Posts Tagged ‘Kath & The Kicks’

Christopher Nosnibor

Six months on from ballsy grunger ‘Underground’, Kath & The Kicks return with their fourth single, ‘I’m Alive’. The news of their being alive comes as something of a relief. It may sound like I’m being facetious – As usual – but I do mean it. Even before the pandemic, I’ve discovered people who’ve been off radar for a while are no longer with us, and in the last year or so, many of us have lost friends or relatives – not necessarily to Covid-19 – without being able to exchange our last words or see them that one last time.

For bands accustomed to working together, in a room, lockdown has impacted many, including Kath & The Kicks, who’ve had to adjust their approach in order to continue writing and recording new music, and ‘I’m Alive’ marks something of a stylistic shift from its predecessor.

‘I’m Alive’ starts out subtle, brooding, with lacings of post-punk draped around a soft, insistent bass and understated chorus-tinged guitar… and then when the chorus hits it absolutely erupts. Bass and guitars set to stun, it kicks in with maximum swagger and a deep, deep groove that’s hard and absolutely gripping, going straight for the jugular.

This is more stoner rock than anything else, for those set on genre: otherwise, it’s just a monumental riff-led beast of a tune which really showcases Kath & The Kicks’ versatility and their knack for monster riffs. What more do you need?

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20th of November 2020

Christopher Nosnibor

Grunge is dead, so the slogan ran on a T-shirt worn by Kurt Cobain back in 93 or thereabouts. And yet, he we are in 2020 and listening to the third single by Leeds power trio Kath & The Kicks, and the evidence says otherwise.

Like punk, post-punk, goth, shoegaze, and so many genres that are intrinsically tied to a specific period in time, the legacy of grunge reverberates and returns in waves, and one of the joy of being alive now as that cross-genre hybrids of all of these are possible and emerge all the time.

‘Underground’ is all about the thick, overdriven grungy guitar. The sound is dense and dirty, and benefits from an unpolished, no-messing production that accentuates the abrasive edges. It’s the vehicle which carries Kath’s bold, powerful vocal, which, stylistically, sits between vintage hard rock and goth – there’s a dash of Siouxsie in there, while at the same time hinting at being the natural successors to sadly departed Leeds favourites Black Moth.

The dark, ever-so-slightly twisted lyrics dig into a subterranean psyche that’s part goth, part agoraphobe, part obsessive psychopath. It’s a pretty potent cocktail.

Kath _ The Kicks Single Cover