Posts Tagged ‘The Blackened Carnival Of Societal Ineptitude’

20th December 2017

There’s something uniquely enjoyable about watching a band develop from their most formative stages to become the act they aspired to be, and showed the potential to be. I first encountered Seep Away on a bill of noisy shit around Christmas in 2015, soon after they came into existence.

They describe their sound as ‘raw and punkish,’ and not that ‘there’s not too much melody, a lot of anger and a tonne of noise’. Their performance was ragged, and it was clear they were very much in development, both musically and as an act. But the sheer passion and raw energy they poured into that set was something else. They would stop and gasp for breath between songs, having played each one like it was the last song they would ever play.

Over the course of the next two years, they didn’t just get better, they got awesome. Tighter, louder, harder, harsher. Jay Sillence swiftly evolved into one of the most compelling front men you could hope to see: fearlessly in your face, anarchic and unpredictable, and it was clear watching them play that they were loving every minute.

It’s therefore sad that The Blackened Carnival of Societal Ineptitude is a parting gesture. But it’s also a cause for elation that they’re signing off with a collection of songs that encapsulate the sound – not to mention the brutal, ferocious, energy of those later live shows. Circumstance and geography may be behind the band’s demise, but better that than acrimony or creative collapse, and they’re departing on a high. The Blackened Carnival of Societal Ineptitude contains eight tracks and clocks in at around twenty-two minutes and condenses all elements of the essence of Seep Away into that.

‘Rot’ is all about the churning, pulverizing riffage, the ribcage-rattling bass and snarling vocal attack. For dingy, murky, metal-done-dirty, it’s up here with Fudge Tunnel at their best. Single cut ‘Matchstick Man’ throbs and rages. Their rendition of Ol’ Dirty Bastard’s Shimmy Shimmy Ya’ has long been alive favourite, and the studio version captures the spirit of their interpretation perfectly. You’ll be leaping round the house hollering ‘baby I like it rrrrrrrrrrroooooaaaaawwwwww!’ for a week after hearing it just once.

The album’s second cover, a take on Minnie Riperton’s ‘Loving You’ sees Sillence come on full Marilyn Manson, and they ratchet up the sneering sleaze to eleven. It’s a showy, metallic-grinding wheeze, brimming with sadistic malice. It’s also a sackful of deliciously manic and suitably irreverent fun.

‘Joie de Vivre’ returns to the snarling, churning, grunt and chug of the heavy grindy / metal / hardcore amalgam that defines the band’s sound, and it’s hard-edged and gnarly in the best possible way. It packs in all of the band’s intensity and full-throttle attack into under four minutes (and is the longest track here).

Closing the album (EP. whatever) in quirky and irreverent style, ‘The Awkward Handjob’ is a piece of silly fairground japery about, er, wanking, of course. It’s fitting that of any band, Seep Away should end their all-too-brief career with a toss-off track about tossing off.

Instead of bemoaning unfulfilled potential or mourning their departure, we should focus on the positive: Seep Away have delivered a blinder of a set here.


Seep Away - Blackened


Following their recent exclusive on Pure Grain Audio, York-based hardcore punk four-piece, Seep Away, have their released new single ‘Matchstick Man’. The new single is taken from the band’s forthcoming EP, The Blackened Carnival Of Societal Ineptitude, due in the Autumn.

Taking influence from thrash legends Municipal Waste, alongside hardcore standouts Expire and Incendiary, the track is a vitriolic stab at those individuals we all know who drain the life out of those around them.

Vocalist Jay Sillence comments, “This song is quite personal to me – we all know that special type of asshole who sucks the life out of people with their actions – they just want to fight, and fucK, and they have nothing else in their life of any value, so they have to take from others. This song is a dedication to that special person in my life, and I hope other people can relate to the venom that I feel.”

Listen to ‘Matchstick Man’ here:

The band’s new EP, ‘The Blackened Carnival Of Societal Ineptitude’ will be released in Autumn.


Catch the band live at the following dates…


18 – Percy’s, Whitchurch (with Saltwater Injection)


7 – Fibbers, York (with SHINING)


2 – The Station, Ashton-Under-Lyne (with 2 Sick Monkeys)

21 – Hoersfest at Fulford Arms, York (with Petrol Hoers)


4 – MNDA Fundraiser at Fulford Arms, York (with Segregates)


16 – BGB Christmas Piss-Up – Fulford Arms, York (with The Restarts)