Systemet – När Vintern Kommer Till Sverige

Posted: 26 March 2019 in Albums
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COdA / Lonktaar – 20th March 2019

Christopher Nosnibor

This release came my way via master purveyor of noise and drone and occasional collaborator of mine, Dave Procter. The man with more pseudonyms and projects than possibly anyone I’ve ever met – with Legion of Swine, Fibonacci Drone Organ, Wharf Street Galaxy Band, Hundbajs, Dale Prudent, and Trouser Carrier being just a few of his outlets – he’s immensely well-connected (and deservedly respected) in this niche corner of difficult experimental music (with forays into poetry and spoken word and with an angular post-punk band in the mix). I’m therefore assured that anything he recommends will be suitably obscure, and challenging, and probably very good and right up my alley. This is very much the case of Systemet’s När Vintern Kommer Till Sverige.

According to the press sheet, ‘Systemet is a collective that challenges the architecture of a standard band. While the sounds have their roots in early industrial, dungeon synth, dark ambient and noise drone music, only a segment of Systemet is a harsh reinterpretation of the mix of these genres.’ And it is harsh. Meanwhile, according to Dave, it’s a ‘beast’. And it is a beast.

I learn that ‘the aim of this album is to recreate the sensations of the Swedish winter, based on a one-week off-track trek in the Sami area north of mount Kebnekaise, where the cover picture was taken, in the period between autumn and winter 2018.’ Having never experienced a Swedish winter, I’m ill-equipped to comment, but if it really is anything like När Vintern Kommer Till Sverige, I can only conclude that Swedish winters are seriously tough.

I also learn that ‘all sounds were produced by ELI and ELQ synthesizers’ – which, being custom-made, you won’t find in the shops or emulated on-line – on a quadraphonic system, and recorded in dual stereo. The effect is deep, wide, immense.

‘Čievrrajávri’, the first of the album’s four pieces – I’d be reluctant to call them compositions, begins as barely a whisper of wind, a delicate breeze laced with almost invisible, inaudible traces, before the low-gravity bass notes begin to amble and moan in rumbling undercurrents that set an uneasy tone.

Things don’t get lighter or easier from thereon in: ‘Glaciären Brinner’ brings more space-age pulsations, oscillating rhythmic throbs of distorting low-end and murky mid-range over which whistles and screeches. But mostly, it’s about dark washes out found, swirling gurgles that spiral and whip the air. It’s an ever-shifting soundscape of swirling, pulsating darkness, a vortex which sucks the listener in. and it only become s progressively more difficult. It’s perhaps a cumulative effect: scrapes and drones in small doses are simply scrapes and drones, but over the course of almost forty minutes, it slowly becomes increasingly torturous, and När Vintern Kommer Till Sverige offers no respite.

The ‘extended version’ of ‘Gaskkasvággi’ is 11:11 of elongated, grating drone and what sounds like heavy breathing up close to a mic amplified and looped. It’s a shade hypnotic. It’s followed by the final piece, ‘Vy Över Visstas’, Which is the sound of collapse and a protracted final meltdown; circuitry slowing, fizzling to a halt, howling and braying like slain robots in an uncoordinated wash of distortion and stuttering analogue froth.

När Vintern Kommer Till Sverige is indeed a beast: challenging, uncompromising, bridging the gap between Tangerine Dream, Throbbing Gristle and the vast field of contemporary dark ambient / industrial / electronic crossover, it succeeds in pitching unsettling layers of unease in the pit of the stomach.

Systemet – När Vintern Kommer Till Sverige

Comments
  1. COdA says:

    thanks for the review, the album can be purchased by writing to codafanzine@riseup.net

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