Posts Tagged ‘Fierce Panda’

Here at Aural Aggravation, we’ve been backing Jekyll, Sweethearts, and Polarized Eyes for a while now, so it’s exciting to see that End of the Trail Records, is curating a stage at this year’s Liverpool Sound City on Saturday 2nd October, featuring them alongside a host of other exciting new acts.

They’re showcasing a bunch of bands from the label, alongside acts from both seminal and stalwart independent label Fierce Panda and Fear Records, to pull together an exciting bill of up-and-coming talent. Live music is back with a bang, and these are exciting times with a wealth of fresh talent emerging.

The showcase will be held at EBGBS in Liverpool (of course!) Stage sponsored by Fear Records & Blaggers Records, with stage times (and band info links) as follows:

21.00 CHINA BEARS : INFO

19.50 ENJOYABLE LISTENS INFO

19.00 THE INSTITUTES INFO

18.10 SHADE INFO

17.20 POLARIZED EYES INFO

16.30 MOSES INFO

15.40 FAMILY JOOLS INFO

14.50 JEKYLL INFO

14.00 SWEETHEARTS INFO

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If you’re already going, you can’t go far wrong. If you’re not, tickets for Sound City are still available here.

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Media kudos for End of the Trail:

Genuinely in it for the music – LOUDER THAN WAR

Super cool – BBC RADIO 6

Echoing the grandeur of Factory – NARC MAGAZINE

Fierce Panda – 13th November 2020

Christopher Nosnibor

Fierce panda will be forever intrinsically linked to the cutting edge of indie in the 90s, emerging as it did in 1994 and immediately making a name for itself with limited edition 7”singles by big-name contemporaries initially including Ash, Supergrass, The Bluetones, and Baby Bird, not to mention Placebo, Keane, Coldplay, Embrace, and that record by Oasis.

More than a quarter of a century on, they retain that certain sense of cool-by-association, but also continue to release damn good indie singles, breaking new talent with astounding frequency. National Service are a perfect example: the label picked up the London quartet National Service from seemingly out of nowhere, releasing their debut single, ‘A Little More Time’ in the year of their formation. Three years on, and here we have their third single, a song that unpicks he seams of the mundane, the everyday, and the introspective pains of self-expectation.

‘I haven’t had a decent sleep in days / I’m overthinking when I should be happy doing something mundane / But I’m too busy thinking about the long run / That I rarely find the time to enjoy today’ laments Fintan Campbell against a welter of shimmering guitars and rolling drums.

Comparisons to The Twilight Sad aren’t unjustified, and the band mine that seam of post-punk revival / indie crossover that dominated 2002-2006 as represented by Editors, Interpol, The Cinematics and myriad others, and the bassline that cuts in at the midpoint is pure Carlos D circa Turn on the Bright Lights. None of this is in any way to suggest that ‘Caving’ is derivative or locked in time: it’s a genuine rush of a tune, and condenses all the emotional resonance into four and a half minutes. It’s taut, hooky, and packs a punch.

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Caving Artwork

South London duo VLMV (FKA Alma) have announced their new album ‘Stranded, Not Lost’ will be released on Fierce Panda on the 16th Feb.

They’ve shared this exciting news with new music in the form of beautiful single ‘All These Ghosts’ with an accompanying live video shot at The Nave in Leeds.

VLMV is made up of Pete Lambrou of Codes In The Clouds & Monsters Build Mean Robots and Ciaran Morahan, also of Codes In The Clouds. They’ve describe themselves as "ambient-ish, post-something” their music is beautiful and spacious ambient post-rock.

‘Stranded, Not Lost’ is a gorgeous and moving record replete with the kind of brooding, ambient soundscapes, soaring vocals and crashing intensity that have earned the band a small legion of dedicated fans and recent tours supporting the likes of post-rock stalwarts Nordic Giants.

You can see the video for ‘All These Ghosts’ here: