdition (at 320BPM)’ (and yes, the parenthetical element is noted on not only the video’s YouTube post, but also the album’s track list) is pretty fucking punishing, a whiplash blur of frenzied guitars and drumming which provide the backdrop to a guttural howl and while the lyrics are wholly unintelligible, the sound articulates by the medium of sound a fair approximation of the song’s title – a hellish, torturous assault.

The woman in the white dress / sheet who features in the video feels like a bit of a superfluous addition, but provides a nice visual contrast to the hairy, tattooed blokes lunging and prowling while wielding their instruments menacingly. It doesn’t detract from the song though, and of this is any measure, both the live shows and upcoming album should be pretty intense.

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Tour dates are as follows:

March 11th – Legend Club – Milan, Italy
March 12th – Kufa – Lyss, Switzerland
March 13th – Gare De Lion – Wil, Switzerland
March 14th – Le Jas Rod – Marseille, France
March 15th – BT 59 – Bordeaux, France
March 17th – Stage Live – Bilbao, Spain
March 18th – Capitol – Santiago, Spain
March 19th – Hard Club – Porto, Portugal
March 20th – RCA Club – Lisbon, Portugal
March 21st – Independance – Madrid, Spain
March 22nd – Razzmatazz – Barcelona, Spain
March 24th – Grillen – Colmar, France
March 25th – Garage – Saarbrucken, Germany
March 26th – Helvete – Oberhausen, Germany
March 27th – Felsenkeller – Leipzig, Germany