‘Safe Routes’ encourages an end to all arms sales everywhere, and an end to all wars! No borders! 100% of proceeds from Bandcamp sales (after fees) will be donated to Campaign Against Arms Trade.
Archive for the ‘Recommended Streams and Videos’ Category
Listen: ‘Safe Routes (single version)’ by Knitting Circle
Posted: 8 March 2025 in Recommended Streams and Videos, Singles and EPsTags: alternative, Campaign Against Arms Trade, Charity, Knitting Circle, left, Political, Post-Punk, Protest, Safe Routes (single version), single stream
Watch: ‘Wolfsbane’ by Cwfen
Posted: 7 March 2025 in Recommended Streams and Videos, Singles and EPsTags: Cwfen, Faetooth, New Heavy Sounds, Reliks, Single, Sorrows, video stream, Wolfsbane
There are two kinds of heavy bands: the ones that make a lot of noise and the ones that drag you somewhere you didn’t know you needed to go. Cwfen (pronounced ‘Coven’) are the latter, and Sorrows is a record that doesn’t just crush – it haunts long after the final note.
The allure of Cwfen’s sound lies in contrasts: the glacial ferocity of Amenra, with the velvet-and-razor vocals of King Woman, and the rotting grandeur of Type O Negative. It’s as hypnotic as it is harrowing, but somehow even better than the sum of those parts.
Since emerging from Glasgow’s underground just 18 months ago, Cwfen have built a solid reputation, selling out shows and pulling growing audiences into their doom-laden fever dream. Released in October, the band’s debut single ‘Reliks’ was a hit with fans and critics, landing a spot on Kerrang!’s release of the week playlist. And rightly so. Their sound devours and delights in equal measure. And people are craving more.
"Cwfen have emerged from the darkest depths of the Caledonian underground with a beguiling blend of doom metal and gothic post-punk for those who like to live deliciously." – Kerrang!
About new album Sorrows – released on 30th May via New Heavy Sounds (Shooting Daggers, MWWB, Death Pill):
“We never set out to write an album. We were just four friends making music we wanted to hear. But then Sorrows emerged, and when it did, it pulled us into its orbit. We couldn’t ignore it,” says Agnes Alder, vocalist and rhythm guitarist for Cwfen. “When we stopped trying to fit into any one space, what came out was this beautiful mix of dark and light. Something visceral and cathartic.”
Sorrows lives in the space around doom where the weight of the riffs is matched by the weight in your chest, where the lyrics and the songwriting are as important as the music itself. Loud and crushing, yet sharp enough to stick in your head for days. It builds, burns, collapses, resurrects. Big on riffs, bigger on feeling. The kind of songs you carry with you. Agnes Alder bears her claws one minute, then whispers the next, as the band follows like a storm front, rising, breaking, drowning you in the weight of it.
The songs have range. From the guttural Penance to the lush Whispers, to the feral Wolfsbane and the insurrectionist Rite. It includes a long anticipated reworking of Embers and Bodies, the two self-recorded demos that launched them into the scene with a bang and that fans already adore. Intricate vocal arrangements, heavy and harsh guitars, a mix of atmosphere and heft, produced by the band alongside Kevin Hare at Deep Storm Productions, and mastered by James Plotkin. It punches above its weight for a debut.
Upcoming shows including UK tour dates with Faetooth:
16/03 – Audio, Glasgow – supporting Dopethrone
24/04 – Brudenell Social Club, Leeds – Strangeforms Festival
21/5 – Audio, Glasgow – Supporting Castle Rat
22/5 – Legends, Edinburgh – Supporting Castle Rat
13/06 – Glasgow, Hug & Pint w/ Faetooth
14/06 – Huddersfield, Northern Quarter w/ Faetooth
17/06 – London, The Black Heart w/ Faetooth
18/06 – Manchester, Star & Garter w/ Faetooth
19/06 – Norwich, Arts Centre w/ Faetooth
20/06 – Ramsgate, Music Hall w/ Faetooth
AA
Listen: ‘I’m Tired Of Being Your Mother’ by the Jesus Lizard
Posted: 5 March 2025 in Recommended Streams and Videos, Singles and EPsTags: Flux EP, I'm Tired Of Being Your Mother, Record Strore Day, Single, Stream, The Jesus Lizard
‘I’m Tired Of Being Your Mother’ is the third and final post-release digital single from the Jesus Lizard and, along with ‘Cost of Living’ and ‘Westside’, will make up the Record Store Day exclusive Flux EP, out April 12th in independent record stores.
This will be the only physical release of these three songs, available April 12th, on Black Vinyl with an etched b-side. Download and stream now, along with the new album, Rack here.
About the track, David Yow says; “When a friend of mine was about eight years old, living outside of New Orleans, his mother once said to him, in a slow dull drawl, “I’m tired uh bein yo mutha.” That really struck me. The lyrics are actual quotes of awful things mothers have said to their children. Heartbreaking!!”
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Photo credit: Joshua Black Wilkins
Watch: ‘Among Us’ by Amammoth
Posted: 4 March 2025 in Recommended Streams and Videos, Singles and EPsTags: Amammoth, Among Us, Electric Valley Records, psychedelic Distant Skies and the Ocean Flies, Single, Sludge, Stoner, video stream
Sydney’s sludgiest stoner outfit Amammoth has dropped a new single, ‘Among Us,’ from their forthcoming record, Distant Skies and the Ocean Flies, to be released via Electric Valley Records on February 21 on three vinyl variants and across digital platforms.
“Our second single ‘Among Us’ is a B-grade psychedelic, sci-fi adventure, kind of like ET on acid,” says Ammamoth about the track.
WATCH the video for ‘Among Us’ here:
AA
Watch: ‘Can’t Do Without You’ by Pink Turns Blue
Posted: 1 March 2025 in Recommended Streams and Videos, Singles and EPsTags: Black Swan, Can't Do Without You, Orden Records, Pink Turns Blue, Post-Punk, Single, video stream
Friday 28 February brought the new Black Swan album from German post-punk / darkwave legacy band PINK TURNS BLUE , which is released on limited edition vinyl, CD and digitally via Orden Records. They simultaneously unveiled the video for the focus track ‘Can’t Do Without You’, a song about the increasing polarization of society, the counterproductive nature of dismissing opposing viewpoints, and a plea for unity and understanding in a world marked by division.
Watch the video here below… album review to follow…
AA
Watch: ‘Eight Fourteen Monday’ by The Speed Of Sound
Posted: 27 February 2025 in Recommended Streams and Videos, Singles and EPsTags: Big Stir Records, Eight Fourteen Monday, Hiroshima, Isolation, Single, The Speed Of Sound, video stream
Long-serving Manchester UK Psychonauts The Speed Of Sound present ‘Eight Fourteen Monday’, a compelling highlight track from their mega-album trilogy A Cornucopia: Minerva, Victory, Bounty, released via Californian cult label Big Stir Records.
Arriving on the heels of their latest audio-visual trip – ‘Permafrost’, this song narrates the everyday experience of a dreary commute to explore themes of isolation, detachment, and the contrast between superficial politeness and genuine emotion, all while subtly referencing the devastating historical event of Hiroshima.
Since their formation in 1989, The Speed of Sound’s music has always been idiosyncratic and counter-intuitive, in search of something new. Creating music with lyrical bite, expanding their foundation of 1960s, punk and new wave influences, their dynamic and stylistic variation crossing borders and pushing boundaries at every opportunity.
“Light and spaciously airy, the music contrasts with the imagery of a dark and gloomy early Monday Manchester morning commute. The inevitable announcements of delays and cancelations say “we would like to apologise” rather than “we apologise”; a subtle difference with a totally different meaning. Everyone is wrapped in their own thoughts and staring at their phones, retreating internally to avoid thinking about the discomfort of the journey,” says frontman John Armstrong, further noting "Eighty years ago, as of August, the bomb fell above Hiroshima at eight fourteen on a Monday.”
With overlapping themes of independence – both culturally and artistically – each disc of the A Cornucopia trilogy has its own vibe and personality: Minerva is belligerence in musical form, Victory is a manifesto of artistic creativity and Bounty represents the fruits of artistic freedom, all taking place far from the grasping tentacles of the ‘music industry’.
A Cornucopia began with the band’s own love of the album format and a determination to make long-form music rather than merely produce a conveyor belt of unrelated singles. The interlocking themes of A Cornucopia are deliberately made for album listeners to enjoy, each disc being its own standalone entity while also forming part of the larger whole trinity.
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Photo by Shay Rowan
Watch: ‘9th Heaven’ by BACKXWASH
Posted: 27 February 2025 in Recommended Streams and Videos, Singles and EPsTags: 9th Heaven, BACKXWASH, Experimental hip-hop, Lyric Video, Only Dust Remains, visualizer
Backxwash, aka Ashanti Mutinta, is a Zambian-Canadian rapper & producer based in Montreal, Quebec. She is most noted for her 2020 Polaris Music Prize-winning album God Has Nothing To Do With This Leave Him Out Of It.
Her work includes a culmination of themes around the intersection between faith, identity, and queerness. The poetry of her lyrics are the beginning of a cathartic healing process in which she is granting herself permission to be angry.
Backxwash’s critically acclaimed trilogy—God Has Nothing to Do With This Leave Him Out of It (2020), I Lie Here Buried With My Rings and My Dresses (2021), and His Happiness Shall Come First Even Though We Are Suffering (2022)—has cemented her as a visionary in experimental hip-hop. The trilogy reflects different points in her life and delves into themes of identity, spirituality, and personal struggle, blending haunting beats with unfiltered, introspective lyricism.
Backxwash emerges from the shadows of her trilogy with Only Dust Remains, a new direction that showcases her evolution into a broader and more diverse sonic landscape. The record details the experience of life and death all occurring at once, while embracing a more melodic and complex soundscape.
Lyrically, the verses on Only Dust Remains are more complex, word-heavy, and poetic. The album touches on themes of mourning, reflection, and hope, exploring them with a sincerity and depth that deepen her storytelling. This is a work that balances light and shadow, crafting a narrative that is as introspective as it is outward-reaching.
Only Dust Remains stands as a testament to Backxwash’s ability to evolve while maintaining the raw emotional power that defines her music. This is an album that demands to be felt as much as heard, inviting listeners to engage deeply with its intricate layers and striking themes.
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