Posts Tagged ‘Austere’

Prophecy Productions – 6th June 2025

Christopher Nosnibor

Absence makes the hearty grow fonder, so the adage goes, and so it also goes that some acts return not only rejuvenated, but more prolific the second time around: this has certainly been true of a number of acts, ranging from Earth to The March Violets, and it seems that Austere are also finding a purple patch of creativity, with The Stillness of Dissolution being their third album in two years after a thirteen-year break – having only released two albums in their initial four-year career.

Older and wiser? Or perhaps older and feeling a greater sense of freedom in creative terms… it matters not, really. Here, the Australian duo, consisting of Mitchell Keepin (guitars, bass, keyboards, vocals), and Tim Yatras (drums, keyboards, vocals), we’re reminded that ‘their roots in early Norse black metal and its depressive Scandinavian offspring remain clearly audible’, and the album’s six lengthy tracks offer texture and detail, and darkness… much deep darkness.

Opening, ‘Dissolved Exile’ clocks in a little shy of eight minutes, and what’s striking us just how crisp the guitars sound, both the crunchy rhythm parks and the spindly lead, which takes off into an epic solo, propelled by double-pedal blasting drums. But something else stands out, too: as raspy and demonic as the vocals are, there’s a strong sense of groove to it, the chugging chords presenting a solid form and structure. ‘Redolent Foulness’, too, has an epic quality, and an almost neo-prog accessibility. There’s melody in the vocals, not to mention an abundance of dynamics and detail.

It would be easy to criticise Austere for pursuing a more commercial sound and a more ‘casual’ audience, but the simple fact is that they’ve got some crafted tunes here, and The Stillness of Dissolution showcases songwriting ability, rather than simply the ability to play fast while burying everything in muddy production. The Stillness of Dissolution is by no means a commercial album, or a pop album, but in melding genuine hooks to monster slugging riffs, Austere have forged an album that’s compelling, exciting, and yes, I’ll say it, catchy. Not in a pop sense, of course, but those juggernaut riffs just grab you: ‘Rusted Veins’ fully rocks out, and at nine and a half minutes, closer ‘Storm Within My Heart’ is a solid epic. Overused? Yeah, but have you got a better word? It begins atmospherically, before blasting in with explosive force, and with the snarling vocals buried beneath a frenzied blanket or fretwork, it’s the most overtly black metal cut on the album.

And what an album: it really is well-considered, crafted, detailed. ‘The Downfall’ borders on shoegaze and prog-metal, but there’s blistering rage in there, too. Metal tends to be underrated when it comes to texture and emotional range, but The Stillness of Dissolution brings it all by the truckload: ‘Time Awry’ bringing three songs in one, with a nagging lead guitar line that loops over a thunderous riff. This is an album which makes you feel – and its power is as immense as its stunning quality.

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AUSTERE have unveiled the video clip ‘Time Awry’ as the first single taken from the black & dark metal duo’s forthcoming new album The Stillness of Dissolution. The band from Wollongong in New South Wales, Australia will release their fifth full-length on June 6, 2025.

AUSTERE comment: “The first single, ‘Time Awry’ was the second song written for The Stillness of Dissolution, our forthcoming new album”, guitarist, keyboard player, and vocalist Mitchell Keepin explains on behalf of the duo. “The first few songs written for the album tend to have a slightly more stripped back ‘rock’ sound than those written later, and that is on display here. Lyrically, it is presented from the viewpoint of a betrayed and solemn soul – a man with a heightened awareness of the inescapable running of time and seeking to accelerate that process.”

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AUSTERE have revealed ‘Faded Ghost’ as the first single taken from the black metal duo’s forthcoming new album Beneath the Threshold. The band from Wollongong in Australia’s east coast state New South Wales will release their fourth full-length on April 5, 2023.

Watch the video here:

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AUSTERE comment: “Initially, ‘Faded Ghost’ was written as a ‘breather’ for the record, but while we were working at the details during its creation, the song evolved into what we now consider to be the second part of ‘Just for a Moment…’ – an older song of ours”, guitarist and singer Mitchell Keepin explains on behalf of the duo. “The material featured on Beneath the Threshold was always meant to be more riff-based and driving, while we were also determined to keep our multi-layered guitar and keyboard parts. In order to retain the feel of an open, atmospheric song, we structured ‘Faded Ghost’ in more or less the same manner asJust for a Moment.…’ Once again, we employed clean vocals and additional harmonies for the entire track. Lyrically, we are delving into an obscure and dark subject, with all personal elements seemingly removed. You are invited to speculate what it’s about.”

Beneath the Threshold represents AUSTERE in the here and now. With their fourth full-length the Australians have taken a long step into the present and embrace their musical future in a way that might have been expected after a 13-year hiatus.

When their voluntary break ended with the release of Corrosion of Hearts in 2023, the duo consisting of Mitchell Keepin and Tim Yatras returned with a more mature and defined version of their own particular style of black metal, which reflected both their greater experience and evolution as artists. Both musicians had been active in other bands during the hiatus of AUSTERE.

While Corrosion of Hearts formed the bridge between the band’s musical history and the artists’ fresh vision, Beneath the Threshold takes a leap of expression. AUSTERE’s sonic heritage is still alive. Even though their roots in early Norse black metal and its depressive Scandinavian offspring continue to shine through, it is also apparent that the Australians have audibly strengthened their emotional expressiveness and previous blackgaze leanings beyond the point where a stylistic shift towards the latter needs to be diagnosed.

On Beneath the Threshold, AUSTERE offer more hooks and melodic harmonies to complement the multi-layered, harsh and dreamlike guitar textures expertly woven by Keepin with the aid of Yatras’ emotive drumming. This development is emphasised by a suitable production that lets each of the elements shine and does not try to blur the riffs.

AUSTERE evolved out of a solo-project run by multi-instrumentalist and singer Desolate alias Mitchell Keepin who joined forces with drummer, keyboard player, and vocalist Sorrow aka Tim Yatras in 2005. Signature frost-bitten guitars, alongside high-pitched screams and wails marked AUSTERE’s debut album Withering Illusions and Desolation (2007) as well as the two split-releases Only the Wind Remembers / Ending the Circle of Life (with LYRINX, 2008) and Bleak… (with ISOLATION, 2008), which AUSTERE reissued partly on the EP Only the Wind Remembers (2008). The sophomore album To Lay like Old Ashes  followed in 2009 and still featured a raw sound but with a refined production.

The same year, AUSTERE entered a voluntary hiatus until activities were resumed in 2021. During their absence the number of followers continued to grow through word of mouth.

For AUSTERE the stars under the Southern Cross have newly aligned and the harsh majestic beauty of Beneath the Threshold calls out to everyone to raise their eyes up to the night sky around the globe and behold the finally unleashed Australian band in its full musical glory.

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Austere are back. The Australians return with their third album – and they are as laconic and without any pretensions as when they went into extended hibernation after the release of their sophomore full-length To Lay like Old Ashes in 2009.  

Entitled Corrosion of Hearts, the new tracks stay true to the path that Austere have carved for themselves out of solid black metal bedrock. The multi-layered and harsh yet often dreamlike guitar tapestries woven by Mitchell Keepin are complemented by the emotive drumming of Tim Yatras, who also contributes keyboard splashes and cinematic soundscapes. Both also contribute vocals that cover the full spectrum of their genre and range from throat-ripping growls via desolate screams to clear voices. In the typical manner of these Australians, their songs are still meandering, flowing streams of musical thought of epic proportions.

The sonic heritage of Austere is apparent. Their inspiration derives from the early Norse black metal scene and its depressive offspring, but also stretches further to the gentler and more emotional approach of blackgaze. Despite or maybe even because of the width of the influences, the Australians have found their own answers to the musical paradox inherent in this style, which is both fast and slow, aggressive and melancholic.

On Corrosion of Hearts, Austere ‘s brand of black metal has evolved into a more mature and defined form of expression, which is hardly surprising as both musicians were active in other bands during their hiatus. The duo also took more time to craft their new songs into exactly what they were supposed to sound like than before. With greater experience comes more determination.

As a taster, they’ve unveiled ‘A Ravenous Oblivion’.

Watch ‘A Ravenous Oblivion’ here:

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Pic by Stefan_Raduta

AUSTERE have unveiled a sinister video for the epic opening track ‘Sullen’ as the first and only single taken from the black metal duo’s forthcoming new full-length Corrosion of Hearts. The band from Wollongong in Australia’s east coast state New South Wales will release their third album on April 28, 2023.

Watch the video here:

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AUSTERE comment: “The first single ‘Sullen’ is also the first track that we wrote for Corrosion of Hearts and it has an interesting background”, guitarist and singer Mitchell Keepin explains on behalf of the duo. “The main riff theme within the track was actually also the first song written for an album that we started working on directly after ‘To Lay Like Old Ashes’ was released, 13 years ago. For various reasons, that album never came to fruition. Yet the main riff, whilst slightly different at the time, survived. Although it carries a different feel to our previous work, it is a good starting point to pick up the pieces that were left behind so long ago when we decided to rebirth the band. Corrosion of Hearts, as an album, reflects the opportunity to write additional melodies that we didn’t have the time for during the recording of our previous album. This allowed us to deliver a bigger soundscape carried by epic melodies in an atmospheric way. it feels great to be able to expand further and venture into new waters. ‘Sullen’ is an important track for us as it was the catalyst for Austere to reigniting the flames that are burning within us.”

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Pic: Stefan Raduta