Posts Tagged ‘trad goth’

Christopher Nosnibor

8th November 2019

The bio bit tells me that ‘NAUT is a 5 piece dark rock band from Bristol, whose shared love of classic rock and metal, alongside reverence for the post-punk pioneers of the late 70s and 80s makes itself known from the start. Their songs switch from raw tribal tom beats to uplifting anthemic synth in a moment, but always stay danceable and perhaps most dangerously, catchy’.

Fan comments on their bandcamp shed a little more light on their sound, observing the band’s ‘unique ability to recreate the original sound and feeling of 80’s uk goth rock. Sisters, Red Lorry Yellow Lorry, the Rose of Avalanche, early Nephilim…’ and their offering ‘the perfect mix of Post Punk with old school Goth Rock… Killing Joke meet The Wake & Love Like Blood.’

It’s no secret that I’m a rabid Sisters / Lorries / Nephs / KJ fan, but it’s equally documented that I consider most of the bands who’ve taken them as influences are generic and derivative, and that includes the mid-late 80s acts like Rose of Avalanche who traded in diluted forms of blueprint-based accessible alternative rock. This means I’ve no idea who The Wake or Love Like Blood are, but judging by the referential monikers, I probably don’t need to.

The EP’s title track kicks things off with a classically ‘gothy’ rhythm that’s dominated by a quickfire snare attack and defined by spindly guitars, trebly and awash with chorus. And talking of Chorus, it does boast a strong, hooky chorus, and there’s real energy behind it, which pushes it over the line from template-based to credible and sufficiently possessed of a band identity while still very much drawing well-studied inspiration from their precursors.

‘Spirit Horses’ steps down both the tempo and the individuality, and there’s a chord progression that’s lifted straight off The Sisters’ ‘Marian’, but the third and final track, which slows the pace further to a sluggish mid-tempo resembles ‘Blasting Off’ era Lorries, and works remarkably well with a looser feel but a grainy greyness that brings a certain weight.

On the strength of this outing, Naut are at their best when they go deeper and darker, and if they continue to evolve their songwriting in the directions demonstrated here, there’s a good chance they’ll break out beyond the trad-goth scene and into wider alternative circles.

AA

NAUT