Posts Tagged ‘Official Video’

German-born, Ireland-based musician DAMIEN CAIN returns this winter with Standarte, an atmospheric, emotionally charged alt-rock album available from today December 12th on the main digital streaming services. Now living in Co. Laois, the artist describes the record as “the most honest and personal work I’ve ever made,” a project shaped as much by his three decades in music as by the new creative grounding he found in Ireland.

In order to celebrate his new effort, DAMIEN CAIN released the music videos for the songs ‘Fascinating Face’ and the title-track. A dark, emotional fusion of nu-metal and emo rock, ‘Fascinating Face’ the song explores the feeling of being trapped between denial and desire, telling yourself you’re not in love anymore, while every memory still pulls you back in. The video reflects this tension: a stream of hyper-real faces emerging from darkness, each one holding a different emotion: longing, fear, hope, desire, regret. Behind them, subtly woven into the shadows, DAMIEN CAIN appears singing the song, as if haunting their memories… or being haunted by his own. It creates an unintended, but powerful illusion: as though the story plays out inside the minds of the people on screen, and inside the places we hide our unsaid feelings. ‘Fascinating Face’ is about the intimacy we try to forget, the seconds we sealed inside us, the scent, the skin, the breath – the pieces of someone we carry even when we insist we’ve moved on.

The title-track goes back to ‘Wallenstein’, a song from the early ’90s. DAMIEN CAIN explained that “the original ‘Wallenstein’ was inspired by Salvador Dalí’s Christ of Saint John of the Cross. It was my protest song against war, power, and blind faith – written when I was twenty and full of rage and questions. The new song continues that thread, but from a different angle. It’s still a protest, but now it’s also a reflection. I’m angry about the same things, but I’ve learned to turn that anger into poetry instead of noise.”

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Damian Cain by Peter Smallwood

Big Big Train, the award-winning, progressive rock band, will issue their 16th studio album via InsideOutMusic on 6th February 2026. Woodcut is a landmark release for the group, whose line-up draws together members from England, Scotland, Italy, the USA, Sweden and Norway, in that it marks their first ever full-length conceptual piece – quite a statement given the musical depth and storytelling qualities of a band formed in Bournemouth way back in 1990. Woodcut is a continuous narrative exploring creativity, sacrifice and the thin line between inspiration and madness and featuring a character called The Artist.

Today they launch a second single from the album, titled ‘The Sharpest Blade’, a track that sees violinist Clare Lindley sharing lead vocals with the band’s frontman – and Woodcut producer – Alberto Bravin.

Lindley, who also wrote the lyrics for ‘The Sharpest Blade’, explains: “Having gone for a walk in the woods and happened upon an amazing piece of heartwood, lit by a natural beam of sunlight, the Artist has taken it home. In the song ‘The Sharpest Blade’, he begins to carve the heartwood. Although he still has doubts and dark inner thoughts, he finds himself carving a wonderful scene. It’s so good that he feels it is perhaps not of his own hand…”

Watch the video for The Sharpest Blade, once again created by Crystal Spotlight, here:

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Additionally the band have just announced a UK/European headline tour for September/October 2026, including their biggest headline show to date at London’s O2 Shepherd’s Bush Empire. Find the full list of dates below:

BIG BIG TRAIN – THE WOODCUT & OTHER STORIES TOUR

Friday 25th September – The Stables, Milton Keynes, UK

Saturday 26th September – The Asylum, Birmingham, UK

Sunday 27th September – Komedia, Bath, UK

Monday 28th September – The Apex, Bury St Edmunds, UK

Wednesday 30th September – The Spirit Of 66, Verviers, Belgium

Thursday 1st October – Colos-Saal, Aschaffenburg, Germany

Friday 2nd October – Poppodium Boerderij, Zoetermeer, Netherlands

Saturday 3rd October – De Pul, Uden, Netherlands

Sunday 4th October – TBA, France

Tuesday 6th October – La Sala, Madrid, Spain

Wednesday 7th October – Razzmatazz 2, Barcelona, Spain

Friday 9th October – Teatro Astra, Schio, Italy

Saturday 10th October – Phenomenon, Fontaneto d’Agogna, Italy

Sunday 11th October – Z7, Pratteln, Switzerland

Tuesday 13th October – RNCM Theatre, Manchester, UK

Wednesday 14th October – Playhouse, Whitley Bay, UK

Thursday 15th October – Slay, Glasgow, UK

Saturday 17th October – O2 Shepherd’s Bush Empire, London, UK

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Photo credit: Cécile Lopes

The evolving revolving entity Beauty In Chaos present their latest sonic offering – ‘God’s Gonna Cut You Down / Get Down Moses’, released via 33.3 Music Collective and produced by Grammy-nominated producer Michael Rozon (Ministry, Jarboe, Wayne Hussey, The Melvins).

Beauty In Chaos has come a long way since launching in 2018 by Los Angeles-based guitarist Michael Ciravolo (formerly of Human Drama and Gene Loves Jezebel and current President of Schecter Guitars) but his musical road often finds him circling back to visit his roots, celebrating them with new renditions.

The new two-song digital EP single features an enveloping, smokey rendition of the traditional gospel hymn ‘God’s Gonna Cut You Down’, popularized by The Man in Black himself – Mr. Johnny Cash (who also happens to be a distant cousin to BIC’s own Tish Ciravolo), along with the B-side showcasing Beauty In Chaos’ own take on Joe Strummer’s ‘Get Down Moses’. 

In addition to very familiar territory (guitars and textures), BIC curator Michael Ciravolo contributes vocals on both tracks, joined by Michael Rozon (lap steel guitar, snare drum, voices), as well as Tish Ciravolo, Whitney Tai, Set Miller, Anthony Love and Tim Perry (background vocals and foot stomps).

“While both of these songs have certainly been covered before, I think we have injected BIC into them … even if we have stretched, what some have come to expect from us sonically,” says Michael Ciravolo.

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Legendary Italian experimental trio Zu recently announced their return with Ferrum Sidereum (produced by Marc Urselli), a big and bold double album arriving on House of Mythology on the 9th January.

The music combines the complexity of progressive rock, the grit of industrial music, the precision of metal, the spirit and energy of punk, and the freedom of jazz. The result is a sonic journey that is as cerebral as it is visceral, defying easy categorisation while remaining unmistakably Zu.

Today they share the new single and video for ‘A.I. Hive Mind’ – about which the band comments, “Smart cities, brain computer interfaces, internet of things, singularity. This particular track addresses all of these things as well as questioning the loss of self, the idea of single consciousness and collective predictable behaviour. Perhaps the most burning question for us is: What does it mean to be human in a world increasingly shaped by artificial intelligence, simulated realities, and technological control?”

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Zu have also shared live dates in support of the new album – dates and details below.

2026 LIVE DATES

10/01/26 – Bologna, TPO – Italy
21/01/26 – Caserta, Lizard Club – Italy
23/01/26 – Palermo, Candelai – Italy
24/01/26 – Catania, Zo Culture Contemporanee – Italy
28/01/26 – Milano, Santeria – Italy
29/01/26 – Verona, Colorificio Kroen – Italy
30/01/26 – Zagreb, Mocvara – Croatia
31/01/26 – Nova Gorica, Mostovna – Slovenia
01/02/26 – Bratislava, Žalár – Slovakia
02/02/26 – Prague, Palac Akropolis – Czech Republic
05/02/26 – Berlin, Neue Zukunft – Germany
06/02/26 – Copenhagen, ALICE – Denmark
07/02/26 – Malmo, Inkonst – Sweden
09/02/26 – Bruxelles, Magasin 4 – Belgium
10/02/26 – Eeklo, N9 – Belgium
11/02/26 – Amsterdam, OCCII – Netherlands
12/02/26 – Paris, Le Chinois – France
13/02/26 – Bulle, Ebullition – Switzerland
14/02/26 – Torino, Magazzino sul Po´ – Italy

Ferrum Sidereum – Latin for ‘cosmic iron’ – draws inspiration from the mythological significance of meteoritic iron, found in artefacts like ancient Egyptian ritual objects, Tibenta ‘Phurpa’ blades, and the celestial sword of Archangel St Michael. This elemental force imbues every moment of the album’s apocalyptic sound. Whilst heavy in tone and subject matter, bassist Massimo Pupillo comments that their music also aims to "raise good energy… people would come up to us after the show and tell us that they felt alive."

The trio – Paolo Mongardi (drums, percussion), Luca T Mai (baritone saxophone, synth, keyboards) and Massimo Pupillo (electric bass, 12-string acoustic guitar) – spent a year refining this sprawling 80-minute epic through relentless rehearsals and live studio recordings in Bologna. Produced and mixed by three-time Grammy-winning engineer Marc Urselli, known for his work with Laurie Anderson, Lou Reed, and Mike Patton, the album balances raw intensity with refined production tweaks and textures.

“We are very spiritually-oriented people,” says Massimo. “Machines and AI do not have spirituality. So they can mimic and they can assemble existing things, but they cannot create. That spirit is probably the most important thing that our music carries.”

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Photo credit: Marco Franzoni

Combining vintage metal codes, electronic music, and modern musicianship, Holosoil is an atypical newcomer to the prog scene. Formed out of the ashes of a previous outfit, the Berlin/Helsinki-based quartet bring their unique sound and style to InsideOutMusic.

Technical but never scholar, raw and mature, fearless to explore and borrow the codes of numerous genres, HOLOSOIL follows the likes of artists like Björk, The Mars Volta, Muse and Tool.

You can get your first taste with their debut single ‘Look Up’, a raw 3-minute display of energy and technicality, marking the band’s first ever release.

Watch the video here:

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HOLOSOIL, formerly known as R3VO, is a band founded in 2019 by Victor Nissim (bass) and Jan Kurfürst (guitar), later joined by Altaïr Chagué (drums). The name change occurred after Emelie Sederholm joined the band as lead vocalist, following the departure of Eleonara Barbato. Although most of the band members are based in Berlin, Germany, Emelie lives in Helsinki, Finland while Victor and Altaïr are both French. The result is a gathering of eclectic musicians, manufacturers of a freaky, explosive and sophisticated sound.

Signed to InsideOutMusic in 2023, the formation was previously featured as R3VO in Metal Hammer magazine, performed at Euroblast Festival 2023 and was notably approached by Trinity Music to open for Scottish band Vukovi.

The release of 3 additional singles will lead up to HOLOSOIL´s debut EP, out in 2026.

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Oakland-based alternative rock / darkwave trio Sword Tongue presents the video for ‘We Are The Resistance’ , a dark gem showcasing their explosive fourth EP Bonfire In The Tempest. Galvanized, song by song, during our current age of cultural upheaval, this release is bursting with raw emotion and tempered by sophisticated production, launching the band into uncharted territory.

This EP is a love letter to the music we all loved in the 90s. Long delays, lush chorus sounds, deep flanges and modulations – a guitar tone chaser’s dream, married with deep distorted growling bass lines, hard driven drums and pulsing, electronic dance beats provide the texture over which soaring female vocals triumph. At times a whisper, and other times a roar, each song crafted in the crucible of these modern, unprecedented times.

In these five loaded tracks, vocalist Jennifer Wilde delivers alluring vocal lines that oscillate between a croon and a roar, seduction and rage. Gaetano Maleki’s signature shimmering guitar tones and bass lines mesmerize and ensnare, while Dan Milligan’s intricate drum lines drive the message and become the heartbeat of this sonic tour de force reminiscent of the 90s.

Capturing the essence of 90s alternative music, reimagined for a new era, Sword Tongue weaves together rock, industrial, shoegaze, post-punk and trip hop, giving voice to anguish, anger, transformation and triumph. Pulling from an array of musical styles, from electronic music to space rock, the band earlier shared the single ‘Diamonds To Rust’.

“Originally, this album was meant to be more of a danceable opus with a trip hop flavor. However, after the U.S. Presidential election, we realized that our album had to carry a more specific message on the current pollical climate, on aging, and on transitions. We wanted to give voice to the frustration, the anguish, the strength, and the hope in all of us,” says Jennifer Wilde.

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Debuting in 2020 during the pandemic, Sword Tongue creates dark music for dark times, casting a shadow of hope in the twilight. Formed by husband-and-wife duo Gaetano Maleki and Jennifer Wilde, the project is their love language and the culmination of their life’s work as musicians. Wilde, a classically trained vocalist who has performed with the Oakland Symphony Chorus, has been a guest vocalist and lyricist for seminal shoegaze band Love Spirals Downwards. Maleki brings an intensity from his background in heavy music, infusing his shimmering guitar soundscapes with sonic weight.

The pair were then joined by renowned producer and drummer Dan Milligan, whose driving contribution has infused the music with more depth, drive and dimension. The brainchild of The Joy Thieves, he has quite the history co-creating, producing and remixing such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

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The second single from The Lunar Effect’s upcoming third album Fortune’s Always Hiding was released yesterday. “’Settle Down’ is one of the songs we’re most proud of on the new record. Stripped-back and full of raw emotion, it carries a grunge edge that nods to the bands we grew up admiring, while still pushing our sound forward. It stands apart from some of our previous work, but for us, evolving is essential”, the band comments on the new single.

Watch the video for Settle Down here:

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The Lunar Effect were formed in London in 2017 by brothers Jon and Dan Jefford and later completed by vocalist Josh Neuwford, bassist Brett Halsey, and eventually second guitarist Mark Fuller. Since their arrival on the scene, they’ve carved out a reputation for crafting music that feels both familiar and original – a modern echo of grunge-soaked ’70s rock, fuzzed-out blues, and melancholic British soul.

Following the underground success of 2019’s Calm Before the Calm, the band signed with Svart Records and released the critically praised sophomore album Sounds of Green & Blue in 2024. After touring the album across the UK and Europe, they set their sights on album three, their most ambitious work to date. Fortune’s Always Hiding lands in October 2025; a brooding journey through loss, memory, and the weight of time. It marks a new era for the band – deeper, stranger, and more soul-baring than ever.

They don’t imitate the past, they channel its spirit through a warped, modern lens. From thunderous grooves and fuzz-soaked guitar riffs to intimate, fractured vocals, The Lunar Effect channel the unease of the modern world with a sound that refuses to sit still.

2026 promises more touring, more evolution, and no interest in standing still. For a band that’s never fit neatly into any box, The Lunar Effect continue building their own universe — one hypnotic, heavy track at a time.

Fortune’s Always Hiding is available on Svart exclusive Cream/Red/Orange marble vinyl, limited Transparent Green vinyl, Black vinyl, CD, and digital platforms on October 24th, 2025.

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Hailed as a “hardcore Toxic Holocaust,” Wellington’s Brainwave channel the grit of Drain, Mindforce, and Forced Order into a thrashing, metallic hardcore attack all their own. After years of cementing their reputation as one of New Zealand’s most ferocious live bands, the five-piece now take the next step with their debut full-length Ill Intent, arriving October 22, 2025.

Recently, the band have dropped a new video for the album’s title track ‘Ill Intent’, featuring guest vocals from Luke Manson of Xile. The track exemplifies the record’s dual spirit, deeply personal yet politically charged, raging with both despair and defiance.

“It’s an extremely personal record, albeit one set against the backdrop of a world tearing itself apart. It’s about hopelessness, the pain of loss, and the brutality of everyday life. But it’s also about conquering the summit, overcoming both yourself and your detractors,” the band shares.

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The making of Ill Intent marked a turning point for Brainwave. They grew from a four- to five-piece with the addition of guitarist Ian Moore, forged a close production partnership with Lewis Noke-Edwards, and invited some key figures from New Zealand’s hardcore scene, including members of Lucre, Molosser, Martial Law, and Xile.
The result is a ten-track album that captures both the personal and the political, a raw, unflinching document of struggle, but also a rallying cry to fight back.

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Portuguese grindcore masters BESTA return this autumn with their fiercest work to date. Their reimagined album John Carpenter Redux will be released October 4th via Raging Planet in an exclusive limited vinyl edition.

Originally unleashed in 2013 and mixed by Steve Austin (Today Is The Day), the record has now been completely re-mixed and reimagined by the band itself, with long-time frontman Paulo Rui re-recording all vocals to deliver the most unhinged and powerful version yet.

As the ultimate homage to the master of horror, John Carpenter Redux bridges feral grindcore and politically charged punk, channeling the same tension, anger, and resistance that fuel many of Carpenter’s timeless films. The result is raw, uncompromising, and urgent, a soundtrack to chaos that feels both cinematic and confrontational.

This is BESTA at their fiercest: a band with over a decade of grinding, raging, and raging against the system, now paying tribute to one of cinema’s most visionary rebels.

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WHITEHORSE is the new band from Thomas Haywood, the former frontman of The Blinders. Their new single ‘Red Riptide’  is released on the 2nd of September, riven with urgency, with guitar licks like knives being unsheathed, dexterous basslines, scampering drums and a vocal that simmers, broods and reaches crescendo. It’s about being completely clear-headed and in a place of certainty in your mind, and the rushing feeling of violence that comes with determination when you’re cutting through the chaos and staying true to a vision you’re so certain of.

They say “It’s as heavy as we go at the moment and to me describes desire in a tune and screams ‘fucking come on then’ to anything thrown your way
"It was written when heavy rains burst the waters of a riverbank and the whole thing was just gushing all over the place and it set me off big time.”
Formed in Sheffield in late 2024 by Haywood alongside Bobby Bouché, John McCullagh & Nathan Keeble, and James Keith.

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