Christopher Nosnibor
With neither band having previously played in York before 2022, it’s three months to the week since Healthy Junkies and Yur Mum last played in this very room, and on the same lineup as part of the Lips Can Kill Tour, and it’s the third time here for Healthy Junkies, who supported The Kut here in January. And it’s great to have them both back, and although it’s a bit of a standard York on a Wednesday night turnout, those present more than compensate the small numbers with their demonstrations of appreciation, getting going down the front.
It is a while before things get going. Sure, I’m here to write about the music. But a long wait for the music when I didn’t think to bring a book makes for some tedious downtime. Scheduling and communication do matter, as the time I missed the headliners because they were due on around midnight, a full half hour after the last train back to York from Leeds illustrates perfectly. These things are ok if advertised in advance, but can be problematic if not. Opening doors at seven but not having a band on before nine without advertising stage times – or the fact that the headliners have pulled out – beforehand wasn’t the absolute worst, but sitting around on your tod for an hour and a half when you’ve got stuff you could have been doing is a bit of a chew, and midweek, I’d take an early finish over a late start any time.
Still, there’s decent beer on tap at fair prices, and supping a couple of pints of Oakham Citra while they spin some decent tunes over the PA is far from the worst way to kill time. And the bar staff are great, and the bands are without doubt worth the wait, and one thing about the Vaults is that the sound is spot on – and at a volume appropriate for the bands.
One thing that probably doesn’t get much comment is the fact that Yur Mum – Anelise and Fabio – are both great musicians. Anelise plays bass like a guitar and cranks out some monster sound, while Fabio plays the whole kit all at once. They’ve both got outstanding presence – Despite singing and playing, Anelise manages to be pretty mobile around the stage, and Fabio has an exuberant style that goes the occasional stick-spin. Above all, though, they play with chemistry and energy, and the intuition that comes with hard touring. The slower gothic tones of ‘Black Rainbow’ stand out in a powerful set that features a piledriving rendition of ‘Sweatshop’ as the penultimate song.
Yur Mum
Healthy Junkies are another band who tour relentlessly, and it shows – not because they seem jaded, but because they’ve got that tightness that comes from time on the road (their last album, Forever on the Road is appropriately titled). And unphased by the smaller crowd, they play hard and put on the same standard of show as if the place was absolutely rammed. They’re not just pros, they pour every ounce into every song.
Healthy Junkies
Nina Courson is a whirlwind of flailing limbs and hair, at times channelling Katie Jane Garside, and utterly compelling – to the point that sometimes you forget the songs, and the solidity of the band as a collective. Guitarist Phil Honey-Jones takes lead vocals on a handful of tracks, making for a nice contrast and highlighting the depth of the band’s talent. The rhythm section don’t do anything to draw attention, and do exactly what’s needed – keep it solid, and with drive. They wrap up with the fan-favourite cover of ‘These Boots Are Made for Walking’, and that is indeed what they do.
Healthy Junkies
Any disappointment over the absence of Witch of the East – and I for one was disappointed, as I’d been looking forward, while I suspect other got word and stayed home – was compensated by the quality of the two bands, both headline acts in their own right.
Aural Aggravation 