Posts Tagged ‘Exsolve’

AdderStone Records – 4th October 2019

James Wells

Originally released in November 2018, Jo Quail’s Exsolve has been re-released, remastered, as a double vinyl effort on her own, newly-founded, AdderStone Records. It’s been expanded to include a new fourth track, ‘Reya Pavan’.

If a mere eleven months feels like an uncommonly short span of time, consider the fact that the original release wasn’t available on vinyl, and also the year Jo has had. With support slots with Mono and Emma Ruth Rundle, her profile has very much been on the up, and her performances have been consistently spellbinding.

Quail’s appeal was always likely to be subject to slow diffusion. While we’ve become accustomed to post-rock and experimental music, a solo cellist who conjures sound like a full rock band is essentially unique. Moreover, she’s more a purveyor of prog than neoclassical, and this really doesn’t sit readily with contemporary trends, however accommodating and broad-minded and receptive audiences are.

Christopher Nosnibor frothed effusively about the album on this very site a year ago and all of that still stands: this is a stunning album, and the depth and range of the sound is incredible. It has grace, it has power, it has impact, and it has blistering solos that sound like guitars. I’d challenge anyone to sit and listen to this without any forewarning and consider for a second this is the work of one person, or a solo cello album.

The new, additional composition, ‘Reya Pavan’ is the most overtly orchestral track on the album, and it oozes sadness rom the heart, while underpinned by a sonorous rhythmic throb that adds a very different dimension.

It’s not really a re-valuation as such, or a reissue, but a timely reboot, and Jo Quail is a singular and innovative artist who deserves the attention.

AA

Jo Quail - Exsolve reissue

Internationally acclaimed composer and virtuoso cellist Jo Quail, who released new album Exsolve last week has unveiled her new music video for track ‘Mandrel Cantus’. Jo comments,

Mandrel Cantus is the second track on ‘Exsolve’ and the performance footage was filmed by Simon Kallas whilst creating the four excerpt videos for the rest of the album. Mike Fletcher is in Dunsborough, WA, and I work with Mike on many projects, both my own videos and soundtracks for his work as a landscape videographer and filmmaker. Mike blended his unique imagery to Simon’s footage,  not only complementing the existing four visuals of ‘Exsolve’ but also conjoining the look and feel from previous album videos too. Much of what I do is inspired by landscape, and the internal or psychological mirror of this too, our own personal ‘map’ if you like, and this video encapsulates that completely.

Watch the video for ‘Mandrel Cantus’ here:

Having recently completed a European tour with Mono and A Storm of Light, Jo Quail will be heading out again with Myrkur in December.

European tour w/ Myrkur

03 Dec: SE Stockholm, Vasateatern04/12 – NO Oslo, John Dee

05 Dec: SE Gothenburg, Pustervik

07 Dec: DK Aarhus, Voxhall

08 Dec: DK Copenhagen, Pumpehuset

10 Dec: PL Poznan, U Bazyla

11 Dec: PL Krakow, Kwadrat

13 Dec: HU Budapest, Durer Kert

14 Dec: AT Vienna, Arena

16 Dec: NL Tilburg, 013 KZ

18 Dec UK London, The Dome

19 Dec: UK Bristol, The Fleece

20 Dec: UK Nottingham, Rescue Rooms

21 Dec UK Glasgow, The Great Eastern

22 Dec: – UK Manchester, Gorilla

jq pr © Simon Kallas-2

2nd November 2018

Christopher Nosnibor

Not so long ago, I began a review by saying I felt sorry for Jo Quail. That was no slight on her musical output, but an observation that as incredible performer, it seemed wrong that she should be put on so early that her set was a third of the way through before the doors even opened. On listening to Exsolve, my awe of her musicianship is greater than ever, which only renders the injustice worse. To get the point: this is an incredible album, a triumph of musicianship and vision in tandem to create something not only greater than the sum of the parts, but beyond imagination.

The accompanying press release informs us that Exsolve is comprised of three tracks, with each one being broken down in to sections and movements across 45 minutes. Mastered by James Griffiths, himself a film composer, there is, the blurb notes, an almost symphonic quality to the album. This is true, but there is so, so much more, much of which defies conventional description: it speaks not to the domain of words, but the psyche.

The bald facts are that Jo Quail plays cello, and does so through a raft of effects to create sounds a million light years removed from the cello, looping bangs on the mic to create thunderous percussion and conjuring eerie moans and grating tempests of sound. The result is pretty heavy, not to mention intense.

Eight minutes into ‘Forge of Two Forms’, Quail is conjuring blistering interweaving prog riffs against a swirling backdrop of noise and thumping beats. Epic doesn’t come close. It sounds like a full band pushing into new realms of enormity, and with a blistering distorted picked motif that sounds like a crisply-executed lead guitar line, it’s easy to forget just how this music is made. Twelve minutes in, it’s tapered down to nothing and actually sounds like subdued, low-tempo orchestral dronings, creeping atmospherics and melancholy. The transitions are seamless, invisible, but definite as the extended soundworks transition between segments.

‘Mandrel Cantus’ sends sonar echoes across low, slow ripples of mellow cadences, and somehow builds into a monumental emulation of a guitar solo of monumental proportions. How did this happen? From whence did this immense sound emerge?

Everything coalesces on the third and final composition, ‘Causleens Wheel’ which begins delicately, builds to a rolling, roiling, sustained crescendo. It’s a multi-faceted composition, tonally rich and also moving, not just by force but by expression.

Powerful, graceful, compelling and dramatic, Exsolve is a remarkable album of rare quality.

AA

Jo Quail - Exsolve

Since the release of her previous album Five Incantations in 2016, internationally acclaimed composer and virtuoso cellist Jo Quail has been touring extensively across Europe performing alongside the likes of Boris, Amenra, Caspian, Myrkur and Winterfylleth. Festival performances this year include ArcTanGent, WGT, Dunk! and Tramlines Festival, and two separate concerts at the invitation of Robert Smith for his curation of the Southbank’s Meltdown Festival.

Jo’s new album Exsolve, recorded with Chris Fielding at Skyhammer Studios (Electric Wizard, Primordial, Witchsorrow, Conan), will be released on 2nd November. Watch the trailer with an excerpt of the track ‘Mandrel Cantus’ here:

European tour w/ Mono & A Storm of Light

01 Oct: Bristol, UK, The Fleece

02 Oct: Norwich, UK, Arts Centre

03 Oct: Glasgow, UK, Classic Grand

04 Oct: Newcastle, UK, The Cluny

05 Oct: Leeds, UK, Left Bank

06 Oct: Ghent, BE, De Central

07 Oct: Utrecht, NL, Tivoli De Helling

08 Oct: Bremen, DE, Tower

09 Oct: Dresden, DE, Beatpol

10 Oct: Wiesbaden, DE, Schlachtof

11 Oct: Aarau, CH, Kiff

12 Oct: Lyon, FR, CCO

13 Oct: Barcelona, ES, Aloud Music Festival

14 Oct: Toulouse, FR, Le Rex

15 Oct: Bordeaux, FR, Krakatoa

16 Oct: Orleans, FR, Astrolabe

17 Oct: Heerlen, NL, Nieuwe Nor

18 Oct: Oberhausen, DE, Drucklufthaus

19 Oct: Leeuwarden, NL, Into The Void

20 Oct: Athens, GR, Fuzz Club

22 Oct: St. Petersburg, RU, Zal

23 Oct: Moscow, RU, Zil

European tour w/ Myrkur

03 Dec: SE Stockholm, Vasateatern04/12 – NO Oslo, John Dee

05 Dec: SE Gothenburg, Pustervik

07 Dec: DK Aarhus, Voxhall

08 Dec: DK Copenhagen, Pumpehuset

10 Dec: PL Poznan, U Bazyla

11 Dec: PL Krakow, Kwadrat

13 Dec: HU Budapest, Durer Kert

14 Dec: AT Vienna, Arena

16 Dec: NL Tilburg, 013 KZ

18 Dec UK London, The Dome

19 Dec: UK Bristol, The Fleece

20 Dec: UK Nottingham, Rescue Rooms

21 Dec UK Glasgow, The Great Eastern

22 Dec: – UK Manchester, Gorilla

Jo Quail