Posts Tagged ‘Video’

NYC’s Lip Critic return with their first new music since last year’s acclaimed Hex Dealer – which Consequence of Sound described as “a cannonball to the chest” and Paste compared to “the B-52s on ketamine”, while we here at Aural Aggravation  said was “Lip Critic’s definitive statement”. Double singles ‘Mirror Match’ and ‘Second Life’ are out now and continue Lip Critic’s furious experimental energy, born in a flash of cosmic coincidence and baseball-fueled mysticism.

‘Mirror Match’ is a twitchy, high-octane confrontation with your doppelgänger, arriving alongside a bespoke Lip Critic-designed pinball game set in a cloning facility. ‘Second Life’ throws the chaos into bass-heavy nightmare territory, accompanied by a surreal music video styled like an off-brand cooking show episode, complete with Sandra Lee-inspired semi-homemade absurdity.

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"We were on tour near the end of 2024 and had just played our LA show. We had a two day gap before our next show in Santa Ana so we got a room at the hotel Casa Grande. That night after the drive I fell asleep watching Randy Johnson highlight reels. All the great moments from his time as a Diamondback, as well as his years on the Yankees and the Giants.

That night I had a dream I met a tall man with a body made entirely of radiant light wearing a baseball cap. He opened his arms and from them came two perpendicular rays that shot around me to form the shape of a diamond. When the tips of the rays connected I was engulfed in a thunderous sound, like that of a waterfall. It shook me so much that I woke up in a jolt. I woke to see that I had been writhing in my sleep and had completely displaced the other 3 members I had been sharing this queen bed with.

I apologized and brushed it off as another bad dream brought on by a late night binging baseball history videos on YouTube. Upon checking my phone, I saw I had received a text in the night from a number I didn’t recognize, offering us two days of unexpected studio time.

When we arrived at the studio that day, he opened the door wearing a fitted baseball cap, towering over our band with an average height of 5’8”. I instantly felt a familiarity. As he showed us around I felt a sense of having returned, like visiting your old elementary school once again for a younger siblings’ graduation. He led us to the control room which was equipped with a speaker system large enough for a room quadruple the size. He stood at one corner and I sat in a chair directly opposite. The square room shifted to a diamond by our perspectives.

He turned the speakers up and without hesitation played us through a whirlwind of different music at an unbelievable volume, and I was engulfed in a thunderous sound, like that of a waterfall. ‘Mirror Match’ and ‘Second Life’ were two tracks made and completed in the two days at his studio."

Lip Critic are touring extensively across the US this summer with headline dates, festival appearances, a co-headline run with Hello Mary, and support slots for MSPAINT, Pat and the Pissers & Mannequin Pussy.

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Azure Emote unveil the noire video clip ‘Bleed with the Moon’ as the final advance single taken from their new full-length Cryptic Aura. The fourth studio album of the American progressive death alchemists has been chalked up for release on July 25, 2025.

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AZURE EMOTE comment: “Overall, ‘Bleed with the Moon’ is conceptually very simple and straightforward, but also one of the more personal songs on the album”, mastermind Mike Hrubovcak reveals. “Alcohol is a demon and I’ve named him Al-Kuhl. This analogy is based on my personal experiences and the lyrics are about getting possessed by this demon around a bonfire in the woods at night. I’m not trying to glorify excessive drinking here. I rather artistically convey the passion, euphoria, and physical and mental dangers of convening with such ‘spirits’ in the heat of the moment. I have a love/hate relationship with Al-Kuhl and I have learned that eventually it ends up taking much more than it gives. This song was written during such a night however, and even the album cover is a photo of a homemade skeleton that I made and burned in the woods along with a bottle and a bonfire.”

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In the wake of turning loose their fierce sixth album Devoid of Light on May 16, 2025, Dutch death metal veterans AntropomorphiA  unleash another sinister track as a new video single: ‘Funeral Throne’.

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AntropomorphiA comment: “No god will save humanity as this excrement cesspool of the world around us slowly spirals into chaos and war”, frontman Ferry Damen prophesies. “We embrace the flaming crown of the funeral throne: ad me venite mortui.”

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Get ready to dive headfirst into the neon-soaked daydream of your wildest VHS-era fantasies—Sex-O-Rama is back with their latest single, ‘Inside Your Dirty Mind.’

Taken from their recent double LP, Invaders from the Pleasure Planet, the new single is a full-frontal sonic seduction: dripping with synth-laced sleaze and tongue-in-cheek swagger. A cinematic throwback through and through, the track channels the voyeuristic thrill of late-night cable TV and the pulpy punch of vintage softcore scores—with a wink, of course.

“Inside Your Dirty Mind” captures everything that defines Sex-O-Rama’s signature “Porn-Funk” aesthetic: campy, cool, and completely uninhibited. A love letter to the decadent, neon-flooded excess of ‘80s softcore soundtracks, it fuses nostalgia with fresh production and sly social satire.

The mastermind behind the madness, Carvin Knowles, describes the music as a deliberate rebellion against classical constraints. “We wanted to make music that was free—groovy, dirty, unpretentious,” says Knowles. “’Inside Your Dirty Mind’ is about those taboo thoughts everyone has… and the freedom that comes from embracing them.”

Their return in 2025 marks a new era for the cult heroes of sleaze-funk. After stirring up controversy in the late ‘90s with their film placements and provocative sound, Sex-O-Rama’s resurgence is nothing short of intergalactic. Invaders from the Pleasure Planet features remastered cult classics and brand-new tracks that take listeners on a journey through laser-lit bedrooms and outer space discotheques.

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doubleVee is pleased to announce the release of the third single: ‘Maybe Tonight (What’s Inside of Me?)’, from their upcoming EP Periscope at Midnight. It’s their updated take on Allan’s Starlight Mints song ‘Inside of Me’, from the 2006 Starlight Mints album Drowaton.

Produced and recorded by Allan and Barb in their home studio, the EP was co-mixed by the pair and Wes Sharon of 115 Recording, with Wes handling the mastering. The EP’s artwork was created by Salt Lake City-based artist Grant Fuhst. Prior singles ‘Submarine Number Three Vee’ and ‘Everyone’s Lonely Under the Sea’ were released in April and May. EP Periscope at Midnight releases July 25th.

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The EP showcases four new tracks and Submarine Number Three Vee and Maybe Tonight [What’s Inside of Me?], re-imaginings of two of Allan’s songs from his time with his band Starlight Mints. New tracks include the driving beat of Diamond Thumb and second single Everyone’s Lonely Under the Sea, a dynamic song with detuned guitar leading the melody. The dreamy Natural Selection and the jaunty Modern Times also join the Vests’ satisfyingly unconventional musical library.

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American Dark Metal veterans NOVEMBERS DOOM have released a new video single for the song ‘Major Arcana’, the title track of their forthcoming new album.
The twelfth full-length from these purveyors of dark and brooding metal is scheduled to be released on September 19, 2025.

NOVEMBERS DOOM comment: “The title track ‘Major Arcana’ represents significant growth for us, exploring new ideas and taking ourselves out of our comfort zone – both musically and thematically”, vocalist Paul Kuhr states on behalf of the band. “Yet we are still staying true to who we are and the artistic legacy that we have created for so many years now. Each of us pushed hard to challenge ourselves as performers as well as songwriters, and we could hardly be any prouder of what we have accomplished with ‘Major Arcana’, both in terms of the song itself as well as the new album as a whole.”

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In further news, NOVEMBERS DOOM will also reissue a 20th Anniversary Edition of their cult album The Pale Haunt Departure (2005) on October 3, 2025. This collectors’ edition full-length will be released on vinyl for the first time and as a lavish artbook including 7 exclusive bonus track, rare images, and liner notes. Mailorder customers, who order both albums, will receive The Pale Haunt Departure early and together with Major Arcana on September 19.

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NEW WORLD DEPRESSION conjure the wrath of the spirits from the deep seas in their new video clip ‘The Vault’. The song is also the opening track and the first single taken from their new full-length Abysmal Void. The seventh album of the German death metal veterans has been scheduled for release on September 19, 2025

NEW WORLD DEPRESSION comment: “The opening track ‘The Vault’ of our new album Abysmal Void, is a dark hymn of guilt, vengeance, and nature’s wrath", guitarist Julian Schulz explains on behalf of the band. "Once the spirits of the sea awake and rise, there is no escape. The song tells a metaphorical story of a doomed ship’s crew, which symbolises humanity’s self-inflicted demise as we relentlessly drain the planet’s resources.”

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BONGINATOR have been busy setting up The New England Death Metal Fun Time Bonanza that will be headlined by legendary MORTICIAN and promises total devastation as well as a headbanging neck-trauma after three days of nonstop moshing at Charleez Hill in Lebanon, ME, USA from June 27 to 29, 2025.

To promote the event, these weed smoking death metal maniacs release a video single for the new track ‘All Cops Are Biomechs’.

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BONGINATOR comment: “Do you remember that movie where like… the cop died and became part man part robot and then he was like a cool cop… robot… thing and then he like totally fought crime?”, guitarist and vocalist Erik Thorstenn innocently asks. “Yeah, we made a song about that. He’s the only cop we like, I guess. I bet, he would totally smoke you out if he caught you lighting it up under the bleachers and shit. Remember, when he shot that dude in the wiener? Anyway, go listen to the song, and hate-mosh a poser who likes fully human cops who steal your drugs and shit. And by the way, if you got some time to spare and want to hang out with us, just come to our three day Death Metal Fun Time Bonanza at Charleez Hill in Lebanon, ME at the end of June!”

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Beloved Australian ensemble Hand To Earth will release their album Ŋurru Wäŋa (pronounced Wooroo Wanga) via Room40 on 22nd August.

Ŋurru Wäŋa is an album which traces notions of home, belonging, and displacement. The title translates as ‘the scent of home’, and as we travel, we long for that fragrance, passing the bee, guku, making the bush honey while the crow circles calling overhead.”

Today, the band share the album opener, ‘Bush Honey (guku)’.

In the two parts of the title track, Sunny Kim intones the words of Korean poet Yoon Dong Ju’s poem, ‘Another Home’, in counterpoint to Daniel Wilfred’s song, sung in the Wáglilak language.

This theme – this search for a sense of belonging – is at the heart of what drives Hand to Earth, a group of five people, who come together from different backgrounds, different birthplaces, and different musical approaches to share their songs, and by doing that to create something new.

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Photo credit: Emma Luker

KHNVM drop the video clip ‘Fetid Eden’ as the first single taken from their new full-length Cosmocrator. The fourth album of the German death metal act with Bangladeshi roots has been scheduled for release on August 29, 2025.

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KHNVM comment: “Our new single, ‘Fetid Eden’ is not merely music – but a visceral report from the heart of conflict”, singer and guitarist Obliterator explains. “This track plunges listeners into the brutal aftermath of war, where shattered dreams lie scattered like debris across ravaged landscapes, and the echoes of loss reverberate through the silence. This is a soundscape where the weight of existence is amplified by the relentless machinery of war and every breath is a struggle against the suffocating grip of despair. ‘Fetid Eden’ serves as a stark reminder of the enduring human cost of conflict, a descent into the gore-soaked reality that lies beyond the headlines. As the lead single of our upcoming album, it signals our unflinching commitment to confronting the darkest aspects of the human condition in a world consumed by violence.”

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