Posts Tagged ‘Leæther Strip’

Damage Control is an electro-industrial music project centred around its current core members Bill Barsby, Richard Thacker and Alex Wise, who are all based in Australia, plus Markus App from Germany. Both Barsby and Thacker are originally from Birmingham, England.

Having collaborated with a number of other like-minded musicians from all over the world on their well received 2017 debut album, Ultranoia, they have repeated the trick for its long-awaited follow-up, Oblivion Grid, a release date for which will be announced shortly. As with the first record, they have also retained the skills of Canadian producer Chris Peterson (Front Line Assembly, Noise Unit, Unit:187) and engineer Greg Reely (Skinny Puppy, Front Line Assembly, Fear Factory).

‘Rage’ is released today as the first single from the new album and features the Danish musician Leæther Strip aka Claus Larsen on vocals. “We like working with guest singers and have always loved Leaether Strip since the early ’90s industrial and darkwave club scenes,” states Barsby. “We were curious to hear what the combination of our song, Claus’ vocal and Chris’ production would sound like.”

Peterson adds: “Ever since my first conversations with Bill Barsby over a decade ago that led to the first Damage Control album, I believed in the project and that he was making music from his heart that was something special. This is also the case the second time around and holds true with the artists we were lucky enough to have come on board; we all wanted to help and be a part of it. The result is a wonderful release with a variety of songs that is their best work yet. It is a testament to the creative spirit and joy of making and sharing music that attracted so many valuable contributors to lend their talents over the time it took to realise.”

AA

ee5df87c42ecc5a9a9dc7db13286d99171052477

Distortion Productions – 5th July 2024

Christopher Nosnibor

Released to coincide with the start of their US tour to promote the album HEX, released in March, HEXPLAY offers up remixes of three tracks from the album, by artists including Leaether Strip and Red Lokust.

Remix albums and EPs do tend to be a bit of a mixed bag, and my cynical side says they’re an easy way of milking maximum product from the material an act has – and the fact that the Grendel remix of ‘Veridia’ already appeared as a bonus track on the digital version of HEX does little to dispel this notion with this release (the album contained seven new tracks including lead single ‘Witch Lit’ released the year before, expanded with three remixes, and there was previously a standalone Stabbing Westward remix of the title track).

There are two further mixes of ‘Veridia’ here. Of these, the Leaether Strip reworking which opens this set is the most radical, transforming the dark electrop of the original – which clocks in at just over two minutes – into a sprawling five-minute exploration of brooding esotericism, with a hint of Eurovision-friendly groove. Pushing the bass up in the mix, it’s darker and denser than the original, and adds new depths and dimensions. Placing it up front was a sound decision, as for my money, it’s the strongest track here.

In the hands of Third Realm, the contemplative mid-tempo ‘Raining Roses’ is transformed into a cinematic anthem, and it’s a triumphant reworking – not a huge stretch in terms of imagination, but it simply makes the song so much bigger.

SPANKTHENUN take ‘Witchlit’ in a darker, murkier direction, straddling stuttering techno and ambience. It’s quite a departure from the original, unexpectedly tense and claustrophobic, and if it lacks the magical, haunting nature of the original its quite brutal treatment is big on impact and shows the song in quite a different light.

The last couple of tracks are solid enough, but perhaps a shade predictable, and certainly lacking the impact or imagination of those which precede. This is what I mean when I say that remix releases are a mixed bag, but I’m equally aware that this is a question of taste, and some will likely prefer the versions I’m less enamoured with.

Here, the source material is strong, which definitely gives the remixers a head start, and while I’ll often find myself asking ‘why mess with perfection?’ credit is due on this occasion for offering versions which, if not improving on the originals, certainly bring something different and worthwhile.

AA

a2135998688_10

31st January 2023

Christopher Nosnibor

It might sound daft now, but seeing Depeche Mode perform ‘Stripped’ on Top of the Pops in 1986 felt like something risqué. It was a family show, after all, and I was ten years old. It wasn’t your average pop subject matter, and even at that age, I was aware that this was a bit dark and sleazy. It’s not just that I’m now forty-seven years of age, but times have most definitely changed. It isn’t that sex is necessarily more mainstream now – as a kid I’d see my grandad’s copy of The Sun whenever I visited, and Page 3 calendars were commonplace décor in offices and places – but the slant is different. Whereas Duran Duran’s ‘Girls on Film’ video was simply something you wouldn’t see, but Cardi B’s ‘WAP’ wasn’t the only song to have gone stratospheric in recent years which was hyper-explicit on every level.

‘Strip Me’, the lead song from the latest EP from Johnathan|Christian harks back to the mid 80s, both sonically and in terms of how it feels simply ‘a bit naughty’ and ‘a shade raunchy’ rather than full on porny – and besides, it’s more of a metaphor here than anything literal or kinky. It’s a cracking tune, a mid-tempo string-soaked slow-burner that’s as much Kylie’s ‘Confide in Me’ as it is anything by Depeche Mode, and it’s a quality dark pop song.

‘Sway Back’ brings some swing, and ‘This Too’ crunches Disintegration era Cure with Depeche Mode circa 86 to create a slick and expansive song that conveys an emotional depth beyond mere words.

Strip Me is an EP of two halves, with a remix of each of the three tracks following on. And if you’re going to do the remix thing, it probably pays to get some notable names on the mixes – and Johnathan|Christian achieve that with Ministry’s John Bechdel, EBM legend Leæther Strip, and Steven Archer (Stone Burner/Ego Likeness) all pitching in.

Of the three, ‘Strip Me’ still stands as the standout, but the other two are nicely done, with Leæther Strip delivering a dark disco stomper. Solid stuff all round.

AA

870643

Los Angeles-based Johnathan Mooney and Stockholm’s Christian Granquist otherwise known as the Trans-Atlantic post-punk project, Johnathan|Christian have released their latest EP, Strip Me.

The EP tells a story through a trilogy of songs, ‘Strip Me,’ ‘Sway Back’ and ‘This Too’.  The topics addressed in the trilogy include acknowledging the fear of rejection, love’s often finite nature, hitting bottom and trying to find ways out.

The EP also features remixes by Ministry’s John Bechdel, EBM legend Leæther Strip, and Steven Archer (Stone Burner/Ego Likeness), which provide unique interpretations of the duo’s sound.

The music video for ‘Strip Me’, produced by Purple Tree Creative’s Nick Van Dyk, takes a subliminal approach in terms of the cuts and imagery addressing the challenges of a relationship.

The animated video aims to explore the different emotions and experiences that come with the life cycle of a relationship in a unique and visually striking way. By using abstract imagery, the video aims to create a powerful and thought-provoking response that can help those going through challenges to understand better and process their feelings, even if it may be on a subconscious level. The video’s goal is to convey empathy and the chaos that comes with the experience of a relationship.

Watch it here:

AA

d1cf4016-bf30-10fb-82af-46ec88ab2208