14th February 2025
Christopher Nosnibor
Eville, who have been gaining momentum – and radio play – for a while, soared to a new peak with ‘Ballistic’ late last year. While sonically encapsulating the title, it also distilled the very essence of the band into THE most explosive two-and-a-bit minutes of no-messing nu-metal.
If ‘Plaything’ suggests something more cuddly, think again. Once again, they tap that classic nu-metal structure of a quiet but tetchy intro, jittery electronics by way of an intro – Something that can be traced back to Pitch Shifter’s first couple of albums back in the early 90s. ‘Gritter’ from Submit is exemplary, and of course not only would Pitch Shifter transition to an overtly nu-metal sound at the turn of the millennium, incorporating elements of drum ‘n’ bass in their sound in the late 90s, but guitarist Jim Davis played with both Pitchshifter (as they became) and The Prodigy. This detour is simply to illustrate the crossover between genres, and to contextualise the sound Eville have absolutely mailed – because after this tense, tetchy intro, the monumental riff hits, and hits hard, and immediately hits an irresistible groove.
A mere ten seconds in, and it’s clear that this is going to be a killer – and it is.
‘I might look cute but Imma get gnarly / I can get nasty, nothing gets past me,’ Eva Sheldreake warns, picking up the lyrical thread of ‘Ballistic’ and presenting a strong feminist stance. The message is direct and clear, and the band’s photos back it up: whether the outfit is a pink bikini or decorating garb, never judge a woman by her outfit, and never assume she’s lacking capability, whether it’s to do DIY or play guitar and rock out, hard.
‘Plaything’ certainly rocks out, and hard. The sheer density of the sound kicks the air out of your lungs, while the chorus hook is as strong as they come. The mid-section goes full Slipknot, the barbed-wire-wrapped baseball bat referenced in the lyrics translating to the brutal delivery.
Where Eville stand out – apart from on every level – is in the way they bring ultra-pro, radio-quality production and accessible melody to massively hefty, bludgeoning metal. If there was ever any doubt that they should be playing festivals rather than pubs, ‘Plaything’ obliterates it. No two ways about it: these guys are ready to conquer the world.
Aural Aggravation 