Posts Tagged ‘single stream’

Tokyo-based Noise-Rockers, MELT-BANANA have released  ‘Flipside,’ the first single from 3 + 5, their long-awaited ninth studio album. The album is being released August 23rd on 12” LP vinyl, CD, digital download and streaming platforms on their own A-Zap label.

The album showcases the duo’s visionary musical approach and extraordinary abilities as performers: Yako’s giddy, hyperactive vocalizing and Agata’s glitchy, cyberpunk guitar, delivered at dizzying speed, bathed in a whirlwind of aggressive electronics. As on previous releases, the music on 3 + 5 is unpredictable, always filled with surprises and excitement.

Their aesthetic approach is exultant and experimental, fusing diverse genres, awash in chaotic energy.

3 + 5 synthesizes elements of a variety of Extreme Musics, Hyper-Pop, classic Punk, vintage Metal, and Noise. It’s informed by Japanese culture in general, and the subcultures of gaming, anime and homegrown underground music in particular. The album’s nine tracks have been crafted to maximize the independent appeal of each song (since so many listeners will be streaming and playlisting these songs). Each selection boasts its own unique charm and ideas that beg for repeated listening.

Besides making their music, MELT-BANANA hope to empower and encourage their fans and fellow musicians by example. They’ve foregone the convention of a full band line-up for over a decade and recorded and toured as a two piece since 2012. Yako’s wildly careening, staccato vocals ignore every convention of Pop and Alternative singing, guided solely by her own unique artistic vision. For 25 years, they’ve been in the vanguard of bedroom players and Egg Punks facing challenge of mixing homespun digital creations with live instrumentation head on with consistently brilliant results.

While Melt-Banana hasn’t explicitly explained the meaning behind the album’s title, 3 + 5, prime numbers symbolize mathematical integrity and independence, which could represent MELT-BANANA’s uniqueness and freedom. Why "3 + 5" and not "1 + 7"? That’s left for you to ponder.

Check ‘Flipside’ here:

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Salt Lake City singer-songwriter/multi-instrumentalist/social-activist Talia Keys has released a cover of The White Stripes’ ‘Seven Nation Army.’

Though growing up an outspoken queer female musician in the conservative confines of Utah has come with a mountain of challenges, Talia Keys wouldn’t change a thing.

Through her sizzling guitar, pulsating drums, or bold, bluesy and ultimately believable vocals, she communicates the realities of her struggles and surroundings in song. On ‘Seven-Nation Army’, Keys’ third in a trifecta of tremendous cover songs, the activist-musician once again accomplishes this mission, revealing a magnetic reinvention of The White Stripes’ 2003 smash hit with all the venom, verve, and pizzaz we’ve come to expect from this fiery Salt Lake City siren.

“To me, ‘Seven Nation Army’ is about not giving up. If people are talking behind your back, you still push through. About fighting to exist, and then existing loud and proud.” explains Keys. “The track has always resonated with me; as I’ve pushed through barriers and biases just to be let into the music industry. I’ve been mocked, ridiculed, talked about and hated on since my career began. So to me, the song represents a battle cry – to not let anything hold me back.”

On Talia’s gritty reimagining, ‘Seven Nation Army’ is again driven by an assertive, four-on-the-floor drum beat, which introduces the tune faithfully, and powers a pulsating groove. It’s a humble nod to The White Stripes’ beloved drummer Meg White, who inspired Keys behind the kit as “a powerful woman owning her space.” The cut features a very-effective half-time switch-up on the bridge, creating an enormous pocket that just jumps inside your ear holes.

For our money, this beats the original. Hear it here:

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Art: Gabriella Hunter

Seattle-based "turbowave" pioneers, DUAL ANALOG are set to make waves with their latest single & video, ‘Reborn.’

‘Reborn’ is a visceral journey through the dark corridors of human emotion and the haunting echoes of regret. As the band reflects on their struggles following their debut album’s release, "Reborn" emerges as a poignant anthem for anyone who has faced adversity and felt trapped in a cycle of obscurity.

With ‘Reborn,’ DUAL ANALOG steps into the visual realm of a story-driven narrative for the first time, signaling a new chapter in their artistic evolution.  The accompanying music video, directed by Skye Warden (Nuda, DK-Zero, Abney Park) adds a visual dimension to this gripping tale of self-inflicted torment and redemption. This collaboration adds depth and dimension to their music, offering fans a multi-sensory experience that transcends traditional boundaries. Through a mix of their own haunting melodies, existential lyricism, and nihilistic outlook, DUAL ANALOG paints a vivid, yet inspiring portrait of a man consumed by his own ambition unlocking his true potential at the expense of his family.

Listen to ‘Reborn’ here:

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Adios MF is a musical collective spearheaded by Nathan Keeble carving fresh dark wave and electronica sound the underground of Sheffield. Their latest single, ‘They,’ was recorded between Brooklyn and Brixton, serves as a sonic manifesto of what’s to come. Their music defies categorisation, blending elements of post-punk, electronica, and avant-garde into a sonic tapestry that’s uniquely their own.

With sleek production by Nathan Saoudi and Richard Wilson yet coursing with enough detail and character to set it apart, with this impish 80s beat, sinewy guitars, metallic dapping keyboards, and sample loops, it forges a uniquely futuristic sound that’s at once both familiar and yet mirrors the churn of the cityscape.

With a sound that hints at the influence of acts like Human League, Depeche Mode, Kraftwerk and Molly Nilsson, the vocals are addictive and almost mechanical, driven with hooky melodic ticks that sink their nails into and won’t let go, and yet the lyrics reside with a disquiet at the creeping gentrification of urban redevelopment “They built a Starbucks on my street” and reference to shadowy figures who might take you away. It hints at a dark underbelly and Sci-fi dystopia where your every action is being watched.

ADIOS MF say “’They’ is a Kitsch byproduct of existence amid the constant churn of urban development and the persistent buzz of drilling. It was written as a tonic to the realisation that resistance is futile; you must simply acquiesce to the world of urbanism and let it carry you along on its unpredictable journey, set to a naughty 80s beat.”

We dig it here at Aural Aggro, and you can get your lugs round it here…

The thing about Argonaut is that they’re continually evolving, continually pushing themselves, striving to do something different, and to create something new, constantly. No sooner had they completed their track-a-month ‘open-ended album’ project, Songs from the Black Hat, which saw them try out a range of styles, than they’re back to banging out new tunes at a remarkable rate.

Having deadlines or other set parameters doesn’t work for a lot of artists, but Argonaut seem to thrive on targets and goals, and ‘I’ll be your doctor’ is testament to that.

They describe it as ‘A song for the companions and for everyone courted and wooed with promises of excitement and adventure. A reminder to those making such vows to continuously reinvent, strive for greatness and never grow complacent. Musical nods to Depeche Mode, Nine inch Nails and Pink Floyd, lyrically inspired by Dr Who and the Velvet Underground. Delivering on our promise.’

It certainly incorporates an array of elements in its four and a half minutes, with some dark, stark post-punk electro vibes paired with some driving chords and some exploratory guitar work, all brought together with, of course, a strong hook.

Listen here:

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WyndRider’s second record, Revival, is scheduled to hit shelves on 7 June on vinyl and digital via Electric Valley Records, with a CD release handled independently. The East Tennessee stoner doom band is now streaming the second single, ‘Under the Influence.’

Of the track, WyndRider states: “Everybody is under the influence of something. Pick your poison.”

Listen to the track here:

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After playing all over the Eastern US, WyndRider returned to their home in the Appalachian Mountains, focusing in on the hopes and horrors of living there with an unapologetically heavy Southern groove. The album Revival, washed in the blood of its region, sheds light on the smoke and mirrors of life in the Bible Belt and provides a fix for those left craving more after the first dose that WyndRider brought to the scene.

This year, WyndRider will be hitting the stage at Maryland Doom Fest, Gravitoyd Doom Fest in Houston, and Holler of Doom IV, alongside numerous other cities and states.

Upcoming Shows:

5/24 – Knoxville, TN – BrickYard Bar & Grill
5/26 – Charlotte, NC – The Milestone Club 
6/08 – Johnson City, TN – The Hideaway 
6/20 – Indianapolis, IN – Black Circle
6/21 – Akron, OH – Buzzbin 
6/22 – The Maryland Doom Fest at Cafe 611
6/23 – New York, NY – The Bowery Electric 
7/05 – Asheville, NC – The Odd 
7/11 – Nashville, TN – Springwater 
7/12 – London, KY – Holler of Doom Fest at Mountain View Farm 
7/13 – Cincinnati, OH – The Comet

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Norwegian grindcore innovators Beaten to Death have recently shared a video for a brand new track off the ban’’s forthcoming sixth full-length studio album Sunrise Over Rigor Mortis, which is scheduled to be released on May 31st via Mas-Kina Recordings. 

Watch the ‘Enkel Resa Till Limfabriken’ video here:

As always, the record was recorded live and mixed by guitarist Tommy Hjelm, and just like the previous two releases, William Hay signs the amazing illustration that adorns its cover.

The Oslo-based five-piece claim that they have all “aged horribly” since the band’s acclaimed last album, Last Maar, Ik Verhuis Naar Het Bos, was released in 2021 and have embraced that natural process and its theme within this new effort, but dismiss any thoughts of a band slowing down and settling into a more relaxed acceptance of things though for Beaten to Death are as uncompromising and voracious as ever and Sunrise Over Rigor Mortis ensures no one will have any doubts. Unleashing their familiar and fiercely individual torrents of grindcore dispute with melodic discord, the new offering is Beaten to Death at their most physically merciless, creatively ravenous and gleefully mischievous.

Unleashed on the grindcore scene back in 2011, Beaten To Death has quarrelled with and dismissed expectations of the genre and the boundaries of any hardcore fury from day one. It has seen their five full-lengths from debut Xes and Strokes through to Last Maar, Ik Verhuis Naar Het Bos greedily welcomed and frequently acclaimed. Of course their sixth full-length holds nothing back in its dismissal of trends and expected processed procedures in its making either, broadly grinning at both and having fun with the themes it takes apart.

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Aggro-punk band, MALICE MACHINE has finally unleashed their long-awaited new single, ‘Hyena’.  The track will appear on the forthcoming full-length album, Act Of Self Destruction.

‘Hyena’ is about the forces and the decision makers that create chaos in the world and ultimately burn us all. It’s a message based on imagery and driven by bass and drums that’s expressed in the typical MALICE MACHIKNE fashion of unfiltered angst… At it’s core, ‘Hyena’ is a statement of anger about life, society and its leaders.

It’s pure late 80s technoindustrial, KMFDM, Ministry circa Twitch, Skrew, Wax Trax!

Get yer lugs round this monster here:

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Malmö’s MISSILES have released a new single, ‘Living In A Nuclear Town’, from their upcoming album Weaponize Tomorrow (10th May 2024).

MISSILES explains the backgrounds of the new single, out today on Svart Records:

“’Living in a Nuclear’ Town was one of the last – if not the last – song to be finished before we started the recording process. It’s also one of the tracks that was finished first and saw few changes whilst others got a good beating. Lyrically, the song deals with the rough realities, both the ones reported and seen as well as the ongoing hidden waiting to happen”.

The members of MISSILES are no new kids on the block. Coming from punk, rock, and metal, as well as surf and rather diverse backgrounds, they all answered to the call of their good friend Gabriel Forslund – sincerely interested in doing something new and exciting together. The band’s trajectory began with a 7" single released by the Swedish label Fetish in 2016. Initially viewed as a project, MISSILES have organically evolved into a fully dedicated band with a laser-guided focus, causing shock waves in the underground with their jet-fuel genre-clash. Combining abandoned sounds with new inventions on Weaponize Tomorrow, MISSILES promises to both pat you on the head and stab you in the back, delivering a unique blend of post-punk with a touch of goth rock.

Listen to ‘Living in a Nuclear Town’ here:

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MISSILES claim their debut is a one-of-a-kind album, truly a loved bastard. Weaponize Tomorrow will appeal to those who enjoyed the certain “je ne sais quoi” found in the New Wave movement, a line of thought that is liberating to hear today when artists go to the bank with a genre description. MISSILES couldn’t be bothered; it’s rock, it’s pop, it’s punk, it’s je ne sais quoi. Hard to pin down, but undeniable to freak out to, Weaponize Tomorrow is a high yield blast wave that will leave MISSILES hot on the tongues of those looking for a sudden and dramatic, incendiary kick. A gut smashing future shock that will resonate across diverse musical landscapes, Weaponize Tomorrow will be the perfect atomic cocktail for fans of Wipers, Dead Moon, The Birthday Party, The Gun Club and even modern iconoclasts Molchat Doma and Beastmilk.

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Pic: Thomas H Johnsson

NC’s Totally Slow offers up razor sharp, no-frills punk music, with angry lyrics that show how the personal is inseparable from the political when the country is on the brink of chaos. The band has combined the melodic anthems of 1980s SoCal bands like The Adolescents, Agent Orange and The Faction, with the skewed rawk of ‘90s San Diego bands Drive Like Jehu and Truman’s Water, and the righteous conviction of classic DC hardcore like Dag Nasty, Gray Matter and Fugazi.

Eddie Sanchez (Night!Night!, Solar Halos, The Love Language) has recently joined on bass, completing the current lineup which includes Andy Foster, Chuck Johnson, and Scott Hicks.

Having shared the stage with various acts, from Agent Orange to Laura Jane Grace to Man or Astroman, they bring a diverse musical experience to their audience.

Totally Slow’s fourth LP The Darkness Intercepts will be released on March 22 via Refresh Records.

Stream the new single ‘Pistol Whip’ here: