Posts Tagged ‘hook’

1st December 2023

Christopher Nosnibor

The Australians seem to have a knack for full-throttle, high-energy punk-tinged guitar acts, where there’s a strong focus on fun. They certainly have a long punk heritage down under, with The Saints kicking things off way back in 1973, and their debut single, ‘I’m Stranded’ arriving within weeks of The Damned’s ‘New Rose’. Perhaps it’s the sun and surf, or just the broader culture in Australia which produces bands like this, cutting their teeth in tiny venues and even house parties.

Fun doesn’t have to be dumb, bone-headed or moronic: DZ Deathrays and Mannequin Death Squad are both notable exemplars who’ve proven to be popular exports here in the UK, and to that list we can add Annakye, demonstrating some songwriting savvy and an appreciation of the fact that a strong hook is everything.

‘Headstart’ is two-and-a-half minutes of big, buzzing guitars that shift from driving riffery to lurching stop/start with clattering drums that hammer in hard and paired with a bustling, busy bassline with some punch and bounce, it’s got moshery emanating from every second.

On paper, ‘Two seconds apart / head start’ isn’t much of a hook, but it’s all in the delivery – and repetition goes a long way when it comes to lodging it in your brain. Earworm? Nailed it.

1st June 2023

Christopher Nosnibor

Sometimes, things don’t work out. It’s sad, but it’s life. But it’s how you deal with these setbacks that counts. Just over a year ago, I was getting enthusiastic about Warning Signal, a band who looked set to be ones to watch with their full-throttle gritty-industrial pop that was a head-on collision between Nine Inch Nails and Garbage. But, it was not to be.

But Eva Sheldrake is back and kicking it hard fronting new power trio Eville, and while there’s a clearly a shift from her previous project, the key ingredients remain in place, namely hard-edged metallic guitars and a crackling dark energy. ‘Messy’ melds goth and industrial and stitches them together with a pop sensibility, making for a high-impact tune – and again, clocking in at just over two and a half minutes, it’s succinct, and all the better for it, with there being no room for any tracer of flab or indulgent wankery.

‘Messy’, in songwriting terms, is anything but: they’re straight in, a back and forth slap round the chops, and out again before you know what’s hit you. It’s heavy but melodic and catchy, and if there are hints of nu-metal in the mix, there’s a lot more besides.

Jamie Sellers’ production nails it, balancing fizzy distortion with crisp, digital cropping and sharp edges, making it radio-friendly without dulling the serrated edges. Here’s hoping the second bite of the cherry is the one that delivers the pie – or some other failed extended metaphor relating to attaining well-deserved success, because they absolutely deserve it on the strength of this release.

AA

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4th June 2021

James Wells

Pounding drums propel a driving, overdriven lead guitar and chunky riff on this rather interesting rock hybrid. On the one hand, it’s got the balls and bluster of QUOTSA and the contemporary stylings of Foo Fighters, but ‘Run’ is also strongly melodic and kinda jerks and jangles in a way that speaks to a more lineage of influence that goes back more toward 70s rock acts in the vein of Cheap Trick and even a dash of Tom Petty.

In drawing on so many comparisons, I’ve possibly failed to convey the band’s own style and sound, which is altogether more coherent than may first appear, and ‘Run’ packs a solid chorus and a strong sense of melody and punches it out with real energy. In short, it’s good stuff.