Posts Tagged ‘goth rock’

Oakland-based alternative rock / darkwave trio Sword Tongue presents the video for ‘We Are The Resistance’ , a dark gem showcasing their explosive fourth EP Bonfire In The Tempest. Galvanized, song by song, during our current age of cultural upheaval, this release is bursting with raw emotion and tempered by sophisticated production, launching the band into uncharted territory.

This EP is a love letter to the music we all loved in the 90s. Long delays, lush chorus sounds, deep flanges and modulations – a guitar tone chaser’s dream, married with deep distorted growling bass lines, hard driven drums and pulsing, electronic dance beats provide the texture over which soaring female vocals triumph. At times a whisper, and other times a roar, each song crafted in the crucible of these modern, unprecedented times.

In these five loaded tracks, vocalist Jennifer Wilde delivers alluring vocal lines that oscillate between a croon and a roar, seduction and rage. Gaetano Maleki’s signature shimmering guitar tones and bass lines mesmerize and ensnare, while Dan Milligan’s intricate drum lines drive the message and become the heartbeat of this sonic tour de force reminiscent of the 90s.

Capturing the essence of 90s alternative music, reimagined for a new era, Sword Tongue weaves together rock, industrial, shoegaze, post-punk and trip hop, giving voice to anguish, anger, transformation and triumph. Pulling from an array of musical styles, from electronic music to space rock, the band earlier shared the single ‘Diamonds To Rust’.

“Originally, this album was meant to be more of a danceable opus with a trip hop flavor. However, after the U.S. Presidential election, we realized that our album had to carry a more specific message on the current pollical climate, on aging, and on transitions. We wanted to give voice to the frustration, the anguish, the strength, and the hope in all of us,” says Jennifer Wilde.

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Debuting in 2020 during the pandemic, Sword Tongue creates dark music for dark times, casting a shadow of hope in the twilight. Formed by husband-and-wife duo Gaetano Maleki and Jennifer Wilde, the project is their love language and the culmination of their life’s work as musicians. Wilde, a classically trained vocalist who has performed with the Oakland Symphony Chorus, has been a guest vocalist and lyricist for seminal shoegaze band Love Spirals Downwards. Maleki brings an intensity from his background in heavy music, infusing his shimmering guitar soundscapes with sonic weight.

The pair were then joined by renowned producer and drummer Dan Milligan, whose driving contribution has infused the music with more depth, drive and dimension. The brainchild of The Joy Thieves, he has quite the history co-creating, producing and remixing such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

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Season of Mist – 8th February 2022

Christopher Nosnibor

Christian Death may have ridden a certain commercial crest in the late 80s and early 90s during a prolific spell with the run of albums from 1988’s Sex and Drugs and Jesus Christ, All The Love / All The Hate the following year, and 1991’s single’s collection Jesus Points the Bone at You?, but they’ve spent the majority of the their lengthy career running under the radar, both commercially and critically. Their most prolific spell was plagued by controversy, and would see many tour dates pulled and the band attract a slew of negative press. And that’s suited them just fine. Valor articulated it best on ‘Wretched Mankind’ on the aforementioned Sex and Drugs, ‘Fuck ‘em’. The point is, they’re still here, and while the output’s slowed, they’ve still released three albums since the turn of the millennium.

2022 has seen a sudden upturn in activity, starting with their online release of their cover of David Bowie’s ‘Quicksand’ to mark the fifth anniversary of his death and also his seventy-fifth birthday, swiftly followed by new single, ‘Blood Moon’, the lead single from forthcoming album Evil Becomes Rule.

‘Blood Moon’ is a stonker, too. Vintage Christian Death, it’s what you could reasonably call ‘quintessential goth’ for wont of a better summary. The bass and drums are stitched tight together in a solid four-square formation, and the bass is prominent, too. The guitar soars, heavy on the chorus and sustain, and Valor croons brooding and steely synths streak the sky and add depth to the epic chorus. Balancing dark with solid, rocking, and a catchy hook, it’s a remarkably accessible song that’s an obvious single. The chances are that if it was released by an up-and-coming new band, it’d be a breakthrough hit, but one suspects the band’s name and longevity will likely mean it’s unlikely here – but I’d like to be wrong. C’mon world, prove me wrong. For once.

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