Posts Tagged ‘Video’

From San Diego, California, Sledges is a four piece Alt-metal/Heavy-shoegaze band that blends genres like grunge, metal, shoegaze, emo/post-hardcore, and alternative to craft songs with catchy hooks and big riffs. The band’s goal is to create emotional/ heavy songs that you can sing along to.

Sledges is Philly Gomez (vocals and guitar), Alex Angulo (bass), Julian Romero (guitar), Mason Haidar (drums).

Sledges’ origin starts in mid 2020 taking place in the area of Chula Vista California. From the boredom and free time during the pandemic Sledges started as a three piece and wasted no time writing original material. During 2020 Sledges recorded and released their first single ‘Melting Lives’ which helped them start playing shows in San Diego and grow a local fan base. The group recorded and released more singles throughout 2021-2023 and added a fourth member to play lead guitar. Some notable singles during that time include ‘Headwinds’ (2022) and ‘Disgusting’ (2023).

In mid 2023 Sledges began to record their EP Losing Pace with Mike Kamoo who engineered, mixed and mastered it at Earthling Studios. Losing Pace is a four track EP that is catchy and ambitious yet heavy. The group took inspiration from bands like The Smashing Pumpkins, Nothing, Sunny Day Real Estate, and Hum with its heavy but lush wall of guitars while adding their own flavor. Sledges experimented with acoustic guitars, melodic choruses, drum samples and My Bloody Valentine-esque leads. The group wanted to simply write strong songs that can stand on their own.

Singer/songwriter Philly Gomez says Losing Pace is about a period when he felt broken from the struggles of balancing life and in the process realizing you are falling apart. With heartfelt lyrics and contagious riffs, Losing Pace was released on May 2nd 2024. With great reception the EP led the band to get signed by the label Quiet Panic and open for larger bands like From Autumn to Ashes, and Ringo Deathstarr.

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NYC-based quintet Ecce Shnak (pronounced Eh-kay sh-knock) presents ‘Fight Song’ (Live), a hard-hitting track with a potent message, presenting an ironic take on violence and addressing today’s rampant spread of hate-filled vitriol.

This is the second taste of their Backroom Sessions EP, following the downtempo groove-inducing opus ‘Prayer On Love’ (Live). Recorded at the Backroom Studios in Rockaway, NJ, the EP is out May 22 via Records, Man Records).

Rejecting conventional aesthetics, Ecce Shnak whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut ‘Shadows Grow Fangs’ EP, this new release previews June’s West coast tour with platinum-selling legends Spacehog and EMF.

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

“The hardcore slammer ‘Fight Song’ is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, Letters to German Vasquez Rubio in 2012,” says David Roush.

“We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: ‘Fight for your right to fight!’”

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Darkwave duo, Johnathan|Christian return with ‘Where Do We Go From Here’—a brooding, cinematic post-election anthem that captures the emotional wreckage of a divided nation. The track opens in hushed reflection (90 BPM) and erupts into a 125 BPM pulse of unrest and reluctant clarity. No slogans. Just aftermath.

The video integrates footage from Maya Deren’s At Land—a woman lies on a beach, disoriented yet unbroken, before rising with quiet resolve. What begins in poetic isolation transforms into documentary collapse: flickering headlines, divided families, shuttered classrooms, and hands reaching—but not always finding. It opens with: “We Still Remain.” It ends with: “WE STILL RISE.”

“We didn’t want spectacle—we wanted aftermath,” says the band. “No fire. No fury. Just a reckoning in the ruins.”

Included in the release are: a 125 BPM DJ Edit for live mixing and DJ sets, and remixes by industrial supergroup, The Joy Thieves and Stoneburner’s Steven Archer. Also included is the track, ‘Fall from Grace’ – a short, ghostly instrumental layered with static and decay; a requiem for what was, and a reflection on what remains.

For fans of Peter Murphy, Human Drama, Laibach, New Order, and politically-driven dance stompers.

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Southern Italy’s riff-wielding power trio King Potenaz have officially signed to Majestic Mountain Records for the release of their highly anticipated sophomore album Arcane Desert Rituals Vol. 1, due out June 27th, 2025 on both vinyl and digital formats.

To mark the occasion, the band has just unleashed their blistering new single and video for ‘Rivers of Death’, a 10-minute descent into fuzzy doom, psychedelic dread, and scorched-earth riff worship.

“We’re back with a vengeance, unleashing our long-awaited second album, Arcane Desert Rituals Vol. 1! Says the band. "This is our heaviest, most intense work yet — a sonic onslaught that’ll blow your mind. We can’t wait for you to crank it up and dive into the chaos!”

With a sound steeped in the grimy tradition of Electric Wizard, Sleep, and Monster Magnet, King Potenaz blend occult doom, stoner fuzz, and eerie psychedelia into a swirling ritual of sound. “Rivers of Death” is the perfect first taste of what’s to come: hypnotic, devastating, and weird in all the right ways.

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After the announcement and pre-order start of their sophomore album Waving at the Sky and the release of their first single ‘The Malevolent’ featuring Ross Jennings from Haken, Norwegian prog rockers AVKRVST reveal their second offering – ‘The Trauma’.

Simon Bergseth, vocalist, shares about ‘The Trauma’:

“‘The Trauma’ is the heart of the story— the origin of everything. A harrowing act triggered a wound that never should have been inflicted. This is where it all begins.“

The single comes with a brand-new music video in established AVKRVST aesthetics – a continuation of the story of the lonely, bleak soul in the cabin. Watch the video here:

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Credit: Kristian Rangnes

mclusky released their first album in 20 years, the world is still here and so are we, last week. they’re sharing another video today which is directed by remy lamont, and that’s for the track ‘autofocus on the prime directive’, which is one of the songs from that album. there are also a lot of live dates coming up which you can look at below if you like.

falco offers; “autofocus on the prime directive is a series of patently untrue statements set to music by a man who can barely dress himself. the title is not a reference to star trek in any way but if it was I hope you’d understand.”

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Photo credit: Damien Sayell

NYC-based producer indie music veteran Charlie Nieland presents his new single ‘Drown’, a stunning reverb-laced offering and the first taste of his forthcoming The Ocean Understands EP, set for release on June 20. The expansive and visceral music video was directed by NYC-based multi-faceted artist Hypnodoll.

“The track ‘Drown’ was inspired by Monique Vescia’s book Hole In The Sky, which I read for the Bushwick Book Club songwriter series in 2021. It depicts a dark world, where an authoritarian won the US presidential election of 2020. So I made this mythical tale from the past, told in the future, where all the stories are jumbled up – a celebration of destruction,” says Charlie Nieland.

“Of course, it all feels quite prescient as we sift through our present wreckage, searching for grace in the violent forces underneath. It’s a white-hot psychedelic siren song with an oceanic undertow.”

It’s been four years since Nieland released his 2021 widely acclaimed Divisions with its sweeping melodies and restless rhythms. Renowned for tastefully blending post punk, dream pop and progressive rock, he has been writing, playing and producing music for decades, with a focus on the atmospheric and the imaginative.
Nieland’s musical backstory is extensive, having played dream pop with Her Vanished Grace for over 20 years before establishing himself as a solo artist with a mix of nuanced songwriting and sonic exploration, initially releasing Ice Age (2014) and Hopeful Monsters (2016). He is currently half of the literature-inspired songwriting and performing duo Lusterlit with Susan Hwang and produces and participates in the podcast ‘An Embarrassment of Prog’.

Along the way, Charlie wrote and produced material with such notable artists as Debbie Harry, Rufus Wainwright, Dead Leaf Echo, Blondie and Scissor Sisters. He scored the feature film The Safety of Objects (starring Glenn Close), the pilot episode of ‘The L Word’ on Showtime and the VH-1documentary NY77: The Coolest Year in Hell. Charlie was awarded a Gold record (UK) for his production work on Blondie’s ‘Greatest Hits Sight & Sound’ and achieved a Top 10 Billboard Dance Chart Position with Debbie Harry’s single ‘Two Times Blue’, which he co-wrote and produced.

Charlie Nieland shares his impression of the accompanying video: “With its mind-melting imagery, the video for ‘Drown’, created by NYC multimedia artist Hypnodoll, is beautiful and deranged. She conjures storytelling just out or rational reach, playing tag with the ancient and futuristic in a way that perfectly compliments the song. Collaborating with her is such a thrill”.

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Portuguese heavy sludge hitters Vaneno have just dropped the official video for ‘Sludgehammer’, the crushing second single from their forthcoming album Chaos, Hostility, Murder, due out May 26 on Raging Planet Records.

Shot in black and white, ‘Sludgehammer’ embodies everything Vaneno stands for: heavy, unrelenting riffs, cavernous grooves, and a primal energy that feels like it could destroy entire brick walls. The track delivers a punishing blend of sludge, stoner, and death metal, the kind of sound that grabs you by the throat and doesn’t let go.

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KAYO DOT have revealed the video single ‘Oracle by Severed Head’ taken from their forthcoming new album Every Rock, Every Half-Truth under Reason, which is scheduled for release on August 1, 2025.

Watch it here:

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KAYO DOT comment: “The song ‘Oracle by Severed Head’ is about prophecy, but not the clean, transcendent kind that we’ve been taught to expect”, mastermind Toby Driver reveals. “This is prophecy as defilement – a sacred voice ripped from the past and forced through a severed head – a voice no longer truly its own, but distorted, fragmented, bleeding into the present. It is a song that interrogates the ways in which manipulated versions of the past continue to invade the present, asserting themselves in violent ways. These voices might be real and they might speak some truths, but who, through the obscene fracture that brought them back, are we really listening to? And at what cost? Musically, ‘Oracle by Severed Head’ pulls us into that space of rupture. It is built on a large ensemble – guitars, drums, bass, strings, woodwinds, trumpet, and vocals – an orchestration that calls back to the earliest Kayo Dot works. The song is a perfect choice for a first single, as it celebrates our return to form while marking the passing of time since ‘Choirs of the Eye’. The music is expansive but controlled, allowing tension and release to breathe in real time. Its beauty is at odds with its plaintiveness, as aching melodies and delicate harmonies evoke a sense of loss and longing. The climaxes feel inevitable, yet somehow unexpected. In these moments, the music mirrors the emotional intensity of our most powerful moments, but also speaks to the underlying disquiet of the present – trapped between what was and what is yet to come.”

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AZURE EMOTE drop the video clip ‘Feast of Leeches’ as the first single taken from their new full-length Cryptic Aura. The fourth studio album of the American progressive death alchemists has been scheduled for release on July 25, 2025.

AZURE EMOTE comment: “The first single ‘Feast of Leeches’ is a frantic release of anger and madness”, mastermind Mike Hrubovcak writes. “For far too long have we suffered the pressure of outside vultures feeding off our personal energies. It’s fitting that this video was created by ‘Drain Hope’, because it visually expresses the frustration of being surrounded by leeches and parasites that are sucking on our lifeblood, while leaving us ultimately drained and lethargic. It’s like suffocating under dirt but still crawling through the mud in hopes of getting out. We are all waiting to breathe, but always holding our breath, and continually striving to be, while awaiting our death.”

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