Posts Tagged ‘Cathedral In Flames’

The long-awaited new album from Prague gothic cowboys, CATHEDRAL IN FLAMES titled Count To Nine, has finally been unveiled on the Musicraft label! The themes of the songs cover contemporary psychological problems and addictions, Lovecraftian mysticism and magical sexual practices.

The title, ‘Count To Nine’ refers to both the number of songs and the mystical number 9. Nine is the number of fulfilment, closure and completion. It also symbolizes the coming of age and the connection between dimensions and worlds on all levels.

The nine tracks were mixed by the legendary John Fryer (Fields of the Nephilim, Nine Inch Nails, Depeche Mode, Paradise Lost, Cradle Of Filth and more). The band has significantly tightened up their dark gothic rock on their third album, from the hypnotic and gothic rock purist track, ‘Dreaming In The Witch House’ to the cowboy shuffle of ‘Pale Rider’ to the dark pop of ‘Summertime.’ 

Vocalist Phil Lee Fall says of the album, “On Count To Nine we tried to cross boundaries. We ventured further and deeper than ever before. Musically, lyrically and sonically. It took us almost three years, but we are extremely happy with the result. Dark, mystical and monumental gothic rock for the 21st century.”

Gatsby adds: “Each track is heavily influenced by the mood and situations in which it was created. That’s why I make music, to get the emotion out. So the fact that it’s dark is probably natural. In a way, it’s a catharsis of the disgust and confusion we live in.”

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The Czech gothic rock band, Cathedral In Flames have unleashed their version of Billy Idol’s legendary song, ‘Rebel Yell’.

In their version of the iconic song, Cathedral In Flames toyed with tempos, added strings and flirted with blast-beats for the first time in their history. Produced by the legendary John Freyer, the song retains the anthemic fast-paced chorus, which is further supported by a stylized comic book video.

Singer Phil Lee Fall says, “The songs were basically made to order. And we had a lot of arguments over it. We couldn’t figure it out for a long time, but when Gatsby threw in the tempo changes, everything clicked. And John added the blast beats symbolically at the very end.”

And Gatsby adds, “I’ve never liked this song, so I approached it in the end in the style of seeing if something interesting could be made out of a thousand times stale little ditty. How it turned out, judge for yourself. I’m washing my hands!”

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Prague-based gothic rock band, Cathedral In Flames presents their new single, ‘Release The Pain’ – a hypnotic ballad about coping with pain and death. Gatsby’s throbbing bass and Ambra’s angelic vocals complement Phil’s vocals about the contemporary unlearning of the perception of death and pain through social media.

Vocalist, Phil Lee Fall says,  “When the song was written, I was having a pretty bad time. I was taking long night walks through old Prague and I realized that all the people I meet are going to die sooner or later.”

And Gatsby adds: “’Release The Pain’ is a catharsis for our whole band. For me, there is so much emotion in this song that if it doesn’t knock you on your back, nothing will.”

A narrative music video was also created for the track, showing the band in the abandoned magical corners of Rudolphine’s Prague combined with the mystical hills above the contemporary city. Both sceneries are connected in the image and lyrics of the number 9 in various forms. 9 is the number of fulfilment, closure and completion. It also symbolizes the coming of age and the connection between dimensions and worlds on all levels.

Watch the video here:

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28th December 2022

Christopher Nosnibor

These bloody goths, still thinking it’s 1985 and all wanting to be The Sisters of Mercy, in their black garb, wide-brimmed hats, shades, mooning around in churches and graveyards, still churning out tunes with spindly guitar with loads of chorus and flange, with deep, growly vocals crawling over thumping drum machines and four-quare basslines that rip off Craig Adams. They’re all so bloody po-faced, and even when they’re being humorous or ironic they deliver it in such a straight way it’s impossible to tell if they are actually being humorous or ironic or just naff.

And that’s part of the enduring appeal of bands like Cathedral In Flames. You know what you’re going to get, within a fairly narrow margin. It wasn’t really until the 90s wave of goth emerged that this was really a thing, so many of the contemporary goth bands with an ‘old-school’ sound more as if they’re channelling the likes of Suspiria and Children on Stun than The Sister or Siouxsie, and since most can’t register the same low-end as Andrew Eldritch, end up sounding more Cark McCoy for the most part.

Genre history and pedantry aside, ‘Not Another Vampire Song’ (somewhat ironic and humorous) follows the release of their cover of Nick Cave And The Bad Seeds’ ‘The Weeping Song’ (not ironic or humorous), and ‘The lyrics poke fun at typical gothic rock themes as well as stories of closed rock clubs and churches’:

“The song is based on a memory of the nineties, when we used to travel (not only to play) around Bohemia, and after a night of drinking we would go the next morning to the only place that was open (on Saturday or Sunday) at that time, so to church.”

They’ve got John Fryer (Fields of The Nephilim, Peter Murphy, Nine Inch Nails) on board to produce this new material, and credit where it’s due, it suits it well. It’s a solid tune, too, and with its grainy, vintage-looking promo video, it does look and sound for all the world like one of those tracks from obscure 80s also- rans that crop up on compilations of The Sisters and The Mission like that started doing the rounds in about 87 or 88. It’s about as far as you can get from revolutionary, but in terms of delivering what they set out to achieve, it’s Mission accomplished.

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Cathedral In Flames were slowly preparing for live shows and writing their next record during the Covid pandemic when Vladamir Putin and Russian armed forces invaded Ukraine.

The band immediately decided to take action. They will donate all royalties and proceeds from their Hang Me High And Bury Me Deep record to support Ukraine, specifically to run Nexta, an independent news channel that brings the breaking news from across the battlefield.

In order to draw attention to the cause and raise additional funds for Ukraine from their fans, the band decided to record a cover version of Nick Cave and Blixa Bargeld’s duet ‘The Weeping Song’.

Phil Lee Fall says of the whole thing, "The war in Ukraine is horrible, the terror on children, innocents, the helpless. This song is maybe about crying, but at the end it sings "… we won’t be weeping long" because I’m convinced that Russia will be defeated in the end."

"Support Ukraine, Putin udi na chuj," ads Gatsby.

Listen and purchase here:

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