Posts Tagged ‘video stream’

Industrial glam kingpin Raymond Watts aka PIG will reissue a remastered and expanded version of his 1996 album Wrecked via Metropolis Records on 7th March. His fifth full-length record, the remastering has been made by Tom Hall at Abbey Road, while its reappearance coincides with UK live dates to promote the 2024 studio album ‘Red Room’. The PIG live band currently includes En Esch (ex-KMFDM, Pigface) and Jim Davies, formerly of Pitchshifter but best known for his acidic and acerbic guitar lines on several chart hits by The Prodigy. Davies co-wrote many of the songs on ‘Red Room’.

Whereas the recently reissued Sinsation (1995) had originally been released on Nothing Records (the label established by Trent Reznor of Nine Inch Nails), its follow-up saw a switch to Wax Trax!, the leading ‘90s exponents of industrial rock.

“Revisiting Wrecked for remastering was a sobering experience that left me shaken,” states Watts. “I recalled a period when I was stirred to a creative frenzy of crisis and desperation while searching for beauty. Although I can still hear glimpses of it, the bonfire of my hope was more an expression that was savage and twisted.”
Following the desperate burning that had resulted in Sinsation, Watts considers it more “a yearning, grinding plea for liberation that manifested in ‘Wrecked’, a tomb I had built for myself and my troubles that only the very bravest would dare enter.”

The original press release for Wrecked had described the album as “a nihilistic slash and burn, a scrapbook of manifestos and suicide notes written in dried blood.” In the cold light of day almost three decades later that description still holds true.

Wrecked features contributions from former KMFDM members Günter Schulz and Steve White, as well as Julian Beeston (ex-Nitzer Ebb, Cubanate).

Ahead of the expanded remastered reissue, they’ve released a video for ‘Everything’, which you can see here:

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Dilettante return with their second album Life of the Party, Pidgeon’s first totally self-produced record and her most personal one yet. Made in the confines of a converted freight container, the album is an outpouring of frustration towards societal pressures and the acceptance of realising she sees the world differently to others. “I went to see Poor Things and I really felt like Emma Stone’s character made sense to me,” explains Francesca. “She’s really literal and sort of just looks at the way polite society always does things and says, ‘why are we doing that? That doesn’t make sense, let’s do it this way’.”

Life Of The Party covers a range of topics, from turning thirty and feeling the pressure to start a family, to feeling constrained within monogamous relationships as well as the more weighty matter of speaking out about sexual assault and dealing with the associated repercussions.

Sonically, the album maintains Dilettante’s signature art pop sound and impressive loop pedal skills whilst also diving into a more synth heavy realm. In parts, the record also sees Pidgeon exploring a gentler sound, reverting back to a more traditional and raw songwriting “I’d been listening to Andy Shauf and Harry Nilsson a lot and I was trying to actually write from the piano”. Life of the Party sees Dilettante continue to push boundaries, “This record is, at times, the weirdest stuff I’ve ever put out and at times the poppiest,” she adds.

To coincide with the release, Dilettante have released a video for the title track. Watch it here:

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We’ve been bigging up York’s mighty riffmongers JUKU since their debut gig in the summer of 2023, because they’re simply fucking awesome, a real force to be reckoned with. Punky, new-wavey, but noisy, full-on, a sonic powerhouse.

Now, you don’t just have to take our word for it if you can’t see them live, as they’ve unveiled a video for ‘What?’ It encapsulates the band, and their sound, perfectly.

They write, ‘As a band, we sit in the place where creativity meets raw chaos. In our world, noise is harnessed as a form of expression. We channel frustration into sound. We take our discontent and transform it into energy. We outright challenge the notion of what it means to be seen and heard in the music industry, which often silences dissent… This track is a prime example of the things that motivate us to do what we do. Question everything and everyone, and do not allow your voice to be pushed into the obscurity of the background.’

Check it here:

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Leatherette are back with brand new single ‘Itchy’ to mark the start of their recently announced EU/UK tour. The tour includes a show at London’s The Shacklewell Arms on 13th February.

After testing the song live during their second album Small Talk tour last year, they decided to record it themselves at home in a completely spontaneous manner, in messy rooms and using cheap instruments (including unlikely ones such as mandolin and bouzouki).”Being eternally dissatisfied, but also tireless explorers, we decided to return to our origins, seeking the expressive freedom that can be found in DIY”. The result was then entrusted for mixing to the usual collaborator Chris Fullard (Idles, Boris), and for mastering to Maurizio Baggio (The Soft Moon, Boy Harsher).

‘Itchy’ is a cathartic breakup song, blending the raw energy of post-punk with the angular charm of new wave. Written from the perspective of an inept and creepy protagonist, the track navigates the emotional chaos of a crumbling relationship, where frustration, anger, and reluctant self-realization collide. The song channels a blend of influences—from The Smiths’ melancholy to the frenzied urgency of The Pixies and the romantic nihilism of Tears for Fears. It’s a feverish exploration of love’s end, wrapped in an infectious, almost grotesque sonic landscape. Finally, it all resolves with a delicate, haunting arpeggio—like the quiet after the storm, offering a fleeting sense of clarity amid the wreckage.

Cool.

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EU/UK TOUR – FEBRUARY 2025

Thu 06 – Radio Rasa – Schaffhausen, Switzerland

Fri 07 – Le Rockerill – Charleroi, Beglium

Sat 08 – Zero Degree Est – Les Roches-L’Eveque, France

Sun 09 – Le Joker’s Pub – Angers, France

Mon 10 – Le Pop Up du Label – Paris, France

Tue 11 – Le 3 Pieces Muzik’ Club – Rouen, France

Wed 12 – Peniche Celestine – Amiens, France

Thu 13 – The Shaklewell Arms – London, UK

Fri 14 – Big Hands – Manchester, UK

Sat 15 – Saltbox – Nottingham, UK

Mon 17 – Chaff – Bruxelles, Belgium

Tue 18 – Utopiastadt – Wuppertal, Germany

Wed 19 – Schokoladen – Berlin, Germany

Thu 20 – Noch Besser Leben – Leipzig, Germany

Sat 22 – Humbug Club – Basel, Switzerland

Sun 23 – Freakout Club – Bologna, Italy

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Norwegian world music collective Wardruna release a live video for the song ‘Heimta Thurs’. The video is a part of the band’s Live at the Acropolis show, which will be released on DVD and Blu-Ray alongside Wardruna’s new album Birna on January 24th.

Originating from Wardruna’s debut album Runaljod – Gap var ginnunga, the song ‘Heimta Thurs’ has grown into one of the group’s most iconic songs and a fan favourite. Set against the backdrop of the world heritage site Odeon of Herodes Atticus, Acropolis, the composition and visual experience reach ecstatic new heights.

The connections between the old and ancient, deeply human and natural at the same time can be felt at every live performance of Wardruna, resounding equally on stage and throughout the audience. Live at the Acropolis is a testament to that.

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Photo credit: Sebastian LOM

Maud the moth, the solo project of Spanish-born and Scotland-based pianist, singer and songwriter Amaya Lopez-Carromero shares the new track ‘Despeñaperros’, taken from her forthcoming album, The Distaff, to be released via The Larvarium (digital +CD) and La Rubia Producciones (vinyl), with Woodford Halse/Fenny Compton contributing a tape release on 21st February 2025.

Amaya has long used the mantle of Maud the moth as an alter-ego, a séance-like conduit to explore themes of rootlessness, identity and trauma. The Distaff in particular refers to the stick or spindle onto which wool or flax is wound for spinning, and an object which has historically been used across multiple cultures as a symbol wielded by the “virtuous woman”, an authoritarian ideal around which much of the trauma surrounding the feminine coalesces. The album takes the form of a sort of self reflective and surreal autobiography. It was in part inspired by the poem of the same name written by the Greek poet Erinna, as she mourns her friend’s loss of individuality and agency in exchange for marriage – and therefore safety and acceptance in the eyes of society.

Maud the moth shares the video for ‘Despeñaperros’. About the track, Maud the moth says;

"Despeñaperros is one of the cornerstones of The Distaff’s universe. A canyon and natural reserve with dramatic geology and very violent historical background, the Despeñaperros Pass is a gateway into the wilderness. Its name, which can be translated as “where dogs are thrown off the cliff”, has unclear origins and adds to the lore and mystery shrouding this area in the Spanish collective consciousness. Growing up in an environment where hunting and animal cruelty were commonplace and artistic sensitivities often ridiculed, Despeñaperros unfolded in my imagination, transcending its real physical location, and reforming as a quasi-mythical location for the sacrifice of those perceived as weak, different, misunderstood or simply challenging tradition.”

Watch the video here:

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Photo credit: Scott McLean

“Way way back in the early days I used to say a lot about ‘The Terminal Kaleidoscope’, a concept comparing the fragile planet we live on to a drowning human being with life flashing before his or her eyes, the images constantly accelerating. It’s 2024, a little over two decades since the turn of this unbearably turbulent century and the concept appears to have become an unlikely soap opera where we are the cast. Let’s hang in there….”
Edward Ka-Spel – The Legendary Pink Dots

SO LONELY IN HEAVEN – THE CREATION

So Lonely in Heaven is the new album by the Anglo-Dutch experimental rock band The Legendary Pink Dots, who formed in London in 1980 and are still helmed by co-founder and frontman Edward Ka-Spel. Their second full-length effort since the World stopped for a Global Pandemic, group members were still scattered across three countries and two continents as they began writing it, with ideas spun across Cyberspace for months. However, the magic eventually happened collectively in small spaces with the tape running.

SO LONELY IN HEAVEN – THE MESSAGE

The machine is everything we are. It sees everything, hears everything, knows everything and feeds, speeds, drinks us down, spits us out – we lost control of it at the instant of its conception. You may cough, curse and die, but the machine will resurrect you without the flaws, at your peak, smiling from a screen, bidding someone in a lonely room to join you. It’s an invitation from Heaven, where anyone can be anything they want to be, but it’s a Nation of One. You’ll be everything we are. You’ll be a shadow of yourself. You’ll repeat yourself – endlessly. You’ll be desperate for some kind of explanation. You’ll be lonely. So very lonely….

Check ‘Blood Money’ here:

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THE LEGENDARY PINK DOTS | photo: Michael McGrath

Noisepicker share the remarkable video for ‘Chew’ ahead of the release of their second record, The Earth Will Swallow The Sun, out 21st March 2025 via Exile on Mainstream.

The band says:

"7/8 groove and a mountain of fat chugs. Splattered with disgust at the human form displayed in the mirrors. ‘Chewed up and spat out’ as the chorus declares. The result of generations of human failure through self interest. ‘So sick and tired of that stupid grin’. The only logical solution: destroy it."

…and further about the video itself: "The two of us live on opposite sides of the country, which makes getting together tricky at times. To the point where we never rehearse. Apart from two songs, we had only played the entire new album together when we entered the studio to record it. And those two tracks were only ever played during soundcheck, an hour before we played them live. Which probably explains a lot! This means we need to be ‘inventive’ when thinking about videos, basically making sure that we are not the main focus of them. We grab footage of each other when we can and store it up in case it’s needed. That’s where the puppet idea came from. I couldn’t get us both in the same room, so I had to improvise. I think it actually makes for a better video! The song is about hating what you’ve become after chasing the expectations of an unfulfilling society, and only realising you’ve been had when it’s far too late. You’ve been played. Like a puppet on a string. Enjoy!"

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Photo credit:  Jerry Deeney