Vaselyne – Waiting to Exhale

Posted: 6 August 2021 in Singles and EPs
Tags: , , , , , , , ,

23rd July 2021

Christopher Nosnibor

The new release from Dutch duo Vaselyne, consisting of singer Yvette Winkler and musician and producer Frank Weyzig is sold as a maxi-single, and sure enough, with the track accompanied by instrumental and demo versions, it does replicate the feel of the old 12”, which in time became the CD single.

If I’m habitually ambivalent about versions and remixes, it’s because they often feel like it’s an attempt to eke out a limited amount of material over the most space, and back in the day – the day being the late 80s and through most of the 90s – as a completist collector of a number of bands, I’d feel a bit swizzed over B-sides consisting of acoustic versions etc spanning multiple formats, and much preferred the first half of the 80s when the 12” single often meant no more than an additional B-side not on the 7”, or at most, an extended version, and there as only a 7” and 12” on offer, rather than a 7”, 12”, limited 12” and likely a standard and limited CD, all with different tracks, plus a cassette single that was likely the same as the 7” but well, you couldn’t just leave it, could you? Especially if it was in a nice card slipcase or a cover like a cigarette packet.

I digress, just a little. Firmly rooted in the brooding corners of theatrical gothic rock, the piano-led ‘Waiting to Exhale’ is six minutes of poised, dramatic splendour, a work of melancholic beauty. Yvette’s vocal are rich, bordering on the operatic in places, although never overdone: there’s no bombastic emoting here, just controlled reflection. The production is full, but again, uncluttered, not over the top. In this respect, there isn’t much difference in the song’s evolution from the demo to the final version, other than the fact that the final version is fuller, more polished, but with no loss of resonance.

And if it invites comparisons to Evanescence, this is perhaps the key difference: Vaselyne keep things real and resist the overblown, and in doing so, render the more understated emotional qualities more sincere-sounding. A mournful string scrapes across the layered vocal and carries the listener into a space of aching reflection.

AA

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