Posts Tagged ‘Passage / Irisia’

29th November 2019

Christopher Nosnibor

Ahead of the release his seventh solo-album, Exo, in January next year, Swiss electronic artist Bit-Tuner indicates a significant change in direction with this single release. The two pieces on offer here are brief and – here’s the headline – beatless, as Bit-Tuner goes fully ambient.

It’s also a surprisingly succinct sonic document, the two tracks combined clock in at a mere fraction over seven minutes. ‘Passage’, the press release tell us, is ‘based on field-recordings, synthesizer pads and fluttering arpeggios,’ and ‘resembles a winding descent into a weightless but fragile science fiction world.’ The music in itself conveys almost nothing of this yet at the same time, succeeds in creating its on psychological space through the language of sound. It’ hushed, subdued, fragmented. Sounds like seagull calls drawl across ethereal twistings. Sometimes, abstractions conveys more than anything concrete or specific.

Virtual flipside / counterpart ‘Irisia’ is described as ‘a call from way below’ in which ‘a thunder-like growl from the underworld wraps itself around a floating choir-drone’. At a mere two-and-a-quarter minutes, and consisting of echoed notes and a mist-like sonic mist swirling directionless, it’s barely an interlude. And yet, despite its lack of substance, it has atmosphere and a certain depth.

I am left pondering the oddity of a ‘single’ release in the context of an ambient work that’s most likely designed to be consumed as a single while, but this showcases Bit-Tuner’s latest work in a digestible and readily accessible, bite-sized format, and it works nicely.

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