Posts Tagged ‘riiff’

26th May 2020

Christopher Nosnibor

Yes! Yes! Yes! This single cut from London four-piece Ravenfangs is appropriately titled. Clocking in at two and a half minutes, it’s an explosion of fizzy, grungy, overdriven guitars powered by angst and frustration, Recapturing the spirit of Nirvana and blending it with a certain punk sensibility, it’s lack of polish is a significant part of the appeal.

This is the best of DIY, and this is what happens when people have had enough. They don’t hang about, they don’t wait for opportunities or offers – they get on and make their own and do it all themselves. It was the emergence of punk that saw bands first shun the conventional industry-centred models, and the age of home recording and the Internet has finally rendered the production and release of music an egalitarian, open proposition.

The beauty is that truly anyone can pick up a guitar – hell, you don’t even need that, just a laptop or a phone these days – and offload all that emotion, everything that you need to vent, and put it out there.

Starting off with a thick, buzzing bassline played with a gut-punching urgency, ‘Rage’ crashes in full throttle with everything else all going hell-for-leather all at once. It’s unpretentious, unpolished, and exciting because it’s real, a sneering blast of righteous alt-rock, and packs a proper punch with no pretence, no pissing about. Raw, rough, ready, this is where it’s at.

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21st May 2021

Christopher Nosnibor

With their latest single in the run-up to their debut album due to drop in July, SENSES threaten ‘an absolute stomper soaked in bass and synth… one for any BRMC fans out there’. And in a bit of a shift from the previous two singles, which showcased more psychedelic and indie leanings, that’s what they deliver. ‘Harder Now’ is one of those classic, scuzzy rock ‘n’ roll tunes that’s simple but effective, and centres around a solid rhythm section and nagging, repetitive riff.

So maybe it does nab the bass stylings of the intro to ‘Spread Your Love’ and the drawling vocal hook of ‘Stop’, but so what? BRMC always amalgamated an almost stereotypical rock ‘n’ roll swagger with a dash of The Jesus and Mary Chain – breezy melodies in a collision a with a whole load of overdrive – and no-one owns these things. That’s the beauty of rock ‘n’ roll: it doesn’t have to be radically new, or break new ground to be of merit: it just has to be good. ‘Good’ can be many things, of course, is subjective, but objective good is having that all-important riff that hook, that self-confidence, and a certain knowingness.

In context of their releases to date, it’s clear that SENSES have a sense (sorry) of history, and a keen appreciation of a span of music of a certain vintage – a vintage that has come to possess a timeless quality.

They’ve got some savvy songwriting going on, and the musical skills to deliver it with just the right vibe, and ‘Harder Now (For Love)’ is a cracker.

Harder Now (For Love) single cover