Posts Tagged ‘video stream’

San Diego’s Wild Wild Wets are gearing up for the release of their just-announced new album Love Always.

The band has launched album pre-orders/pre-saves and is debuting the first single ‘Say So’ which is now streaming here:

Co-frontman Mike Turi (along with bandmate Taejon Romanik ) says of the track and companion music video, "Our good friend and producer, JeanCarlo Mendez, not only made the album happen, he has gone out of his mind putting together this wild visual video for "Say So" using old-school analog video techniques from the 80’s. His style and sensibility is obviously very much our vibe and he and his teammate Brandon Mosquera nailed the edit on this project."

Mendez adds, ‘Say So’ was immediately one of my favorite tracks. For the video I wanted to make an early MTV Era meets early 2000’s Ipod commercial… But on Acid. We used late 80’s era video switchers to create the feedback, and old CRT monitors to create the banding and scan-lines you see in the video. "Say So" is a fun psych-pop track with infectious energy, yet Sparks-esque, in its fermented dreariness (case in point the lyric: "I never met someone who could make me feel so high and not care if I’m alive" and references to ‘Formaldehyde Perfume’).

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Pagan synth duo, Esoterik have unveiled their new full-length LP, Alchemy.

The concept of Alchemy has many different forms and interpretations but the analogy holds true for any artist in that we take elements or ingredients, which on their own have a certain character and then take on a transformation into something that didn’t exist before.

Is it magick or is something more tangible? Who’s to say? But there’s no denying that words have power and music in itself has the ability to illicit a variety of emotions that time stamp our journey throughout life.

About the album, Alchemy, the band says the following, "We took a different approach with this album than we have in the past with a clear vision from the start thematically of what we wanted to achieve and then crafted each track around that."

As a taster, they’ve delivered a video for ‘Tria Prima’ which you can watch here:

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Dark alternative act GGGOLDDD have revealed a poignant new video for ‘Spring’ from their album, This Shame Should Not Be Mine, which is out today. Despite the name and the flowers that surround vocalist Milena Eva in the video, ‘Spring’ is one of the darkest tracks on the album.

Milena Eva comments: ”This song describes the moment I realized what happened to me after I was raped. I was confused. I froze. I don’t remember if it took hours or days or months. I felt empty and alone. And outside winter was turning into spring, like nothing had happened.”

Watch the video now:

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Pure Reason Revolution recently announced their fifth studio album Above Cirrus will be released on 6th May 2022 via InsideOutMusic. The is the follow-up to 2020’s Eupnea, which was the band’s first record since reuniting in 2019. This time around, Jon Courtney, Chloë Alper & Greg Jong (who returns as a full-time member for the first time since the ‘Cautionary Tales For The Brave’ EP) find themselves adapting to a world that is radically changing before their eyes, and on this new record, exorcising the isolation and uncertainty in search of something greater.

Today the band are launching a brand new single titled ‘Phantoms’. Watch the video, once again created by Thomas Hicks, here:

The band are also about to head out on a European tour alongside Gazpacho in April 2022. Find the full list of dates below:

8th April – Club Cann, Stuttgart, Germany

9th April – Colos-Saal, Aschaffenburg, Germany

10th April – Columbia Theater, Berlin, Germany

11th April – Die Kantine, Cologne, Germany

13th April – Mezz, Breda, Netherlands

14th April – Hedon, Zwolle, Netherlands

16th April – Petit Bain, Paris, France

17th April – Earth Theatre, London, UK

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When negative childhood experiences leave the soul scarred, some angry feelings remain even in adult live and may result in strong words or evoke black-and-white images in the head akin to an old crime thriller. The second single from St. Michael Front’s sophomore full-length Schuld & Sühne (‘Crime and Punishment’) is loosely based on such memories that have been turned into this song’s bold title ‘Knochen & Blut’ (‘bones and blood’), which has been visually cast into a video-clip.

The Hamburgian ‘Chanson Noire’ duo formed by guitarist Bruder Matthias and singer Bruder Sascha will release Schuld & Sühne on Friday, 13th of May.

Watch the video for ‘Knochen und Blut’ here:

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Kety Fusco: ‘Music To Make A Dream Come True’ is the new soundtrack by the harpist and sound researcher, out 4 March 2022 on Floating Notes Records.

Kety Fusco transports us to a new era, one of music to make dreams come true and the subversive sounds generated by her harp sound research. ‘Music To Make A Dream Come True’ is an imaginary soundtrack composed by the Italian-Swiss harpist, to be released on all digital platforms on 4 March 2022 on the international label Floating Notes Records. This soundtrack is the result of a sampling of sounds from Fusco’s harp, collected in a digital sound library named Beyond the Harp, Extreme Extended Experimental, available for artists, producers and art lovers on the musician’s official website.

Fusco destabilises the usual perception of the harp, moving away from the arpeggios and sound carpets that the instrument can easily call to mind, thus entering a universe that no listener would ever think belongs to a harp. Fusco has dedicated herself to transforming the sound of the harp, an instrument rich in sonic possibilities, and wishes to make its innovations available to everyone, not just harpists: "For me, thanks to my technique as a harpist learnt during my academic studies, it would be easy to produce arpeggios and soundscapes, but I don’t like playing easy. Instead, I’m interested in the harp being freed from any taken-for-granted connotations and for any kind of musician to explore it with a more punk approach".

In 3 minutes and 47 seconds of experimental music, ‘Music To Make A Dream Come True’ fuses noise, drones and screams with a magical aura. You can hear the cascades of nails on the strings, followed by vocal resonances emitted inside the harp’s sound box. Nicknamed ‘The Queen of the Electric Harp’, Fusco made exclusive use of the classical harp this time. ‘Music To Make A Dream Come True’ conveys to the world for the first time ever a new sound timbre given by the oldest instrument in the world, the harp, which Fusco has completely revolutionised in style.

The highly esoteric video clip accompanying the track was shot by Francesca Reverito and Riccardo Bernasconi of Studio Asparagus, amidst woods, harps suspended in the air like heretical-mystical instruments, evocations and dances in the grip of possession: "Kety Fusco’s sound research is very evocative and immediately triggers dreamlike images, spirits and presences, sometimes disturbing. We have always been attracted to Genre and Fairytale, which is why ‘Music To Make A Dream Come True ‘immediately ‘spoke’ to us". Fusco confirms the creepy mood of the film: "My dream? To make the soundtrack for a horror film!".

Watch the video here:

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LA-based noise duo GHXST has announced the release of their debut full-length album Admire, out on April 22.

They have now shared ‘Pls, You Must Be A Dream’, the first single taken from the upcoming record. The song adds a surf goth element to the duo’s signature metal-inflected sound and "is an ode to the obsessions that haunt you, like a half-remembered scene from an arthouse film. As Shelley X coldly intones “You’re the only one” over a menacing surf riff, it’s not clear whether it’s for a lost love or a memory of times past. As always, the allure is in the unknown".

The single is accompanied by a video directed and edited by GHXST’s very own Shelley X. Watch it here:

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Photo courtesy of the artist

Pelagic Records – 15th March 2022

Christopher Nosnibor

Is there anyone Lustmord hasn’t collaborated with, or otherwise touched (metaphorically) in some way?

Lustmord, aka Welsh-born Brian Williams embarked on his musical career back in 1980: that’s a forty-two year span now, and the range of artists he’s collaborated with while forging a staggering output of solo releases is beyond staggering. Having emerged from the early industrial milieu and the circlers of Throbbing Gristle, Coil, and SPK, of which he was a member for a time, Lustmord is generally hailed as the progenitor of the dark ambient genre.

A tribute / covers album feels appropriate, then, and the selection of contributors to The Others – Lustmord Deconstructed includes Ulver, Enslaved, Godflesh, Zola Jesus, Katatonia’s Jonas Renske, Jo Quail, The Ocean, MONO and more.

It’s noteworthy that the tracks are credited to ‘Lustmord &…’ as if in collaboration – but then again, isn’t any cover a collaboration of kinds, albeit distant and disconnected? A meeting of minds across time and space.

And so, ahead of the release of The Others – Lustmord Deconstructed, Zola Jesus has shared her cover of ‘Prime’, from the 2020 album Stockholm, recorded live in 2011 and released in 2014. She comments, “As a longtime fan of Lustmord’s work, the opportunity to combine landscapes was like a dream. I’m so inspired by the space and stillness within his music. I wanted to experiment with his way of keeping music on a slow boil, mostly to challenge my own propensity for maximalism.”

It’s certainly a departure from ZJ’s usual style of epic, string-soaked theatrical dramatics, but at the same time, it has all of the rich atmosphere you’d expect. Her gothic, operatic vocal is very much kept in check here, echoing ethereally around a dark rumbling growl of abstraction is melded to a heartbeat. It’s tense, and channels a dark energy that’s almost spiritual. It’s the haunting, otherworldly sound of decay, of tremors from the depths of an ancient sepulchre. It’s mystical, magical, and magnificent.

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On May 6th Italian alchemists and power trio Ufomammut return with their ninth studio album, Fenice via Neurot Recordings and Supernatural Cat, but not as we’ve heard them before, now “more intimate, more free.”

For over 20 years, the band has combined the heaviness and majesty of dynamic riff worship with a nuanced understanding of psychedelic tradition and history in music, creating a cosmic, futuristic, and technicolor sound destined for absolute immersion.

Fenice (meaning Phoenix in Italian) symbolically represents endless rebirth and the ability to start again after everything seems doomed. The album is the first recording with new drummer Levre, and truly marks a new chapter in Ufomammut history.

“I think we lost our spontaneity, album after album,” says Urlo. “We tried to make more complicated songs and albums, but I think at some point we just ended up repeating ourselves. With Fenice, we were ready to start from zero, we had no past anymore – so we just wanted to be reborn and rise from the ashes..”

Whilst the band are well-known for their psychedelic travels into the far reaches of the cosmos, Fenice is a much more introspective listening experience. Fenice was conceived as a single concept track, divided in six facets of this inward-facing focus. Sonic experimentations abound in the exploration of this central theme; synths and experimental vocal effects are featured more prominently than ever before as the band push themselves ever further into the uncharted territory of their very identity.

Check out the video for ‘Psychostasia’ here:

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Dark alternative act GGGOLDDD have revealed the striking new video for the title track from their upcoming album, This Shame Should Not Be Mine. The video is a sharp commentary on continued victimisation by society after someone experiences trauma.

Vocalist Milena Eva comments: "I was raped at the tender age of nineteen by someone I trusted and had fallen in love with. In one instant my life was upside down. It shaped me a lot. Especially the shame that comes with it, because of what society told me. ‘This Shame Should Not Be Mine’ is a fully electronic, dark and creepy song that personifies the fear and anxiety I’ve lived with. When I listen to it now it gives me strength and power like a mantra telling me it is not my fault.

After the trauma happened I went through some very scary years and the weird thing is it took me years to understand that I was scared. I filed my feelings under depression or loneliness. And my pain was downplayed by doctors and myself. It took me a long time to understand I have ptsd, that I’m sick because of what happened. And one of the biggest reasons it came this far was because of how people responded. The blame and shame that comes with taboo and the patriarchy is numbing. And the shame should have never been mine.”

Watch the video for ‘This Shame Should Not Be Mine’ here:

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This Shame Should Not Be Mine is out on April 1st via Artoffact Records.

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