Finnish sludge metal powerhouse Demonic Death Judge has just revealed the official video for “Goner”, the blistering new single from their upcoming fifth album, Absolutely Launched, due out on April 30th via Suicide Records.
True to the band’s raw and gritty aesthetic, ‘Goner’ is a sludge-soaked sledgehammer of a track—loaded with thunderous riffs, blues-drenched venom, and apocalyptic swagger.
“We’ve all burned some bridges in our time,” says vocalist Jaakko Heinonen. “I certainly have. Man, even houses, not to mention churches. This is a story about a man who took a few too many wrong steps in his life. And now, the pay is due. This one is a goddamn banger!”
Greek black metal visionary Spider of Pnyx has officially unveiled the latest video from his project FELL OMEN—a visual accompaniment to the crushing and evocative title track from his debut album, Invaded By A Dark Spirit, released last February 14th via True Cult Records.
The album marks the first official release under the Fell Omen name, but Spider of Pnyx is far from a newcomer. Known for his collaborations on acclaimed Mystras and Spectral Lore records, and a shadowy history in dungeon synth and martial industrial, this release brings together all facets of his sonic identity into one unrelenting, genre-defying force.
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Spider of Pnyx is also known in the visual arts world as Gilded Panoply, creating surreal and ornate cover art for black metal and dungeon synth artists. That same visual intensity is captured in this new video—bleak, arcane, and mesmerizing.
Recorded and mixed at True Cult Records HQ and mastered at Nidstang Studio, the album is a tour de force of multi-instrumental brilliance. Spider of Pnyx handles every aspect of the music, from vocals and guitars to hurdy-gurdy and drum machines, crafting a seamless blend of medieval fantasy, dark atmospheres, and a fiery mix of metal aggression with punk attitude.
Philadelphia-based industrial sludge metal band WORST ONES has unleashed the new single ‘Vex’. The track is a crushing, no-holds-barred exploration of Americaʼs decaying ideals. Drawing from the bitter truth of the American Dream’s collapse, the track delves deep into the rise of fascism and the heartbreaking act of protest by soldier Aaron Bushnell, who self-immolated in protest of the war in Palestine.
Musically, ‘Vex’ fuses the raw aggression of ’90s hardcore with the sludgy weight of doom and the mechanical grind of industrial metal, drawing influences from the likes of Biohazard, Eyehategod, and Godflesh. A standout element of the track is the signature “sickness” – rhythmic noise loops that twist and churn alongside the brutal guitars and drums, creating a suffocating atmosphere of unease. It’s a track thatʼs as punishing as it is poignant, reflecting the chaotic, fractured state of the world today.
WORST ONES has explained the meaning of the song as follows:
“’Vex’ is an expression of disillusionment and resistance under the weight of a system built on lies. The lyrics question what freedom is when we live in a country that supports widespread oppression and death. There’s a sense of despair in the verses and searching for answers in the chorus but in the end the song turns into a statement of defiance and resilience.
The opening line “Wasted life is on us, covered all up in flames” addresses the heinous amount of people killed in war and how “the powers that be” utilize new types of bombs that don’t even leave behind a body, literally covering it up.
The lyric “Do you really believe the reaper will bring peace” challenges the concept that violence and killing would bring peace. It questions the false idea that through war or death there can be an end to suffering.
The final lines “They want to destroy us, but we can’t be beat" reaffirm that despite everything, resistance is still possible and even inevitable to triumph. It’s a defiant statement in the face of a system designed to crush individuals, but where the refusal to give up remains unbroken. I wanted to end the song with a statement of positivity and strength.
The story of Aaron Bushnell, who self-immolated in protest of the war in Palestine, deeply resonated with me. He was someone who joined the US Army, maybe out of ignorance or patriotism, only to feel betrayed by what he was asked to do. His act of protest was a refusal to be complicit in a system that had deceived him, and that sense of betrayal and defiance is something Vex reflects. It’s a statement of refusal in the face of violence, war, and manipulation.
As a Syrian American, these themes aren’t just abstract ideas to me. I’ve experienced how propaganda shapes people’s perceptions, how violence is justified in the name of power, and how the most vulnerable are always the first to suffer. I wrote the lyrics with a universal approach to the words because it’s not just now, it’s about the cycles of control, war, and resistance that keep repeating. This song is my way of expressing frustration, grief, and the refusal to be silenced.”
‘Vex’ is accompanied by a lyric video – watch it here:
New York Sharkcore punks ChumHuffer are back with a new track, ‘Burning,’ from their highly anticipated 7” release, Slaughterhouse Five. Fueled by raw energy and an unrelenting sonic assault, ‘Burning’ is a relentless dive into the struggles of stagnation and the battle for clarity in a chaotic world.
With lyrics that cut deep—“Burning in my head / Voices take control”—the song encapsulates the frustration of being stuck in a cycle of repetition, yearning for progress but feeling the weight of the past. The band’s signature mix of searing riffs, pounding drums, and anthemic vocal delivery make ‘Burning’ a must-hear for punk fans stuck in a rut or recently escaped from one.
“The song is about fighting the loop of insanity, realizing when you’re stuck in the same patterns and the frustration of breaking free,” says Shawn Refuse, singer. “It’s a reflection of personal battles but also speaks to the collective experience of anyone who feels trapped by their circumstances.”
ChumHuffer has built a reputation for delivering aggressive, thought-provoking punk anthems, and Slaughterhouse Five promises to be no exception. The 7” release will feature tracks that capture the band’s hardcore punk sound infused with metal and surf riffs.
Slaughterhouse Five will be available May, 2025 via their personal label DWY Records, and fans can get their first taste with ‘Burning’ streaming March 28th now on all streaming platforms.
Returning with their first release since their debut album Faithless Rituals, Sky Valley Mistress have launched back into the sonic stratosphere with their brand new single ‘Too Many Ghosts’.
Recorded at The Nave Studios, Leeds with engineer Danny Blackburn (Adult DVD), it’s clear that the sound of the desert still fuels this band wherever they go as their latest cut is cactus needle sharp. From the moment the track picks up, Sky Valley Mistress drive you beyond the horizon and leave you hanging by the hook of the chorus ready to ride again. Or as the band explain:
“This song is meant for the open highway. Somewhere you have the freedom to put your foot down and still feel like you’re cruising”.
Watch the lyric video for ‘Too Many Ghosts’ now:
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Now streamlined and stripped back to the two original members, refusing to conform to conventions, on the record Sky Valley Mistress have doubled down their studio sound and present themselves as a four-piece band. How the hearse rollin’, flare strollin’, speaker ‘splodin’ outfit recreate this in the flesh as a Duel-Drumming Duo however, has to be seen to be believed. Lead vocalist Kayley “Hell Kitten” Davies picks up the sticks and play one half of a drum kit, with former drummer Maxwell Harvey William Newsome III taking on the electric guitar and keeping one foot on the kick drum. No samples. No backing tracks. No click tracks.
No one is playing rock and roll the way that these two do.
With a new album recorded and ready to be released September 2025 on cult indie label New Heavy Sounds, just like an adrenaline shot in the hands of Vincent Vega in Pulp Fiction, this band is ready to hit unsuspecting fans in the chest with a sound that will make them feel electrified, spiritualised and give them the overwhelming urge to stand in front of a mirror, grab their butt cheeks and exclaim, “ I AM ALIVE!”
TOUR DATES:
Sat 29th March – The Ferret, Preston
Fri 4th April – Our Black Heart, London w/ Bear Bones
Canadian dark-pop act The Birthday Massacre have released a new single today (28th March) entitled ‘All Of You’. It coincides with the opening night of a North American tour to promote Pathways, the forthcoming new album by the group that will be released on 11th April via Metropolis Records.
The powerful ‘All Of You’ “explores the emotional weight of death and the profound sense of being lost in its shadow,” the band explain. “It speaks to the hopelessness of trying to find peace when the heart is still caught in the echoes of absence.”
‘All Of You’ is the second single to be lifted from Pathways, following the release of ‘Sleep Tonight’ at the end of February.
THE BIRTHDAY MASSACRE | NORTH AMERICAN TOUR 2025
28th March NEW YORK CITY, NY (le) Poisson Rouge 29th March PITTSBURGH, PA Crafthouse 30th March DETROIT, MI Small’s 31st March CHICAGO, IL Reggies 2nd April MINNEAPOLIS, MN Fine Line Music Hall 3rd April KANSAS CITY, MO RecordBar 4th April DENVER, CO The Oriental Theater 5th April SALT LAKE CITY, UT Metro Music Hall 7th April SEATTLE, WA El Corazon 8th April PORTLAND, OR Dante’s 10th April SAN FRANCISCO, CA Bottom Of The Hill 11th April LOS ANGELES, CA EchoPlex 12th April LAS VEGAS, NV Backstage Bar 14th April SAN DIEGO, CA Brick By Brick 15th April MESA, AZ Nile Theater 17th April HOUSTON, TX Warehouse Live 18th April DALLAS, TX Granada Theater 19th April AUSTIN, TX Come And Take It Live 21st April TAMPA, FL Orpheum 22nd April ATLANTA, GA Masquerade 23rd April ASHEVILLE, NC The Orange Peel 25th April VIRGINIA BEACH, VA Elevation 27 26th April BALTIMORE, MD Soundstage 28th April WASHINGTON, DC Union Stage 29th April MECHANICSBURG, PA Lovedrafts Brewing 1st May BOSTON, MA Paradise Rock Club 2nd May PARSIPPANY, NJ Dark Force Fest 3rd May TORONTO, ON Velvet Underground 4th May MONTREAL, QC Foufounes
A 13 date autumn UK tour commencing on 24th October has also been confirmed.
Nordic noise-rockers Barren Womb are back with a brand-new video for ‘Bug Out Bag,’ taken from their critically acclaimed fifth album Chemical Tardigrade, which got a thumbs up from us here at Aural Aggravation.
The video premiered at Decibel Magazine, who praised the band’s sound as “angular and pulsating electronic rock/noise/hardcore that lands somewhere between Refused, Daughters, and NoMeansNo on one end, and the ‘Bigs’ (Business and Black) on the other.”
A chaotic burst of gritty visuals and manic energy, the video perfectly mirrors the band’s twisted blend of punk defiance, sludgy grooves, and raw minimalism. Watch it now here:
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Their latest LP, Chemical Tardigrade (Fucking North Pole Records / Blues For The Red Sun), dives deeper into melodic and emotional territories without losing their unhinged core. Tracks like ‘Campfire Chemist’ and ‘Dung Lung’ showcase their evolution while retaining the band’s punchy edge and signature offbeat humor (‘D-Beatles,’ anyone?).
And they’re taking it back on the road with the newly announced More Chemicals 2025 European tour, check out the confirmed dates below.
MORE CHEMICALS 2025 01.05 – CZ Pilsen, Družba 02.05 – DE Leipzig, Zwille 03.05 – DE Bielefeld, Drum Hard 04.05 – BE Licthervelde, PrintbaAr 05.05 – FR Strasbourg, Le Local 06.05 – BE Antwerp, Antwerp Music City 07.05 – DE Osnabrück, Bastard Club 08.05 – DE Braunschweig, Spunk 09.05 – DK Odense, Ilter Festival 10.05 – NO Oslo, Desertfest Oslo 16.05 – NO Trondheim, Pøbelrock 26.07 – NO Hønefoss, Malstrømfestivalen 01.08 – NO Horten, Kanalrock 03–06.09 – SE Örebro, Live at Heart 18.09 – FI Turku, TBA 19.09 – FI Tampere, TBA 20.09 – FI Helsinki, TBA
Norwegian post-rock outfit Korean Cars are set to release their debut mini-album “#1” on May 23 via Mas-Kina Recordings — and the leading single ‘Drömtorp’ is now available.
‘Drömtorp’ sets the tone for the record — a haunting yet powerful track that captures the emotional intensity and melodic depth at the heart of Korean Cars’ sound.
Blending melancholic post-rock with melodic post-hardcore, Korean Cars create a dynamic soundscape where atmospheric depth meets raw emotional release. Drawing from the alternative and post-hardcore scenes of the ’90s and 2000s, the band’s sound fuses soaring melodies, jagged noise, and unpredictable shifts into a captivating experience.
Formed by members of Rumble in Rhodos, Infidels Forever, Arms on Fire, and Insense, Korean Cars combine seasoned musicianship with a shared passion for layered, emotionally charged songwriting. Their sound echoes the cinematic textures of Explosions in the Sky and the emotional punch of Trail of Dead — a beautiful chaos of melody and intensity.
CERESIAN VALOT release a visualiser for the next single ‘Valojuovat’ (‘Tracers’) taken from the forthcoming debut full-length Uumen (Depths). The first album of the Finnish heavy alternative band has been scheduled for release on May 23, 2025.
Wille Naukkarinen writes: “The new advance single ‘Valojuovat’ is one of the most recent songs that I wrote for Uumen and my personal favourite on this album”, the guitarist and main songwriter reveals. “I don’t have much to tell about the composition process, because this was one of those rare cases where the song basically wrote itself. The instrumental version was completed pretty quickly. It’s a mix of prog and melancholia, showcasing both our quieter and heavier side in a very melodic way. I recommend to listen to ‘Valojuovat’ with your eyes closed.”
Panu Perkiömäki adds: “This song has strong dystopic vibes”, the vocalist opines. “The key idea of the song is inspired by the writing of Albert Camus. It’s a song about wars and other manmade disasters. It is also a song about solving problems by changing the channel, if the news get too stressful. ‘Valojuovat’ does even contain some doubts about religions and their infallibility.”
Helmed by Black and Cherokee composer and multi-instrumentalist Takiaya Reed, Divide and Dissolve will release their new album, Insatiable, on April 18 via Bella Union.
The 10 track album run the gamut of doom metal – from the ear-splitting depths of lead single ‘Monolithic’, to contemplative, softer moments on the aptly titled song ‘Grief’, released today. Like all of Divide and Dissolve’s music, Insatiable is almost entirely instrumental.
While the album’s sheer grandiosity represents an evolution in Divide and Dissolve’s sound, it also marks the very first time that Takiaya has ever lent vocals to a D//D song. On ’Grief’ her distorted voice echoes atop a vibrating bass tone, repeating the lyrics: “I don’t know what I’m supposed to do/ I’m so lonely without you.” Takiaya explains, “The voice is such a mysterious instrument. This album feels different, and I wanted to honour that”.
The director of the music video, Sepi Mashiahof, adds; “The music video for ‘Grief’ is an ode to the feelings of empowerment, resistance, and sadness that Divide and Dissolve weaves into our bodies. It’s an expressionist diary made up of dissonant and revelatory memories. Grief eclipses everything around us, innocuously lingering in the functional movements of our daily lives, then aggressively literal in the reflective silence behind our eyes. Grief is inherent to our existence, knowing that a better world exists for all of us and its potential is boundless, yet we’re made to suffer the atrocities of greed and exploitation instead. We can honor Grief as a passage of life, but we must resist the forces that impose it as a numbness to injustice.”
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Divide and Dissolve live dates (so far):
18-05-2025 Desertfest London – London 30-08-2025 Supersonic Festival – Birmingham
Aural Aggravation 