Human Worth – 7th October 2022
Christopher Nosnibor
Since the launch of the Human Worth label, initially as an outlet for releases by Modern Technology, we’ve witnessed the label grow – although never beyond its means and never beyond its principles. Each release sees a portion of the proceeds donated to a nominated charitable cause, and it’s so heartening to see a label and its artists use their platform for social good. With this latest release, a 7” EP from Leeds makers of noise BELK, 10% of all proceeds are being donated to Action Bladder Cancer UK, who work to support patients, raise awareness, improve early diagnosis and outcomes, and support research into bladder cancer.
But let’s never underestimate the social good of music with meaning – and by good, I mean sincere and visceral. Anyone who has ever stood in a room being bludgeoned by a full-blooded sonic attack will likely appreciate the incredible release of the experience, and the sense of community it entails. It’s not easy to articulate the way in which something that’s ultimately private, internal, is heightened by the presence of strangers immersed in that same experience, in their own personal way.
In congruence with the rise of Human Worth, we’re also seeing a satisfying upward arc for BELK, who unquestionably deserve the exposure and distribution, and one suspects that being limited to just 100 hand-numbered vinyl copies, the vinyl release of this is likely to be a future rarity.
This 7” EP packs five tracks into mere minutes. ‘Warm Water’, unveiled as a taster for advance orders on September’s Bandcamp Friday, is a minute and eighteen seconds long. It’s fast, and it’s furious – a focused channelling of fury, no less, distilled to 100% proof, and there’s no holding back on this attack.
There are a couple of additional demo tracks, in the form of ‘Net’ and ‘Question of Stress’ from their 2022 promo as downloads.
It’s all pretty raw, and ‘studio’ doesn’t mean much more polish than ‘demo’, and that’s exactly as it should be BELK trade in proper dirty noise, the likes of which Earache specialised in in the eighties and early 90s, before they went soft and became a rock and blues label, releasing stuff by the likes of Rival Sons. Human Worth have snatched the noise baton in a firm grip, though, and the quality of their releases extends to the artefact as well as the art.
‘Net’ is a stuttering slugfest reminiscent of Fudge Tunnel, only with harsher, higher-pitched squawkier vocals that are more conventionally hardcore, and it all stacks up for one killer release that delivers a ferocious slap round the chops.
AA