Posts Tagged ‘Tour Dates’

Psychedelic institution Gong have announced their new album Bright Spirit today, set for release on 13th March on the Kscope label. The news comes alongside a new single and video for the track ‘The Wonderment’. Speaking on the announcement, frontman Kavus Torabi shared –

“Structured around modulating glissando guitar and a pulsating analogue synth sequence, The Wonderment finds Gong in deeply meditative form. A mystical and explorative journey both inwards and outwards. Timeless and expansive, The Wonderment is another piece of the kaleidoscopic puzzle that makes up Bright Spirit. A healing charge of cosmic rays beamed out from deepest space. All is sound, all is love. Gong is one and one is you.”

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GONG TOUR DATES

Mar 19 – Brighton, UK – Gong & Henge
Mar 20 – Canterbury, UK – Gong & Henge
Mar 21 – Swansea, UK – Gong & Henge
Mar 25 – Birmingham, UK
Mar 26 – Lincoln, UK – Gong & Henge
Mar 27 – Manchester, UK – Gong & Henge
Mar 28 – Liverpool, UK – Gong & Henge

Apr 09 – Pordenone, Italy
Apr 10 – Livorno, Italy
Apr 11 – Borgomanero, Italy
Apr 14 – Jena, Germany
Apr 15 – Karlsruhe, Germany
Apr 16 – Rüsselsheim am Main, Germany
Apr 17 – Antwerp, Belgium
Apr 18 – Oslo, Norway
Apr 19 – Zoetermeer, Netherlands

Jul 07 – Balma, France – Gong & Blood Incantation
Jul 08 – Aix-en-Provence, France – Gong & Blood Incantation

Jul 25 – Teramo, Italy – MoonJune Festival
Jul 26 – Treviso, Italy – Prog Event: Treviso

Aug 09 – Builth Wells, UK – Kozfest 2026
Aug 23 – Hernhill, UK – A New Day Festival 2026

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GONG credit - Sam Huddleston

Photo: Sam Huddleston

French progressive rock collective HamaSaari today unveil a brand-new lyric video for ‘Lost in Nights,’ another evocative chapter taken from their forthcoming album Pictures, out January 23rd via Klonosphere.

Following the recent release of lead single ‘Frames’ (featuring guest vocals from Christelle Ratri), ‘Lost in Nights’ dives even deeper into the album’s introspective essence. The track unfolds slowly and deliberately, guided by HamaSaari’s signature balance of cinematic build-up, emotional restraint, and expansive release, a nocturnal journey through doubt, memory, and inner landscapes.

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Rooted in modern progressive rock and drawing inspiration from the likes of Pink Floyd, Porcupine Tree, and Karnivool, HamaSaari craft music that is rich in atmosphere, emotional depth, and cinematic movement. Born from the ashes of their former project Shuffle, the band embraced a more serene and melancholic identity, allowing their sound to unfold like a stormy ritual, dark clouds, falling rain, and slowly emerging light.

Their 2023 debut album Ineffable introduced this balance with striking clarity: delicate yet powerful compositions flowing through shifting shades of darkness and color, built on organic interplay between polyrhythmic bass and drums, reverb-soaked guitars, and a clear, expressive vocal presence.

Now, nearly three years later, Pictures picks up where that journey left off and expands it into a fully realized conceptual statement. The album explores images, paintings, and dimensions, what we choose to frame, conceal, or confront. Inspired by myths, ancient civilizations, dreams, reality, and fiction, Pictures reflects on belief systems, fears, desires, and the fundamental questions that shape the human experience.

Following the release of Pictures, HamaSaari will take the album to the stage with an extensive European tour throughout spring and summer 2026. The tour will see the band bringing their captivating, emotionally charged live show to clubs and festivals across France, Germany, Spain, and the UK, culminating in major festival appearances later in the year.

HamaSaari – Pictures EU Tour 2026 (selected dates):

• March 12 – Le Mans (FR) – Le Bar’ouf
• March 19 – Lyon (FR) – Rock ’n Eat
• March 21 – Stuttgart (DE) – Club Zentral
• March 22 – Munich (DE) – Substanz
• March 24 – Kronach (DE) – Kulturclub Kronach
• March 27 – Kleve (DE) – Radhaus
• April 10 – Perpignan (FR) – L’Anthropo
• April 11 – Zaragoza (ES) – Sala Creedence
• April 12 – Badalona (ES) – Estraperlo – Club del Ritme
• April 17 – Murcia (ES) – Sala Revólver
• April 18 – Málaga (ES) – ZZ Pub
• April 21 – Coslada (ES) – The RockLab
• April 22 – Ponferrada (ES) – Sala La Vaca
• April 24 – Tolosa (ES) – Bonberenea

Festival appearances:

• July 4 – Woodbunge Festival (DE)
• July 18 – Prog For Peart – Abingdon (UK)
• July 25 – Rhine Entertainment Festival – Xanten (DE)

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Big Big Train, the award-winning, progressive rock band, will issue their 16th studio album via InsideOutMusic on 6th February 2026. Woodcut is a landmark release for the group, whose line-up draws together members from England, Scotland, Italy, the USA, Sweden and Norway, in that it marks their first ever full-length conceptual piece – quite a statement given the musical depth and storytelling qualities of a band formed in Bournemouth way back in 1990. Woodcut is a continuous narrative exploring creativity, sacrifice and the thin line between inspiration and madness and featuring a character called The Artist.

Today they launch a second single from the album, titled ‘The Sharpest Blade’, a track that sees violinist Clare Lindley sharing lead vocals with the band’s frontman – and Woodcut producer – Alberto Bravin.

Lindley, who also wrote the lyrics for ‘The Sharpest Blade’, explains: “Having gone for a walk in the woods and happened upon an amazing piece of heartwood, lit by a natural beam of sunlight, the Artist has taken it home. In the song ‘The Sharpest Blade’, he begins to carve the heartwood. Although he still has doubts and dark inner thoughts, he finds himself carving a wonderful scene. It’s so good that he feels it is perhaps not of his own hand…”

Watch the video for The Sharpest Blade, once again created by Crystal Spotlight, here:

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Additionally the band have just announced a UK/European headline tour for September/October 2026, including their biggest headline show to date at London’s O2 Shepherd’s Bush Empire. Find the full list of dates below:

BIG BIG TRAIN – THE WOODCUT & OTHER STORIES TOUR

Friday 25th September – The Stables, Milton Keynes, UK

Saturday 26th September – The Asylum, Birmingham, UK

Sunday 27th September – Komedia, Bath, UK

Monday 28th September – The Apex, Bury St Edmunds, UK

Wednesday 30th September – The Spirit Of 66, Verviers, Belgium

Thursday 1st October – Colos-Saal, Aschaffenburg, Germany

Friday 2nd October – Poppodium Boerderij, Zoetermeer, Netherlands

Saturday 3rd October – De Pul, Uden, Netherlands

Sunday 4th October – TBA, France

Tuesday 6th October – La Sala, Madrid, Spain

Wednesday 7th October – Razzmatazz 2, Barcelona, Spain

Friday 9th October – Teatro Astra, Schio, Italy

Saturday 10th October – Phenomenon, Fontaneto d’Agogna, Italy

Sunday 11th October – Z7, Pratteln, Switzerland

Tuesday 13th October – RNCM Theatre, Manchester, UK

Wednesday 14th October – Playhouse, Whitley Bay, UK

Thursday 15th October – Slay, Glasgow, UK

Saturday 17th October – O2 Shepherd’s Bush Empire, London, UK

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Photo credit: Cécile Lopes

Constellation welcomes Montréal-based jazz ensemble Bellbird to the label.

Meanwhile Bellbird celebrates with new track ‘The Call’ and will kick off 2026 playing a half-dozen shows on a winter tour of Western Canada in January.

Bellbird features tenor saxophonist Claire Devlin, alto saxophonist and bass clarinetist Allison Burik, bassist Eli Davidovici, and drummer Mili Hong. The players hail from various countries and backgrounds: rooted in modern jazz, Bellbird’s music also channels influences from the players’ wide range of influences steeped in Montréal’s genre-mashing experimental undergrounds, including punk/rock, drone/minimalism, electroacoustics and more. (Constellation has previously worked with Hong via her terrific drumming on The Obsession With Her Voice by Erika Angell and for Angell’s smouldering live shows).

Bellbird’s first album Root In Tandem was self-released in 2023, garnering some well-deserved critical accolades, and acclaimed live appearances on the Avant/Jazz circuits in Canada ever since.

Hear ‘The Call’ here:

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BELLBIRD LIVE

January 2026 • Canada

January 15 – The Esplanade (Medicine Hat)
January 16 – Yardbird Suite (Edmonton)
January 17 – Buckingjam Palace (Calgary)
January 18 – ArtsPlace (Canmore)
January 23 – Alliances Français (Vancouver)
January 24 – The Bassment (Saskatoon)

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Bellbird

Bellbird photo by Marc Etienne Mongrain

IST IST are back with the infectious new single ‘Warning Signs’.

One of the most urgent, immediate and irrepressible tracks the band have delivered to date, ‘Warning Signs’ is a lightning bolt of realisation and unrequited love. 
Of the track, vocalist Adam Houghton says:

‘”I wanted to write from a place of regret — that gut-wrenching moment when you realise pride and fear have cost you the person you love. The song is a confession and a plea, filled with what-ifs and too-lates. I wanted the repetition and directness to feel desperate, like someone haunted by what they didn’t say soon enough. It’s about confronting the pain of being without the one who grounded you and understanding too late that love requires vulnerability. The goal was to make the emotion feel raw, honest, and painfully human.”

New single ‘Warning Signs’ is an unignorable reminder of the band’s highly awaited fifth album Dagger, as produced by Joe Cross (Hurts, Courteeners, Slow Readers Club). It arrives on 6 February 2026, via the band’s own Kind Violence Records.

The new track comes complete with an official video shot by Joyce Van Doorn and edited by Shaolin Pete. Featuring live and backstage footage from IST IST’s triumphant recent tour of Europe, it’s a tantalising reminder for what’s to come at their upcoming UK comeback shows, which kick-off this week in Leeds, Glasgow, London, and Birmingham (28th November – 6th December, check dates below).

IST IST will also be hitting the road again in April 2026, with additional shows in Norwich, Exeter, Oxford, Newcastle, Sheffield, Nottingham, Bristol, and Brighton, paving the way towards their biggest hometown show to date, at Manchester’s Albert Hall in May. All dates are listed below, with all tickets on sale now.

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IST IST  – 2025/26 EUROPE & UK TOUR DATES

Friday 28th November – Leeds – Warehouse

Saturday 29th November – Glasgow – Oran Mor

Friday 5th December – London – 229

Saturday 6th December – Birmingham – O2 Academy2

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THURSDAY 9th APRIL – NORWICH – THE WATERFRONT ** JUST ADDED **

SATURDAY 11th APRIL – EXETER PHOENIX ** JUST ADDED **

SUNDAY 12th APRIL – OXFORD – 02 ACADEMY2 ** JUST ADDED **

THURSDAY 16th APRIL – NEWCASTLE – THE GROVE ** JUST ADDED **

SATURDAY 18th APRIL – SHEFFIELD • NETWORK  ** JUST ADDED **

THURSDAY 23rd APRIL – NOTTINGHAM • RESCUE ROOMS ** JUST ADDED **

FRIDAY 24th APRIL  – BRISTOL – THEKLA ** JUST ADDED **

SATURDAY 25th APRIL – BRIGHTON – QUARTERS ** JUST ADDED **

Friday 1st May 2026 – Manchester – Albert Hall
w/ Support from DESPERATE JOURNALIST + THE YOUTH PLAY

Sporting a new-look line up, a long-awaited second studio album, its lead single, and a smattering of rare live shows too, the universe of Hello Cosmos is thriving right now.

With Come Out Tonight slated for release this Autumn, the band’s ambitious sophomore album is confirmed to feature over a long list of collaborators, and takes influence from all corners of the globe with its studio recording sessions taking place in New York City, Los Angeles, Kampala, Leeds, Stockport and Manchester. Produced by Jamie Lockhert at Greenmount Studios in Leeds, who has produced all of their studio records to date, it arrives as Hello Cosmos’ first studio album proper in over 5 years, following their acclaimed debut Dream Harder in 2020. Of the upcoming record, frontman Ben Robinson teases:

“A lot of the upcoming record is about finding the strength to switch off digital screens and go out and live. It’s becoming more and more normalised to stay in, comatosed by ultraprocessed food and algorithms firing shallow dopamine hits, keeping us all hooked on a short wavelength, gradually becoming dumber, hopeless and unhealthy… We all need to wake each other up, get off the cool aid of digital apps, social media and algorithmic scrolling.”

Come Out Tonight is preceded by the single ‘Grind Into The Shrine’, an insurgent statement of searing post-punk and sneering lyricism that rails against the banality of imposed social structures.

“The single is about adulting, parenting and looking for those slim moments of paradise that take a lot of the daily grind to find. It’s about not letting the world get on top of you and finding the time to live, to get out of the house and celebrate life… Life can be so visceral if you get off your arse and go enjoy it. It’s literally there waiting for you. As with most my lyrics I’m telling myself this as much as anyone else” explains Robinson.

HELLO COSMOS – LIVE DATES

AUGUST

23 – Solfest (Main Stage), Cumbria

SEPTEMBER

13 – YES Pink Room, Manchester

OCTOBER

10 – Hyde Park Book Club, Leeds

11 – Brewery Arts Centre, Kendal (w/ special guests Seven Seals)

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US electronic musician and vocalist Mari Kattman has issued a video for ‘Typical Girl’, the opening song on her new album Year Of The Katt, released in late June by Metropolis Records. The clip was shot in downtown Providence (Rhode Island) by Mark Allison of @401FilmsPVD.

“Typical girl. People say it constantly, so much so it feels almost criminal to be female by birth,” Kattman states when explaining the meaning of the song. “Like it’s vulgar or something to carry characteristics that are even remotely female. That it makes you difficult, unlovable or crazy when it’s not packaged up and tied with a pretty bow or something. There are so many misunderstandings about what it is to be a woman.”

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Kattman has recently announced a UK tour in October 2025 as the special guest of Assemblage 23, the electronic act founded in 1988 by Tom Shear, who is Kattman’s collaborator in the electronic duo Helix and her husband. Dates are as follows:

15th October  BRISTOL Exchange
16th October  MANCHESTER Rebellion
17th October  GLASGOW Ivory Blacks
18th October  SHEFFIELD Corporation
19th October  LONDON The Dome (downstairs)

We’re a bit behind with the news, but always knew BRMC were a great band. We applaud them once again.

10th July 2025, it was brought to the band’s attention that Homeland Security were improperly using their version of the song ‘God’s Gonna Cut You Down’ in one of their propaganda videos.

They have ordered a Cease and Desist to DHS for the use of this song, and asked that they immediately pull down the video.

The have issued the following statement via their social media channels, including Instagram, Facebook, and X:

To: U.S. Department of Homeland Security

From: Black Rebel Motorcycle Club

It has come to our attention that the Department of Homeland Security is improperly using our recording of “God’s Gonna Cut You Down” in your latest propaganda video. It’s obvious that you don’t respect Copyright Law and Artist Rights any more than you respect Habeas Corpus and Due Process rights, not to mention the separation of Church and State per the US Constitution.

For the record, we hereby order DHS to cease and desist the use of our recording and demand that you immediately pull down your video.

Oh, and go f… yourselves,

-BRMC

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The band recently announced they would be returning to the UK and Europe to celebrate the 20th anniversary of their 2005 seminal album, Howl.
BRMC – Robert Levon Been — Bass, Guitar, Piano, Vocals, Peter Hayes— Guitar, Bass, Harmonica, Vocals and Leah Shapiro — Drums, Backing Vocals, Percussion – will bring their 22-date headline tour to the UK and Europe, their first since 2017, which sees them playing Copenhagen, Denmark on 18 November and London, UK on December 17 as well as 7 other countries, see dates below and on their Website.

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Pale Blue Eyes have just released a remix of ‘How Long Is Now’ by legendary ‘spatial landscaper’ Richard Norris on their own Broadcast Recordings label. The original track is on their current New Place album, released earlier this year.

Richard describes his approach to the track as such:

"As soon as I heard the track I knew I’d approach the mix somewhere along the autobahn, about 3am, with Klaus Dinger trying to overtake on the inside lane. Approaching the speed limit. One for the kosmik and expanded psychonauts."

The track will be released as an extremely limited 12” white label vinyl on 18th July.

Pale Blue Eyes – Live Dates

Thu – 14th Aug – Where Else?, Margate

Fri – 15th Aug – The Horn, St. Albans

Sat  – 16th Aug – Trades Club, Hebden Bridge

Sat – 30th Aug – Psych Fest, Manchester

Sun – 31st Aug – Project House, Leeds (supporting DIIV)

Thu – 11th Sep – L’Aeronef, Lille, FR

Sat – 13th Sep – Cafe V Lese, Prague, CZ

Sun – 14th Sep – Club MECHanik, Warsaw, PL

Thu – 16th Oct – SŴN Festival, Cardiff

Fri – 17th Oct – South Street, Reading

Sat – 18th Oct – Heartbroken Festival, Southampton

The band also tour Europe in September / October, playing 19 major city dates with The Midnight.

PALE BLUE EYES

Korean-American singer-songwriter NoSo has today revealed details of their highly anticipated second album When Are You Leaving? (out 10 October via Partisan Records) along with its lead single ‘Sugar’. Listen to ‘Sugar’ here:

When Are You Leaving? is a record for anyone still figuring themselves out, and one that proves NoSo to be one of this generation’s most compelling songwriters. The album follows NoSo’s 2022 debut Stay Proud Of Me which earned rave reviews and praise from NPR’s All Songs Considered, Paste, The Guardian, The Times and Metro, and a stunning performance atTiny Desk. NoSo (real name: Baek Hwong, he/they) says: “My first album mostly comprised of daydreaming about what my life cobuld be like if I embraced my identity. This record is firmly rooted in reality and details my enlightening and tumultuous experiences head on.”

Largely self-produced, When Are You Leaving? sharpens NoSo’s artistry into something at once more expansive and more intimate. It’s an album about the subtle, slow-burning victories that come after walking away from what no longer serves you. Hwong’s music is rich with contrast: thorny lyrics nestled in shimmering arrangements, quiet moments of self-recognition delivered with the confidence of a born storyteller. Across disco grooves, jagged guitars, and spacious ballads, they reflect on fractured relationships, platonic heartbreak, and the complexity of perception.

‘Sugar’, (co-produced by Wild Nothing’s Jack Tatum), glides along a sleek, nostalgic disco groove, light on its feet but emotionally loaded. Beneath the gleaming surface, Hwong explores the quiet exhaustion of navigating interpersonal dynamics with volatile people, choosing compassion over conflict. Hwong elaborates: "‘Sugar’ is about the delicate dance of interacting with volatile, unwell individuals. It’s a reflection on those experiences, aiming to approach them with sympathy instead of anger. I’ve learned that this is the only way I can move forward—by not feeding those memories and giving them power.”

NoSo - Album announcement _ Sugar - Credit Driely Carter

Credit: Driely Carter

NoSo 2025/2026 tour dates:

15 August – Gunnersbury Park – London, UK (w/ Khruangbin, TV on the Radio)

23 October – The Atlantis – Washington, DC

24 October – Baby’s All Right – Brooklyn, NY

25 October – Johnny Brenda’s – Philadelphia, PA

27 October – L’Escogriffe – Montréal, QC

28 October – The Drake Underground – Toronto, ON

30 October – Lincoln Hall – Chicago, IL

1 November – 7th St Entry – Minneapolis, MN

3 November – Globe Hall – Denver, CO

4 November – Kilby Court – Salt Lake City, UT

6 November – Fox Cabaret – Vancouver, BC

7 November – Madame Lou’s – Seattle, WA

8 November – Mississippi Studios – Portland, OR

10 November – Cafe Du Nord – San Francisco, CA

12 November – Masonic Lodge, Hollywood Forever – Los Angeles, CA

4 February – EKKO – Utrecht, Netherlands

5 February – Rotown – Rotterdam, Netherlands

6 February – Turmzimmer – Hamburg, Germany

7 February – Ideal Bar – Copenhagen, Denmark

9 February – Silent Green – Berlin, Germany

10 February – YUCA – Cologne, Germany

11 February – Rotonde – Brussels, Belgium

12 February – La Bellevilloise – Paris, France

14 February – L’Aéronef – Lille, France

17 February – Islington Assembly Hall – London, UK

18 February – Strange Brew – Bristol, UK

19 February – Band on the Wall – Manchester, UK

20 February – King Tut’s Wah Wah Hut – Glasgow, UK