Posts Tagged ‘Acoustic Version’

"I wrote ‘Revolve’ on an unplugged electric guitar in a hotel room in San Francisco and it sounded great! Obviously then it wasn’t hard to make an all acoustic version of Revolve work. it’s a great riff" says Buzz Osborne of The Melvins of the latest track to be shared from their forthcoming album, Five Legged Dog (Oct. 15, Ipecac Recordings), which premiered yesterday via Kerrang! and is now streaming on all digital platforms.

The 36-song newly recorded, acoustic collection features a career-spanning collection of songs, from 1987’s Gluey Porch Treatments to 2017’s A Walk With Love & Death, the entire gamut of the legendary band’s catalogue is represented.

Five Legged Dog also features acoustic versions of several rarities from the influential band’s overflowing discography including a cover of Redd Kross’ “Charlie” (from the limited-edition “Escape From LA” single), “Outside Chance,” a Turtles’ cover from the “Slithering Slaughter” single and new interpretations of The Rolling Stones “Sway,” Brainiac’s “Flypaper,” and Fred Neil’s “Everybody’s Talking” (popularised by Harry Nilsson). Butthole Surfer Jeff Pinkus lends his vocals (and banjo) to “Don’t Forget to Breathe” and “Everybody’s Talking.”

“I knew I wanted to do something ridiculously big,” explains Buzz Osborne of the band’s first ever acoustic offering. ”36 songs reimagined by us acoustically is certainly ridiculous but it works. The magic of the songs is still there regardless of it being acoustic. Since we weren’t touring we had the time to do something of this size. I’m very excited about this record. Dale and Steven did a fantastic job on this. I think it’s a very special record. I can’t think of anyone else who’s done something like this.”

Dale Crover noted: “I think people will be surprised that we can do an acoustic version of a song like ‘Night Goat’ without losing any of the heaviness. We also worked hard on the vocal arrangements. People are going to freak out!”

Listen to the acoustic ‘Revolve’ here:

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Photo Credit: Bob Hannam