Posts Tagged ‘Raven Said’

3rd November 2023

James Wells

New single ‘Showtime’ from Russian ‘occult wave’ / goth duo, Raven Said, arrives just over a year on from the EP Chants to Dissolve, and it promises to be the first from their next full-length release.

They describe it as ‘a kind of exciting prologue telling about the themes of a personal awareness and braving of one’s own internal boundaries. It’s transcendence of individual subconsciousness, even in the face of the inner fear or the despair. When you’re getting the power to create and transform despite seeming hopeless; when the curtain is raised and time freezes for a moment, when the stage is lit with the spotlights and the noise of the crowd is heard ahead, you take a step towards… Showtime!’

This reminds us that there is considerably more to Russia than the news of the Western media, where they’re broadly portrayed as ‘bad guys.’ We rarely stop to consider the reality of daily life in other countries – or, indeed, how our own countries are perceived internationally, while we’re getting on with everyday life, and generally struggling to stay afloat. In all this, we rarely see the people, the society, and fail to separate these things from their governments, their diplomats, and their military.

‘Showtime’ is what one might call a ‘banger’. Thumping disco beats and bold layers of synth provide the musical backing for the vocals, delivered in a brooding cross between a croon, a whisper, and a growl, packed with classic goth theatricality, and their touchstones of Clan of Xymox and second-wave goth acts like Rosetta Stone onwards, are strongly in evidence, crunching them together to create a synth-driven song that’s strong on both melody and groove.

AA

a2385593377_10

Christopher Nosnibor

Having showcased ‘Immersive Waves’ recently, my interest was sufficiently piqued to explore the rest of the EP from gothic/occult wave duo Raven Said. With ‘Immersive Waves’ being the last of the EP’s five tracks, it feels like I’m coming to it backwards first, although I so appreciate there is a flaw to this logic.

‘A Flowering and a Flattering’ drills in with some expansive synths wafting over a hi-NRG dance beat and thumping bass, and it falsely points toward pumping trance before going cinematic, darkwave, and then the arrival of the vocals – a heavily-processed, growling monotone baritone that’s quintessential goth – changes the tone again, and with fractal guitars chiming against a pulsing bass and stomping mechanised beat we’re in the domain of 90s second wave goth as characterised by the likes of Suspiria and the Nightbreed label’s output.

It’s the chorus-heavy guitars and theatrical vocals that dominate the broodingly dramatic ‘Transparent Sorrow’ that draws all of its cues from The Sisters of Mercy circa 85 and Ghostdance, Skeletal Family, et al, and dark grooves are the leading element of the murky ‘Except My Love for Her’. The drum machine may be backed off, but the crisp snare echoes into the sonic fog while the bass booms. The rasping vocal sounds more like a menacing threat than pleading, before the frenetic ‘Sredni Vashtar’ goes full electro and sounds like The Sisterhood’s ‘Jihad’ played at 45 instead of 33, or a KMFDM outtake. This level of electronic hyperactivity is perhaps the least successful song on the EP, and it’s not aided by the mix, with the vocals up and the drums and synths backed off. It feels somehow cheap.

But then ‘Immersive Waves’ draws together all of the best elements of the preceding tracks into a rippling mix of vintage goth and electropop steeped in theatre and atmosphere and it’s magnificently moody and leaves you wanting more, and more….

AA

a0427461917_10

Gothic/occult wave duo Raven Said has just unveiled their new EP, Chants To Dissolve.

Chants To Dissolve is about the spiritual essence that represents a certain alchemical phase of Solve (a transitional process between the Nigredo and Albedo phases in basic Alchemy).

On the abstract, the EP represents the invisible and inaudible flattering of a butterfly’s wing to the deafening roar of the inescapable wave of the coming future. Physically, it’s an effort aimed at changing the composition, without an exact result In a philosophical context. This means that the future is not defined and there is only the possibility of one or another existence; a certain point of polyfurcation, a set of evolution.

With pulsing vibrations of guitar and synths transformed into elegant canvases in cold tones, Raven Said is the flexible fusion of darkwave / goth rock / post-punk; the musical expression of symbolic mysticism and psychology.

Check ‘Immersive Waves’ from the EP here:

The founders of the band – Andrey and Maria united for creation of old school Goth Rock / Occult Wave project. One of the most famous poems of the American romantic writer E. А. Poe inspired the band’s stylish title.
Raven Said accumulates the energy of Second Wave Goth Rock and complements this with elements of Post-Punk and New Wave to form their original modern sound.

Musically, Raven Said takes inspiration from the likes of Rosetta Stone, Nosferatu, Witching Hour, The Cult, Mephisto Waltz, Cinema Strange among others. Raven Said’s lyrics focus on occultism, attraction to the world beyond and following into the realm of the unconsciousness themes.

Raven Said has served as a support act for cult artists such Golden Apes (DE), The Danse Society (UK), Das Ich (D), My Own Burial (ES), Murnau’s Playhouse (FI), Moon Far Away (RU), Orplid (DE), Larva (ES) etc.

Raven Said has received considerable acclaim and recognition. The band has participated in numerous online, print and radio interviews and has been reviewed in various online and print publications worldwide. They have also taken part in online festivals – Absolution NYC, Goth for Sanctuaries, ARG-Fest & Luna Negra.

2017 saw the release of the EP, Seven Deadly Tapes which was well-received both in Russia and abroad. In 2020, the band released the LP, Beyond the Darkest Hour on the UK label, Secret Sin Records.

Broadening the forms of traditional Goth rock, Raven Said are experimenting with new shapes and themes having the artistic charm and authentic visual aesthetics.

4ad711f9-1a39-bee2-c05f-7c5704bd40a2