Posts Tagged ‘Mat Ball’

The acclaimed trio BIG|BRAVE have announced their 10th full-length, in grief or in hope, out June 12th, 2026. in grief or in hope is an innovative vision of electro-acoustic sound and emotive storytelling, an endless bounty of overwhelming distortions and devastating beauty.

Along with the album’s announcement, the trio have shared first single & video ‘the ineptitude for mutual discernment,’ a powerful encapsulation of the ensembles’ singular approach to textural distortion and emotional complexity which contrasts tides of bristling guitars against guitarist/vocalist Robin Wattie’s resolute voice. The video was created by guitarist Mat Ball with color correction by filmmaker Stacy Lee.

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in grief or in hope marks a shift for BIG|BRAVE towards denser, guitar-oriented compositions. With longtime touring bassist Liam Andrews (MY DISCO, Aicher) joining guitarist/vocalist Robin Wattie and guitarist Mathieu Ball in the studio for the first time, the pieces are keenly layered with a rich tapestry of harmonics and tonal intricacies. Each piece is its own biome of distortions starkly contrasted with delicate, even tender, moments. The trio’s instinctual progressions are made more vivid through live recording, harnessing the gargantuan and storied sound of their performances. Within texturally maximalist loops and affected vocals, the pieces utilizes the aesthetics of drone, electronic, and heavy music within a foundation of pop song form.

Wattie writes: “I wanted to explore catchy, melodic phrasing weaved throughout the intensity of the instrumentation and droney chord changes. All that I could reflect on was grief and hope; death and life; cause and effect; shared experiences of being a human person.”

The tenth album for the ensemble, in grief or in hope pays homage to their past while looking into their future. Standout “the ineptitude for mutual discernment” expands on lyrical themes first explored on 2015’s Au De La where “verdure” echoes melodies from the title track of 2014’s Feral Verdure. These references to their past serve as potent reflection points on BIG|BRAVE’s evolution as artists. A sonic whirlpool of string instruments surrounds Wattie’s commanding vocals as she shifts from spectral undulations on pieces like ‘what may be the kindest way to leave’ to the direct, spare declarations of the title track. The ambiguity of mountainous chords on ‘an uttering of antipathy’ are coupled with autotuned phrases emphasizing isolation inside the fray.

Together the trio deliver emotional momentum that vividly describes the complex and deep feelings of struggle, pain, and transcendence. in grief or in hope transmits that sense of humanity with every gesture.

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Photo credit: Stacy Lee

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ON TOUR IN MAY AND JUNE

24 May – Utrecht, NL – EKKO
25 May – Amsterdam, NL – OCCII
27 May – Saint-Imier, CH – Toxoplasmose Festival
28 May – Basel, CH – Kuppel
29 May – Torino, IT – Jazz is Dead
30 May – Piacenza, IT – Desert Fox Festival
31 May – Ljubljana, SI – Channel Zero
2 Jun. – Poznan, PL – Pawilon
3 Jun. – Berlin, DE – Berghain

WE ARE WINTER’S BLUE AND RADIANT CHILDREN (WAWBARC) is the new quartet of Mat Ball (BIG|BRAVE), Efrim Manuel Menuck (Godspeed You! Black Emperor, Thee Silver Mt. Zion), and Jonathan Downs and Patch One (both Ada). On NO MORE APOCALYPSE FATHER they present six modal lullabies drenched in seared distortion, slathered across striding electronic pulses.

Ball and Menuck began creating music in and for the bleakest moments of Montréal winters: “We’re honoring that idea of winter, when you come inside and your house is warm, a place that only exists because of how cold it is outside,” says Menuck. They later recruited Downs and Patch to flesh out their initial ideas—Menuck met first them in 2015 when recording Ada’s final self-titled album at Montréal’s Hotel2Tango, the same studio where WAWBARC convened to make this record.

The album is out September 13th on Constellation. Meanwhile, you can hear the title track here:

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Last month, Mat Ball (BIG | BRAVE) announced his first full-length solo album, Amplified Guitar, arriving on The Garrote on 1st July on all formats.

Today he shares the entrancing and moving video for second single, ‘To Catch Light III’. Filmed and edited by Joshua Ford at The Garrote HQ in Illinois using the most simple elements, this video presents a remarkable visual analogue to the economy and elegance of the music and provides an astounding physical account of the sound.

Having recently stood transfixed watching Ball wring notes from his guitar and similar setup while on touch with BIG | BRAVE, this video is both mesmerising and representative of that experience. Calling to mind the expansive guitar workouts of Dylan Carlson’s solo work, ‘To Catch Light III’ hints towards and album that’s rich, textured, immersive.

Watch the video here:

Recorded at Hotel2Tango by Godspeed’s Efrim Manuel Menuck, Ball performed each of these beautiful songs in a single take. Plucking, strumming, bowing, or just slowly moving an electric guitar of his own construction in front of an array of amps, Mat Ball managed to expertly coerce some very deeply moving music from very little. 

Additionally, Mat Ball shall release a book, Accidents (with orders via www.thegarrote.com and Bandcamp). Operating as a visual analog to the Amplified Guitar LP, the work in Mat Ball’s book Accidents is also based on chance: chance in discovery, chance in process, or chance in accidental results. Whether found at rest and documented in that natural/untouched state, or assembled/touched by Ball’s hand, the aleatoric element in each piece is vital. First edition limited to 100 copies.

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Photo Credit: Stacy Lee