Posts Tagged ‘samplist’

generate and test – 30th October 2020

Christopher Nosnibor

The blurb bewilders me before I hear a note, as I read how ‘ʇןǝɯs is a high density package crafted with care and luck from a rare mixture of ingredients. The four track MP (micro-package) takes you on a ride across a one- dimensional checkerboard landscape rendered in colors of euphoria and terror. Players emerge at side exits and diffuse presently. If the album title is unmanageable you can use the unoffending smelt.’

Delving deeper, I learn, ‘Entire package produced on-the-go using mobile phones, some of them rooted. Apps are Nanoloop, g-stomper, termux/python, different media recording apps. Custom app autovoice takes care of slicing the voice tracks and beat aligning them on the track.’

From this fragmentary non-narrative, I’m braced for something irregular, unusual, beyond boundaries, and that’s very much what this is. Micro-package is a fair description of an EP comprising four tracks, none of which really exceed two and a half minutes, although it doesn’t convey the flickering intensity of slow-tripping hip-hop that’s rooted in samplist, cut-up methodology with disjointed loops and fragments providing the fabric of this digital tapestry.

It may not be easy to follow, and at times so deeply immersed in obscure referencing and the exploration of the technology used to create the material, ʇןǝɯs feels as much like a case of experimentalism for its own sake than a document of artistic creativity. The titles are more or less impenetrable, at least in terms of their significance or relevance, although ‘very veird’ is quite odd, if not overtly Germanic, a collage of bleeps and a bubbling stew of vocals simmering over minimal beats and bloopy, stammering bass. It actually makes for a long two minutes, but the richness of the layering and density of the combined source materials is undeniably impressive.

There’s almost infinite bubble and fizz, crackled and grind, particularly on the closer, ‘argh uargh (kann ich ans handy?)’ where the title is a fair summary of the chaotic cacophony it contains.

ʇןǝɯs is messy and uncomfortable, but taking its sequence of input > process > output as a creative model, it’s likely the ultimate summary of 2020.

AA

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