‘Propaganda Now’ is the closing track from the upcoming album Confused OK by York band Soma Crew.
‘Propaganda Now’ was lyrically informed by an awareness of the increased discrepancy between fact and its interpretation through social media. Participation in the dispersion of information is unavoidable in contemporary society, and it is virtually impossible to be sure of the veracity of sources. Visual cues are taken from historical posters where images are used to persuade the viewer of a particular point of view. In these circumstances we are presented with a dichotomy, and our innate circumspection is smothered.
Industrial rock band, FLEISCHKRIEG has just unleashed their new single, ‘I Believe In Gnomes’.
‘I Believe In Gnomes’ is a song about our beliefs, who shapes them, and why. Many things that were too absurd to believe in (such as UFOs) have now been proven to be true. The crackpots have been vindicated. Now the gnomes ask us to consider what else have we been lied to about, and why. They ask us to examine our beliefs. Are they really ours to begin with or did we inherit them from a society bent on hiding the truth from us?
The single was Produced/Mixed/Mastered by Logan Mader who has produced and mixed acts such as Fear Factory, Divine Heresy, and Five Finger Death Punch. ’I Believe In Gnomes’ is available on all major digital outlets including Spotify and Bandcamp.
Check the video here:
FLEISCHKRIEG is the result of a chance encounter between an Uber driver and a drunk passenger partying in Seattle. The driver, Richard Cranor, and the passenger, Thomas Crawford, found themselves kindred spirits through a mutual love of Rammstein and industrial metal. When the opening act dropped out of Thomas’s solo ‘Ceraphym’ show, he invited Richard to perform in their place. Richard agreed with the caveat that Thomas play guitars. FLEISCHKRIEG was formed.
The group, currently based in L.A., cite Rammstein, DK-Zero, Die Krupps, and Lord of the Lost as musical influences. Their moody electronic sound melds industrial metal with darkwave undertones, creating the genre of ‘Brutalwave’: a blend of new wave, metal guitars, and crushing industrial dance beats and vocals. Now with the addition of Nick Mason on drums and Kaylie Cortez on synth/keyboards, FLEISCHKRIEG’s live shows are a force to be reckoned with.
Anglo-Finnish progressive metallers Wheel are pleased to announce the release of their much-anticipated third studio album Charismatic Leaders on the 3rd May 2024 (InsideOutMusic). The album was meticulously crafted to meet Wheel’s ever-heightening benchmarks and recording with engineers/co-producers Daniel Bergstrand and Fredrik Thordendal (Meshuggah) stretched from August to December 2023. The end result, mixed by Forrester Savell, has consolidated all the gains of what came before: singer/guitarist James Lascelles, lead guitarist Jussi Turunen and drummer Santeri Saksala’s third album represents their heaviest and most conscious music to date.
To mark the announcement, the band have launched the first single taken from the album, and you can watch the video for ‘Empire’ here:
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Vocalist & guitarist James Lascelles comments of the track: “This is probably the most metal song I have ever written – it is intense as all hell when it kicks in and it keeps finding new ways to punch you in the face all the way to the end! Santeri did an incredible job with the drum track on this one and playing it live is really going to take some work in the rehearsal room..
Lyrically, it is about media empires and the effect they have on wider society – all of us are influenced to some degree, even if we would rather not admit it. Issues that require nuance are presented as binaries and opposing views are made into caricatures – a target for us to rage at that far too often, doesn’t even exist. This is not a new phenomenon by any means but it is one that seems to have been catalysed by the modern landscape of media, the internet and populist politics. As you might be able to tell from the mood of the song, this pisses me off immensely and it was cathartic to vent about it.”
The band will be celebrating the release of their new album with their first ever shows in Australia (supporting label-mates Caligula’s Horse) as well as their first ever North American headline shows. Later in the year the band will return to Europe for further headline dates, which have just been announced and can be found below:
31st October – Olympia, Tampere, Finland
1st November – Sawohouse UG, Kuopio, Finland
2nd November – On The Rocks, Helsinki, Finland
7th November – Lutakko, Jyväskylä, Finland
8th November – Finlandia-Klubi, Lahti, Finland
9th November – 45 Special, Oulu, Finland
15th November – Logo, Hamburg, Germany
16th November – Melkweg Up, Amsterdam, Netherlands
17th November – 013, Tilburg, Netherlands
19th November – Rebellion, Manchester, UK
20th November – Cathouse, Glasgow, UK
21st November – Rescue Rooms, Nottingham, UK
22nd November – 1865, Southampton, UK
23rd November – Underworld, London, UK
24th November – Thekla, Bristol, UK
26th November – Kavka, Antwerp, Belgium
27th November – Luxor, Cologne, Germany
28th November – Colos Saal, Aschaffenburg, Germany
30th November – Backstage, Paris, France
2nd December – Komplex, Zurich, Switzerland
3rd December – Legend, Milan, Italy
4th December – Backstage Halle, Munich, Germany
5th December – Analog Music Hall, Budapest, Hungary
‘Ride Or Die’ is the first single release in nearly two years by Swedish post-punk/goth icons Then Comes Silence. It is also an opening statement of intent from their stunning new album, Trickery, which is out on 5th April, with vocalist Alex Svenson stating: “Friendship is love. It is important and worth fighting for. It’s ride or die."
Indeed, much of Trickery celebrates friendship, unity and the feeling of belonging to a tribe, with TCS explaining that “being a part of the post-punk and goth scene is a great privilege. After being on the road for so many years, we have experienced caring and welcoming audiences, both old and young, some with a similar background and some just for the love of the music and the culture that comes with the lifestyle. Uniting and harmonising with other people, we feel an incredible community together and it is a feeling that is both priceless and a blessing."
Trickery is also the audio definition of triumph over adversity. Backtracking to 2022, on the eve of their first-ever US tour and eager to promote their just released ‘Hunger’ album and its 2020 predecessor ’Machine’, TCS were suddenly and unexpectedly reduced to a three-piece. Would their famed darkwave wall-of-sound still work in a trio format? Fortunately, the answer was resoundingly positive, so much so that they resolved to continue with this slimmed-down line-up on a permanent basis, a period that has already included further US and European tours, followed by their return to the studio to make Trickery.
The inadvertent metamorphosis of the band has also led to a different way of creating new music. In order to capture the heart and essence of the trio’s live prowess, Trickery was recorded in just three days in Kapsylen Studio in Stockholm. With Jonas Fransson (a band member since 2015) laying down an energetic punk backbeat and sleaze punk fan Hugo Zombie (a 2018 recruit) providing inventive and rhythmic guitar lines, the main focus remains on singer and bassist Svenson, the sole surviving founder member from the band’s 2012 debut album. His velvety croon and solid bass lines are enhanced on ‘Trickery’ by retro synth sounds reminiscent of his recent solo futurist wave project, Neonpocalypse. "The electronic elements are essential to ‘Trickery’," he adds, "but are also a salute to punk music, the cradle of Then Comes Silence and the cradle of post-punk.”
Founded by Svenson in 2012 and touring frequently to promote three albums released in quick succession, TCS soon found a large audience in Germany. Signing to Nuclear Blast in 2016 for the release of Blood, their fanbase widened as they shared stages with artists such as A Place To Bury Strangers, Chameleons and Fields Of The Nephilim and performed at festivals all over mainland Europe. Firmly in the vanguard of the new generation of post-punk, darkwave and goth artists releasing high quality new material, they work hard to promote it and are recognised as a leading live act in their genre. They have also built a significant UK following and 2024 has already seen them play a sold out London show at the 229 venue.
TCS recently signed to Metropolis Records for the worldwide release of Trickery.
CNTS, the Los Angeles-band featuring members of Dead Cross, Retox and Qui, have debuted a second song from their forthcoming album (Thoughts & Prayers, 29th March) with today’s release of ‘I Won’t Work For You’ and its accompanying video.
Matt Cronk shares the story behind the song: “’I Won’t Work For You’ was inspired by the talking point being bandied about, mostly by conservatives, that ‘nobody wants to work anymore’ after having collected unemployment during the lockdown. I think a more accurate way to frame that is that nobody wants to work for people who treat them badly. Nobody wants to work without the expectation of fair pay and dignity. Nobody wants to work for the sole purpose of enriching someone else, and nor should they! Work sucks. I think a lot of people, myself included, are inspired to find more equitable means of supporting themselves or at least expect more from their employers.”
Michael Crain adds, very succinctly: “Bosses suck.”
The video, directed by Meriel O’Connell, who also crafted the band’s ‘Smart Mouth’ clip, was filmed at a pizza joint where Michael Crain worked. During tough times, Crain occasionally treated Cronk to a free slice.
We love a bit of Pound Land here at Aural Aggravation, so we’re particularly proud to be able to break some news and present an exclusive in the form of the video for ‘Pistol Shrimp’ waaaay ahead of the release of the forthcoming album.
Following 2023’s critically-acclaimed album Violence, Pound Land return with Mugged which despite being their 7th album release, is their first to have been fully recorded in an actual studio.
Recorded live in one intense day at Tremolo Studios, Stoke-on-Trent (UK), Mugged is a 48-minute whirl of raw frustration, kitchen-sink surrealism and filthy noise-punk sludge, soundtracking vitriolic stream of consciousness societal observations.
It’s also the first album to fully feature the full Pound Land band that many experienced on last year’s UK tour: Founding duo Nick Harris and Adam Stone, along with Rich Lamell on bass, Steve Taylor on drums and Jo Stone on sax. Additionally on this album, Jase Kester of Omnibadger/Omnibael joins on electronics.
NYC-based electronic punk band LIP CRITIC have detailed their anticipated debut album – Hex Dealer – out 17th May via Partisan Records. To coincide with the announcement, the band has shared the album’s lead single and accompanying music video: ‘Milky Max’.
‘Milky Max’ is a pulverising slab of electronic hardcore. The song’s shapeshifting groove anchors a sound that’s theatrical, captivatingly irreverent, and completely outside so much of modern experimental music. Meanwhile Bret Kaser’s vocal delivery feels like it’s being delivered by a cult leader who has occupied the announcer’s booth at a football stadium and refuses to come out (“All my life I just wanted to live / Now I gotta die just because of what I did”).
The official video for ‘Milky Max’ showcases a fully playable video game inspired by the song and designed by Jesse Natter (brother of Lip Critic drummer Ilan Natter). Direct link to play the video game HERE.
Check the video here:
‘Milky Max’ follows previous singles ‘It’s The Magic’ and ‘The Heart,’ which earned early critical acclaim from NME (“on their way to becoming the next great NYC band”), Paste (“an apocalyptic wasteland of NYC’s best underground punk”), Rolling Stone (‘Songs You Need to Know’), Mary Anne Hobbs on BBC 6 Music, and Matt Wilkinson (“totally essential”).
Produced in collaboration by vocalist Bret Kaser and Connor Kleitz, ‘Hex Dealer’ represents an evolution of the eclectic style that the group began cultivating on earlier projects. Drummers Danny Eberle and Ilan Natter combine breakbeats and pingy snares with heavy cymbal and tom work, creating a singular mixture of classic punk/hardcore and electronic styles. The end result is 12 frantic tracks of postmodern pop for the genreless future. A project of wide-reaching sonic and thematic curiosity, above all ‘Hex Dealer’ is an inquisition into the state of spiritual marketplace and the isolating results of consumption.
Audiences have also already been captured by the sheer energy and undeniable chemistry as they toured the US, sharing stages with IDLES, Screaming Females, and Geese, and made their way across the UK / EU including a stop at the Pitchfork Festival in Paris. Lip Critic will tour extensively behind ‘Hex Dealer’, including stops at SXSW, End Of The Road and further UK dates. UK dates are listed below.
LIP CRITIC – UK TOUR DATES: 13 May – The Louisiana – Bristol, UK 14 May – The Deaf Institute (The Lodge) – Manchester, UK 15 May – The Windmill – London, UK 29 Aug – 01 Sep – End of the Road – UK
Today, the long-running New York band A Place To Bury Strangers announce the single/video ‘Change Your God’, from their new 7-inch series, The Sevens, via Dedstrange. ‘Change Your God’ appears alongside ‘It Is Time’ in the first instalment of the series, out digitally today and physically this Friday, 23rd February. The Sevens are four 7-inch vinyl records on white vinyl being released each month from now through April. They unveil a treasure trove of previously unreleased tracks from A Place To Bury Strangers’ critically acclaimed sixth album, See Through You. Renowned for their visceral sonic assault and immersive live performances, A Place To Bury Strangers has cemented the end-all-be-all space for over-the-top post-punk/shoegaze destruction. With this special vinyl collection, the band invites listeners to delve deeper into their sonic universe, exploring uncharted territories and hidden gems.
“When looking back at the recordings that were done around the time of See Through You, there were a bunch of great tracks that just captured life back then and really had something incredible going on,” says frontman Oliver Ackerman. “Even though they are a bit raw and a bit personal, I thought it would be a mistake if they didn’t come out. I thought it would be best to go back to my roots and put out a series of 7-inches the way A Place To Bury Strangers started. That strange weird format where the tracks each speak for themselves; no album context to muddy the water. These tracks are such a contrast to the way I am feeling now and the current songs we’ve been working on so slip back into this moment in time.”
Watch the video for ‘Change Your God’ here:
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A Place To Bury Strangers Tour Dates:
Thu 22 Feb – Queens, NY @ TV Eye [The Sevens Release Show]
Thu 21 Mar – Boise, ID @ Treefort Festival [The Sevens Release Show]
Portuguese blackened post-metal collective Music In Low Frequencies have just dropped a music video for a new track off the band’s second full-length album Catharsis, which was released in early December via Raging Planet Records.
Check it here:
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The band offers the following comment about this new track: “’Unconsciousness’ talks about a variety of ambiguous feelings residing in our inner self. It’s the expression of the unquieting sensations that come from loving someone too much, and as you rise them to a godlike level, you start seeing all the toxicity coming from there. While you can see the beauty of it all, you also become aware of all the inherent harm and danger. That’s something that hits us all sometime.
“You can consider it as a love song, but above all we wish you’d listen to it as a song of hope and inspiration. The imagery we created for this video is particularly dark, with slightly bright tiny details, for we intended to recreate the vibe of the message going with the lyrics of this song and also with the hovering drone guitars.”
Formed in 2012, Music In Low Frequencies, is a gathering of three old friends that thrive throughout the music they create together. They were born from the desire of making something meaningfully intimate with hints of the harshness of our times. With that being said, it is understandable that their sound is charged with gloomy melodies, heavy riffs and doom tunes.
They released their first album Sowing the seed in 2014 and promoted it through Europe, headlining some shows and also playing in some important festivals in Portugal and other smaller showcases. They went through a period of time where creation was delayed by some other important matters, but soon time passed and new melodies started to follow.
Music in Low Frequencies felt they wanted to go deeper down the rabbit hole as they started to feel the urge for darker and sludgier notes. They refine and redefine their sound and Catharsis is born. Resembling the atmosphere of these past times, this album is the result of a period of darkness, reflection, contemplation of the soul and purgation of the spirits and it hopes to embrace all the heavy spirits we have within our minds and put them to rest. Catharsis wishes to indulge all the senses whatsoever, and purge all the demons we carry through our music. “
“This song describes a state of emergency. When the concentration and focus that an urgent situation demands, completely overruns and obliterates the concept of time. An hour becomes a few seconds, or the other way around – the usual routes of communication fall flat to the ground and become unnecessary. Somehow there is this telepathic understanding of what has to be done. The image is a large field of withered grass standing in roaring flames, with a handful of people desperately trying to put the fire out” – Erika Angell
Her debut album The Obsession With Her Voice is out 8th March 2024.
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