Posts Tagged ‘Internecine Vampires’

Silber Records – 6th December 2018

Christopher Nosnibor

The five soundscapes on Internecine Vampires are exploratory and carry an air of the vague and tentative. That isn’t to say indecisive or uncertain: Fisher has a clear sense of purpose here, and this mellifluous ambient work ventures into some interesting sonic territories, not least of all in the juxtapositions of texture and tone.

The liner notes describe the EP as ‘a free wheeling exploration of un-winnable situations & social conflict that drew inspiration from everything from chess, Star Trek, & Timothy Leary to considering the ways in which social groups too often fail to connect in meaningful ways’, and explain how ‘Fisher was also thinking about how queer & trans individuals are too often placed in the unwinnable situation of being evaluated on their ability to “pass” & considered inauthentic in relation to the “authentic” dominant culture… The unwinnable situation is an invitation to redefine the terms of success; to imagine different ways of being & of relating to the world & those around you; to reject simple binaries & to reject the internecine vampires that lurk within ourselves & our culture. Individuals are meant to be recognized as just that, individuals.’

I may have a doctorate in English literature, but ‘internecine’ is a new entry in my vocabulary. Meaning ‘destructive to both sides in a conflict’, it’ a strong addition and it’s the perfect selection for describing the gender wars which are currently raging in all directions, wreaking havoc with destructive infighting around what very much ought to be a common cause. The wider narrative is that gender conflict is a convenient distraction from everything else, particularly given that those battling it out tend to be left-leaning individuals. While I’m not about to suggest which battles anyone should choose, I do have a certain personal interest in the lines marked out between the sides, for reasons I’m disinclined to retread and labour here. Individuality should be a given right: what the world needs is for those individuals to unite against the enemy of governmental tyranny, etc., etc, etc.

On ‘Maps Of Loss And Longing’, soft xylophonic notes hover in a mist of reverb and slowly twist and warp. It’s subtle, but tangible. ‘Maru’ offers elongated, scraping drones of feedback and low, sonorous hums below, which twist together and twist apart. It’s delicate, graceful, sans form, and undirected. ‘Zugzwang’ brings a mournful violin, a banjo picked in a sparse, mournful fashion, against a dolorous, funereal beat and the occasional blurt of extraneous noise, while closer ‘Soon’ is a slow-turning sonic drift, a soft, supple cloud that changes form slowly, almost subliminally. It’s perhaps analogous to the EP and its message, in that it works as a piece of music, but its intent isn’t necessarily apparent. Objectively, this is no obstacle to the appreciation of what is a neatly-gathered and carefully-poised ambient instrumental assemblage that flows naturally and fluidly to form a cohesive piece of work.

AA

Luka Fisher – Internecine Vampires

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