7th April 2023
Christoper Nosnibor
In their native Scotland, The Twilight Sad are fucking massive, capable of selling out two consecutive nights at 1,900 capacity Glasgow Barrowlands. South of the border, they have a deeply devoted fanbase, but are more of a niche act. It may be the fact that they are so overtly Scottish, with James Graham’s unapologetically strong accent sometimes rendering the lyrics rather hard to decipher, but the raw emotional impact of their songs transcends language.
This is something that’s long been recognised by Robert Smith, who recorded a cover of ‘There’s a Girl in the Corner’ in 2015, and first took them out on tour with The Cure the following year. There can be few higher compliments for a band whose love of The Cure is evident in their catalogue, and there have been several tours since.
Ahead of their most extensive US tour to date with The Cure which runs through May and June and into July, they’ve released a live EP via BandCamp, which was recorded across three nights at Wembley Arena during our tour with The Cure in December 2022, and as with all of their live EP’s this is a Bandcamp exclusive on a Pay What You Can basis.
They’re a band who excel live – their intensity is a rare thing indeed, James Graham is beyond compelling, and steps into a zone onstage while Andy MacFarlane whips up a maelstrom of sonic sculptures that push guitar playing in a direction not heard since Bauhaus’ Daniel Ash. Someone once left a one-word comment – ‘cunt’ – on a live review I posted of the band where I suggested that the experience was akin to how I expect it would have been to have seen Joy Division in their prime, but I stand by the comparison having first heard the debut album and thought it was ok, to being blown always by both the volume and intensity of a live performance.
As such, this EP is a well-timed and savvy promotional tool, as well as a nice stop-gap for fans home and away, since it’s evident they won’t be doing much recording of new material in the coming months.
It’s an interesting – but also representative – selection of songs, opening with ‘There’s a Girl in the Corner’. The guitar is right up front, mangled and messy, a mesh of treble and distortion over the sombre drums and spacious synths. Most live arena recordings sound a bit distant, a bit clinical, but this, this slays. It’s noisy, full-on. The guitar absolutely fucking shreds. And James’ vocals… he’s not holding back. He’s still living every line.
But consider this for a second: it’s a stop-gap live EP recorded live at fucking Wembley arena. How many bands get to do that?
There are two songs from the debut album which remain live staples and are undeniably absolute classics. ‘And She Would Darken the Memory’ is a monster swirl of the most anguish-laden shoegaze ever committed to tape, and the altered lyric which offers the reassurance that ‘the rabbit won’t die’ dies little to diminish the kitchen sink trauma or the impact of the squalling guitar racket that occupies the final three minutes, against a backdrop of relentless drumming. The other track from Fourteen Autumns & Fifteen Winters, ‘That Summer, At Home I Had Become the Invisible Boy’ remains untouchably strong. ‘The cunt sits at his desk, and he’s plotting away… the kids are on fire in the bedroom’ James sings to twelve and a half thousand people as that guitar tears in, twists, warps, melts.
‘Wrong Car’ is something of an outlier: released as a standalone single after the second album, it’s been in and out of the setlist and not always an easy fit on account of its near-seven-minute duration. But this EP captures a strong performance of an underrated song, and if the balance of the EP is geared toward earlier material, it’s perhaps the material they’re most confident with, but also suggests they’re keen to both give something to longstanding fans while connecting new converts with the early songs that made them.
They deserve world domination after this next tour.
AA
Tour dates
MAY 2023
10 NEW ORLEANS, LA SMOOTHIE KING CENTER
12 HOUSTON, TX TOYOTA CENTER
13 DALLAS, TX DOS EQUIS PAVILION
14 AUSTIN, TX MOODY CENTER
16 ALBUQUERQUE, NM ISLETA AMPHITHEATER
18 PHOENIX, AZ DESERT DIAMOND ARENA
20 SAN DIEGO, CA NICU AMPHITHEATRE
21 SAN DIEGO, CA NICU AMPHITHEATRE
23 LOS ANGELES, CA HOLLYWOOD BOWL
24 LOS ANGELES, CA HOLLYWOOD BOWL
25 LOS ANGELES, CA HOLLYWOOD BOWL
27 SAN FRANCISCO, CA SHORELINE AMPHITHEATRE
31 PORTLAND, OR MODA CENTER
JUNE 2023
01 SEATTLE, WA CLIMATE PLEDGE ARENA
02 VANCOUVER, BC ROGERS ARENA
04 SALT LAKE CITY, UT VIVINT SMART HOME ARENA
06 DENVER, CO FIDDLER’S GREEN AMPHITHEATRE
08 MINNEAPOLIS ST. PAUL, MN XCEL ENERGY CENTER
10 CHICAGO, IL UNITED CENTER
11 CLEVELAND, OH BLOSSOM MUSIC CENTER
13 DETROIT, MI PINE KNOB MUSIC THEATRE
14 TORONTO, ON BUDWEISER STAGE
16 MONTREAL, QC QC BELL CENTRE
17 MONTREAL, QC BELL CENTRE
18 BOSTON, MA XFINITY CENTER
20 NEW YORK, NY MADISON SQUARE GARDEN
21 NEW YORK, NY MADISON SQUARE GARDEN
22 NEW YORK, NY MADISON SQUARE GARDEN
24 PHILADELPHIA, PA WELLS FARGO CENTER
25 COLUMBIA, MD MERRIWEATHER POST PAVILION
27 ATLANTA, GA STATE FARM ARENA
28 ATLANTA, GA STATE FARM ARENA
29 TAMPA, FL AMALIE ARENA
JULY 2023
01 MIAMI, FL MIAMI-DADE ARENA
Aural Aggravation 