Posts Tagged ‘Stream’

Canadian dark-pop act The Birthday Massacre have released a new single today (28th March) entitled ‘All Of You’. It coincides with the opening night of a North American tour to promote Pathways, the forthcoming new album by the group that will be released on 11th April via Metropolis Records.

The powerful ‘All Of You’ “explores the emotional weight of death and the profound sense of being lost in its shadow,” the band explain. “It speaks to the hopelessness of trying to find peace when the heart is still caught in the echoes of absence.”

‘All Of You’ is the second single to be lifted from Pathways, following the release of ‘Sleep Tonight’ at the end of February.

THE BIRTHDAY MASSACRE  |  NORTH AMERICAN TOUR 2025

28th March  NEW YORK CITY, NY (le) Poisson Rouge
29th March  PITTSBURGH, PA Crafthouse
30th March  DETROIT, MI Small’s
31st March  CHICAGO, IL Reggies
2nd April  MINNEAPOLIS, MN Fine Line Music Hall
3rd April  KANSAS CITY, MO RecordBar
4th April  DENVER, CO The Oriental Theater
5th April  SALT LAKE CITY, UT Metro Music Hall
7th April  SEATTLE, WA El Corazon
8th April  PORTLAND, OR Dante’s
10th April  SAN FRANCISCO, CA Bottom Of The Hill
11th April  LOS ANGELES, CA EchoPlex
12th April  LAS VEGAS, NV Backstage Bar
14th April  SAN DIEGO, CA Brick By Brick
15th April  MESA, AZ Nile Theater
17th April  HOUSTON, TX Warehouse Live
18th April  DALLAS, TX Granada Theater
19th April  AUSTIN, TX Come And Take It Live
21st April  TAMPA, FL Orpheum
22nd April  ATLANTA, GA Masquerade
23rd April  ASHEVILLE, NC The Orange Peel
25th April  VIRGINIA BEACH, VA Elevation 27
26th April  BALTIMORE, MD Soundstage
28th April  WASHINGTON, DC Union Stage
29th April  MECHANICSBURG, PA Lovedrafts Brewing
1st May  BOSTON, MA Paradise Rock Club
2nd May  PARSIPPANY, NJ Dark Force Fest
3rd May  TORONTO, ON Velvet Underground
4th May  MONTREAL, QC Foufounes

A 13 date autumn UK tour commencing on 24th October has also been confirmed.

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Nordic noise-rockers Barren Womb are back with a brand-new video for ‘Bug Out Bag,’ taken from their critically acclaimed fifth album Chemical Tardigrade, which got a  thumbs up from us here at Aural Aggravation.

The video premiered at Decibel Magazine, who praised the band’s sound as “angular and pulsating electronic rock/noise/hardcore that lands somewhere between Refused, Daughters, and NoMeansNo on one end, and the ‘Bigs’ (Business and Black) on the other.”

A chaotic burst of gritty visuals and manic energy, the video perfectly mirrors the band’s twisted blend of punk defiance, sludgy grooves, and raw minimalism. Watch it now here:

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Their latest LP, Chemical Tardigrade (Fucking North Pole Records / Blues For The Red Sun), dives deeper into melodic and emotional territories without losing their unhinged core. Tracks like ‘Campfire Chemist’ and ‘Dung Lung’ showcase their evolution while retaining the band’s punchy edge and signature offbeat humor (‘D-Beatles,’ anyone?).

And they’re taking it back on the road with the newly announced More Chemicals 2025 European tour, check out the confirmed dates below.

MORE CHEMICALS 2025
01.05 – CZ Pilsen, Družba
02.05 – DE Leipzig, Zwille
03.05 – DE Bielefeld, Drum Hard
04.05 – BE Licthervelde, PrintbaAr
05.05 – FR Strasbourg, Le Local
06.05 – BE Antwerp, Antwerp Music City
07.05 – DE Osnabrück, Bastard Club
08.05 – DE Braunschweig, Spunk
09.05 – DK Odense, Ilter Festival
10.05 – NO Oslo, Desertfest Oslo
16.05 – NO Trondheim, Pøbelrock
26.07 – NO Hønefoss, Malstrømfestivalen
01.08 – NO Horten, Kanalrock
03–06.09 – SE Örebro, Live at Heart
18.09 – FI Turku, TBA
19.09 – FI Tampere, TBA
20.09 – FI Helsinki, TBA

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Norwegian post-rock outfit Korean Cars are set to release their debut mini-album “#1” on May 23 via Mas-Kina Recordings — and the leading single ‘Drömtorp’ is now available.

‘Drömtorp’ sets the tone for the record — a haunting yet powerful track that captures the emotional intensity and melodic depth at the heart of Korean Cars’ sound.

Listen here:

Blending melancholic post-rock with melodic post-hardcore, Korean Cars create a dynamic soundscape where atmospheric depth meets raw emotional release. Drawing from the alternative and post-hardcore scenes of the ’90s and 2000s, the band’s sound fuses soaring melodies, jagged noise, and unpredictable shifts into a captivating experience.

Formed by members of Rumble in Rhodos, Infidels Forever, Arms on Fire, and Insense, Korean Cars combine seasoned musicianship with a shared passion for layered, emotionally charged songwriting. Their sound echoes the cinematic textures of Explosions in the Sky and the emotional punch of Trail of Dead — a beautiful chaos of melody and intensity.

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CERESIAN VALOT release a visualiser for the next single ‘Valojuovat’ (‘Tracers’) taken from the forthcoming debut full-length Uumen (Depths). The first album of the Finnish heavy alternative band has been scheduled for release on May 23, 2025.

Wille Naukkarinen writes: “The new advance single ‘Valojuovat’ is one of the most recent songs that I wrote for Uumen and my personal favourite on this album”, the guitarist and main songwriter reveals. “I don’t have much to tell about the composition process, because this was one of those rare cases where the song basically wrote itself. The instrumental version was completed pretty quickly. It’s a mix of prog and melancholia, showcasing both our quieter and heavier side in a very melodic way. I recommend to listen to ‘Valojuovat’ with your eyes closed.”

Panu Perkiömäki adds: “This song has strong dystopic vibes”, the vocalist opines. “The key idea of the song is inspired by the writing of Albert Camus. It’s a song about wars and other manmade disasters. It is also a song about solving problems by changing the channel, if the news get too stressful. ‘Valojuovat’ does even contain some doubts about religions and their infallibility.”

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Helmed by Black and Cherokee composer and multi-instrumentalist Takiaya Reed, Divide and Dissolve will release their new album, Insatiable, on April 18 via Bella Union.

The 10 track album run the gamut of doom metal – from the ear-splitting depths of lead single ‘Monolithic’, to contemplative, softer moments on the aptly titled song ‘Grief’, released today. Like all of Divide and Dissolve’s music, Insatiable is almost entirely instrumental.

While the album’s sheer grandiosity represents an evolution in Divide and Dissolve’s sound, it also marks the very first time that Takiaya has ever lent vocals to a D//D song. On ’Grief’ her distorted voice echoes atop a vibrating bass tone, repeating the lyrics: “I don’t know what I’m supposed to do/ I’m so lonely without you.” Takiaya explains, “The voice is such a mysterious  instrument. This album feels different, and I wanted to honour that”.

The director of the music video, Sepi Mashiahof, adds; “The music video for ‘Grief’ is an ode to the feelings of empowerment, resistance, and sadness that Divide and Dissolve weaves into our bodies. It’s an expressionist diary made up of dissonant and revelatory memories. Grief eclipses everything around us, innocuously lingering in the functional movements of our daily lives, then aggressively literal in the reflective silence behind our eyes. Grief is inherent to our existence, knowing that a better world exists for all of us and its potential is boundless, yet we’re made to suffer the atrocities of greed and exploitation instead. We can honor Grief as a passage of life, but we must resist the forces that impose it as a numbness to injustice.”

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Divide and Dissolve live dates (so far):

18-05-2025 Desertfest London – London
30-08-2025 Supersonic Festival – Birmingham

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Photo credit: Brandon McClain @eathumans

Having completed a trilogy of experimental songs, Papillon de Nuit begin a new cycle, reaching for the epic, and with a more structured (but no less adventurous) approach. With Steve Whitfield on board (The Cure, The Mission) as Producer, and an array of incredibly talented, diverse musicians and singers, Ariadne is the first release in this phase. We are delighted to share it with you.

Continue with us on our journey….

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METAMORPH has just revealed their new single – a gut-punch of emotion and power, ‘Crown of Shattered Glass’. The song is impossible to ignore—a warrior cry wrapped in razor-sharp gothic rock.

Margot Day’s bold vocals cut through a cinematic soundscape of pounding beats and darkwave edge, delivering a chorus that demands to be felt: “Shattered, shattered, I’m stronger than you know”. Every lyric carries the weight of a hard-earned victory. The shattered glass isn’t a weakness—it’s a crown. This is the sound of breaking free.
With sharp lyricism and relentless energy, this track transforms heartbreak into pure power, hitting hard and lingering long after the last note.

As the Wheel of the Year turns, METAMORPH unveils a new track every six weeks, each one an incantation of power, love, and defiance—all leading to a full METAMORPH album this fall.

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‘I’m Tired Of Being Your Mother’ is the third and final post-release digital single from the Jesus Lizard and, along with ‘Cost of Living’ and ‘Westside’, will make up the Record Store Day exclusive Flux EP, out April 12th in independent record stores.

This will be the only physical release of these three songs, available April 12th, on Black Vinyl with an etched b-side. Download and stream now, along with the new album, Rack here.

About the track, David Yow says; “When a friend of mine was about eight years old, living outside of New Orleans, his mother once said to him, in a slow dull drawl, “I’m tired uh bein yo mutha.” That really struck me. The lyrics are actual quotes of awful things mothers have said to their children. Heartbreaking!!”

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Photo credit: Joshua Black Wilkins

Christopher Nosnibor

It might be a stretch to describe Brain Pills as a supergroup, but the various members of this trio all have form, with guitarist Mike Vest being a one-man guitar-driven noise industry and with 11 Paranoias and Bong being among his extensive catalogue of projects – and he’s joined by percussionist Nick Raybould  and Poundland vocalist Adam Stone. It should be no surprise, then, that this is dark, dense, and gnarly.

‘Faded’ offers four and a half minutes of thick, sludgy, trudgery that feels like an eternity – in a good way. It’s reminiscent of early Melvins – think the slow grinding trawls of Gluey Porch Treatments, rarely over three minutes in length but churning the guts low and slow and feeling twice that.

The sound is immense, a mass of distortion, the kind of overloading, all-out speaker-damaging wall of noise that hits you physically.

The heavy effects on the vocals – magnificently low in the mix – adds a brain-bending psychedelic twist to the megalithic sonic landslide, making for punishing, gnarly perfection.

The band are currently looking for a label to release the album which ‘Faded’ is taken from.

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Dark electronic trio, PAWN PAWN has just unveiled their latest EP, Halloween. The EP delivers a darkly electrifying journey through a spectrum of synth-driven styles, each track a study in emotional and sonic extremes. The Halloween EP is both a love letter to synthpop’s past and a step into its future. While inspired by film director, John Carpenter, the EP is named in honor of a holiday many dark hearts celebrate every day, Halloween’s trajectory goes through the brooding, pulsing opening track, ‘Trick Or Treat’ to the seductive, shadowy anthem, ‘Tell You With My Eyes’, then closing with ‘Jealousy Looks Good On Me’, a high-octane fusion of ’90s industrial-pop that balances chaotic aggression with razor-sharp melodic hooks.

They’ve produced a video to accompany the closer, which you can watch here:

The EP’s themes, like Halloween, are about embracing darkness and emotional extremes: vengeance, obsessive attraction & jealousy. They also represent tales of liminal spaces; the spaces between thinking about revenge and actively seeking it, or the space between obsessing over someone and actually making a move.

The EP also addresses the lines between passion and destruction, the idea being that an emotion like jealousy can theoretically make us more passionate and wanting to be the very best version of ourselves. Meanwhile that eternal desire competes in a battle that can never be won and is ultimately self-destructive.

Says vocalist, Liz Owens Boltz, the music on the EP is “about exploring synthpop and industrial-pop…this is really our first official foray into these genres. So our creative journey has brought us here, trying on a darker and more aggressive sound, and having fun with it.”

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