Posts Tagged ‘Video’

British industrial/EBM artist ESA is proud to release a new music video for the song ‘Pound Of Flesh’, taken from the artist’s recent album Sounds for Your Happiness out from July 5th via Negative Gain Productions label.

‘Pound of Flesh’ is the most ambitious cinematic journey from ESA to date. Shot on location in Bangkok (Thailand) during July 2025 with additional scenes filmed in Manchester UK, the video sees the participation of Tan Toafa Maneepasopchock (Gotham/Oceans 10) and Panita Hutacharern along with three other native Thai actors. ‘Pound of Flesh’ is in part a powerful and compelling narrative experience, alongside a love letter to Thailand. A country that has meant a lot to Blacker over the years.

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The story follows a troubled soul, tormented by inner demons, trapped within their own mental prison, happening upon a vehicle to allow astral projection from one body to another in a vain attempt to escape their own pain and anguish. From body to body, it soon becomes apparent that dwelling within a new host body is not the solution it might first appear to be. As time passes within the host, breakdowns begin to emerge and the demons that are tethered to the troubled now take up chase, culminating in a powerful and incredibly cinematic exorcism experience.

‘Pound of Flesh’ is a music film in 3 parts, both adventurous in script and energetic in its execution. The acting of Tan and Panita levels up further the Universe that Blacker is trying to achieve with the ESA multimedia experience.

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ESA Photo

For the second single from the companion album Best of Nine Inch Nails Redux that will be released parallel to the forthcoming MER Redux Series instalment The Downward Spiral Redux, sludge metal outfit THOU from Baton Rouge, Louisiana pay an ultra-heavy tribute with their cover of the NIN track ‘Suck’.

THOU comment by quoting Emil Cioran: “True confessions are written with tears only”, vocalist Bryan Funck cites an adage of the Romanian philosopher from 1934: “But my tears would drown the world, as my inner fire would reduce it to ashes.”

Parallel to the companion album Best of Nine Inch Nails Redux, Magnetic Eye Records will release The Downward Spiral Redux that contains 14 cover renditions of the original album tracks in sequence, recorded by some of the most compelling artists in hard and heavy music today.

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LA-based psychedelic rock outfit Tombstones In Their Eyes presents their brooding single ‘Under Dark Skies’, previewing their Under Dark Skies album, to be released via Little Cloud Records (for North America) and Shore Dive Records (for the UK and EU). Without wallowing in self-pity and emotional upheaval, this song leans hopefully toward a new beginning in the understanding that sometimes the bottom is the best place to start.

The video was created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM’s Collin Hegna), British bard Philip Parfitt, The Dandy Warhols’ Peter G. Holmström a.k.a. Pete International Airport and Slowdive’s Rachel Goswell.

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Tombstones In Their Eyes is made up of John Treanor (vocals & guitar), Stephen Striegel (drums), Courtney Davies (vocals), Phil Cobb (guitar), Paul Boutin (guitar), Nic Nifoussi (bass) and Clea Cullen (vocals). What began casually a decade ago has evolved into a powerhouse band known for their expansive psychedelic soundscapes. For Treanor, these sonic explorations are like a cosmic therapy session – an immersive subliminal journey, as well as a way to grapple with anxiety.

This record was created during a year of intense personal change, followed by a clearing of the decks and a move forward into a place light and gratitude. Recorded and engineered by Paul Roessler (Josie Cotton, Nina Hagen, Hayley and the Crushers, Gitane Demone) at Kitten Robot Studios, this album was co-produced by John Treanor and mastered by multi-platinum engineer Alex DeYoung at DeYoung Masters (Michael Jackson, BTS, Macy Gray, The Linda Lindas, TSOL).

“’Under Dark Skies’ is essentially a prayer sent for a path forward from the darkness of the spirit into the light. When the spirit is crushed, a rebirth is possible but the way forward is not always obvious. I feel fortunate to have a creative outlet like music to deal with the chaos in my head. Having said that, fighting the urges for self destruction by self-soothing in harmful ways is still not easy,” says John Treanor.

“We live in a tough and harsh world that is also filled with beauty and joy. Finding beauty and joy is the goal. I’m aware that I have many privileges and do not discount that, but mental health challenges do not seem to discriminate. Finding strength and hope is a daily practice that I must undertake and writing these songs is one of the many ways that I cope. By expressing and sharing these feelings, I let go of the poison and seek connection with others.”

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TITE

The Hangnails have certainly evolved. Recent releases have been a very far cry from the raw garage blasts of their early works, starting out almost fifteen years as a full-throttle garage duo.

There was something of a fallow spell after the release of DOG in 2017, after which Martyn Fillingham and Steven Reid made an understated return, the dropping of the ‘…and the’ signifying their shift towards different territories.

‘Come On Outside’ may be their most different yet. Stripped back, mellow, atmospheric, and synthy, it boasts epic, cinematic qualities – and they still make sound that you’d think impossible for a two-piece.

The visuals for the video are pretty striking, too.

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One of Arizona’s fastest-rising hardcore acts, OVERSTAND, are taking things to the next level with the release of their long-awaited debut full-length album, Take Control, out October 3.

In a major show milestone, Overstand brought their explosive live energy to Arizona’s legendary Marquee Theatre earlier this summer, supporting hardcore icons Suicidal Tendencies. It was a fitting match for a band that’s spent the past few years building a reputation for unrelenting, classic hardcore fury with a modern edge.

Born during the stillness of the pandemic lockdown, Overstand formed in 2020 when longtime collaborators and veterans of the hardcore scene came together with purpose and urgency. In isolation, they wrote 23 songs, seven of which became their 2022 debut EP — released self-titled in the U.S. and as 24 Hour Catastrophe in Europe via Conviction Records. That record lit the match, and now Take Control is the explosion: ten tracks of pure, unrelenting, no-bullshit hardcore.

Check the title track here:

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With former members of Warzone, Roger Miret and The Disasters, Vision, District 9, Casket Life, and North Side Kings in the ranks, Overstand has quickly become a name to watch, both in the States and abroad. They’ve torn up stages alongside Sheer Terror, Ignite, The Dwarves, Death by Stereo, Manic Hispanic, Kill Your Idols, and more, as well as holding their own at festivals like Within These Walls.

The full-length’s cover art is a collaboration between Mick Lambrou and Steven Huie — two highly respected names in the world of punk and hardcore visual culture. Lambrou, based in Australia, is known for his iconic designs for Murphy’s Law, Slapshot, Shutdown, Agnostic Front, Madball, and many more. Huie, owner of Flyrite Tattoo, is behind legendary artwork for bands like Madball, Crown Of Thornz, and Sick Of It All, adding even more legacy and impact to Take Control’s visual identity.

Bassist Roy Valencia also holds down low-end duties for The Outlaw Vinnie Stigma, a powerhouse lineup featuring Vinnie Stigma (Agnostic Front), Chip Hanna (U.S. Bombs), and Jesse Wagner (The Aggrolites) — along with members of Gogol Bordello, including Eugene Hütz, Sergey Ryabtsev, and Leo Mintek. Roy recently wrapped a high-energy East Coast run with the band, delivering the same fierce intensity onstage that defines his work with Overstand.

Overstand isn’t interested in nostalgia or posturing — they’re here to Take Control, and their new material makes that abundantly clear. Brutal, focused, and burning with intent, this is hardcore done right.

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Upcoming Shows:

Oct 11th – Middletown, Connecticut @ Silk Arcade
Oct 12th – NYC @ The Bowery Electric w/ Incendiary Device
Oct 18th – Tempe, AZ – Record Release Show @ Yucca Tap Room

Nov 20 – Houston, TX – Winter Weekender Preshow
Nov 22 – Tempe, AZ @ Marquee Theater w/ FEAR

Dec 12 – Mesa, AZ @ Rosetta Room w/ Madball

BONGINATOR celebrate their big bad yellow tour-vehicle with the new video single ‘Short Ass Bus’. The New England death metal posse has invited Abel Abarca, vocalist of American hardcore maniacs BIG ASS TRUCK from Inland Empire, CA, and vocalist Colin Richardson from their brothers-in-grooves IGNOMINIOUS to the party and you should totally feel free to join the fun, too!

The track has been cranked from the Americans’ second full-length Retrodeath, which will change the rotation of this planet on October 24, 2025.

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BONGINATOR comment: “When you were a kid, did you have to ride the short bus to school?”, vocalist and shredder Erik Thorstenn wants to know. “Wait… that was just us? Anyway, this song is a banger and features our homies Abel Abarca from Big Ass Truck and Colin Richardson from Ignominious. It’s a song about going to school, being covered in drool, and having a big ass. Also the guitar solo is sick. Just saying. No clue, how we will pull that off live. Listen and tell us what you think! But uh… Are you serious that none of you rode the short bus to school?”

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Philadelphia’s industrial sludge metallers WORST ONES is back with a new powerful single, entitled ‘Deny Reality’. The song channels the bleak pulse of Godflesh, the twisted hooks of Nine Inch Nails and Marilyn Manson, and the sample-driven chaos of Skinny Puppy, creating something both claustrophobic and hypnotic.

‘Deny Reality’ is a mid-tempo industrial sludge anthem built on relentless electronic percussion and skittering hi-hats that slice through layers of noise loops. The guitars have been shredded, resampled, and reconstructed into something ripped and inhuman. A towering chorus cuts through the haze, while a crushing breakdown in the middle drags the listener deeper into heaviness.

Lyrically, ‘Deny Reality’ confronts the culture of wilful ignorance that has metastasized into complicity. Lines like “Cast out your empathy, behold your tragedy” and “My nightmares are dreams, you deny reality” attack the blindness that sustains power and allows violence to thrive. The song reflects a world where denial has become survival, even as that denial drives us toward collapse. In its imagery of poisoned breath, hollow faith, and the erasure of empathy, the track positions ignorance not as escape but as the very engine of destruction.

In addition to its digital release, Deny Reality will appear on Abolish ICE, a compilation CD of Philadelphia-area metal, hardcore, and punk bands. The CD features 16 artists, including Trunk, L.M.I., Sunrot, Boozewa, SOJI, Detox Meds, and Get Well. Copies are available from the bands in exchange for donations to Juntos, a community-led Latine immigrant rights organization based in Philadelphia. Through this release, WORST ONES aligns its music with direct action, using its sound as both protest and support for those most affected by systemic oppression. With Deny Reality, the band continues the mission of turning noise into resistance. The result is not just another sludge anthem, but a dirge for a society choking on its own denial and a demand to confront the truth, no matter how unbearable.

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Worst Ones band photo(1)

Sky Valley Mistress have initiated countdown to the release of their second album Luna Mausoleum, that is due to land on Friday 23rd January 2026 (New Heavy Sounds).

Intended to be the soundtrack of their Hearsecraft ride to the moon, Pilot Kayley “Hell Kitten” Davies and Commander Max “Leather Messiah” Newsome launch you into the Sonic Stratosphere with an audio journey fuelled by 70’s hard rock, driven off the road to a fresh new destination.

Taking you through desert rock grooves and mountainous riffs, you are guided by Kayley’s soulfully smoked voice and her range of soaring, delicate, yearning and understated melodies as the band ride peaks and valleys of dynamics and pace with an eclectic selection of instrumentation of fuzz guitars, organs, real orchestras and a children’s choir.

Twisting influences of Queens of the Stone Age with Portishead and turning from Spiritualised-sized gospel choruses to the gallow heavy swing of Black Sabbath, with sound as fast as light they move between their influential orbit to create a modern classic that is entirely their own. There isn’t space in this genre the band haven’t explored. This is a demonstration of their refusal to wait for permission to create a record that stands in scale with some of the most monumental albums in rock.

The band’s statement on their intent behind creating Luna Mausoleum was that it should be “greater and beyond all reason”.

They’ve also released first single ‘Thundertaker’ named after the hearse they drive on tour. Opening with the apocalyptic power of early Black Sabbath before taking you on a joy ride fuelled by some Motörhead grade speed, THUNDERTAKER is a riff rippin’ rocket jam kicked out from the Sonic Strato- sphere for the world to hear.

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The band who has one member play every instrument so that they sound like a four piece in the studio, defy logic with aspiration with their iconic live show as a Duel-Drumming Duo. Vocalist Kayley “Hell Kitten” Davies takes the sticks and one half of a drum kit whilst original drummer Max “Leather Messiah” Newsome battles the electric guitar with the kick drum under his foot. No samples. No backing tracks. No click tracks. No one is playing rock and roll the ways these two do.

Live October 2025:

02  – LONDON THE BLACK HEART

03 – SHEFFIELD NETWORK

04 – DARWEN SUNBIRD

17 – HULL DIVEHU5

18 – PRESTON THE CONTINENTAL

23 – THE PURPLE TURTLE READING

24 – FORUM BASEMENT TUNBRIDGE WELLS

25 – THE LIGHTHOUSE KENT

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‘Darkest Day’ is the opening track from Rhys Marsh & Mandala’s new album, Until The End Of Time — a dark, expansive and cinematic journey that explores themes of loss and love, along with the notion that when you lose someone you love, you still love them until the end of time.

With songs ranging from ten to eighteen minutes in length, the album’s soundscape is largely dominated by majestic analogue synthesisers and led by Mandala’s trademark dynamics — ranging from whisper-quiet to wall-of-sound. Until The End Of Time will be available on all streaming and download platforms, alongside a strictly limited-edition CD, available exclusively from Burning Shed, on November 14.

Rhys Marsh has released eleven albums in the past — both solo, and as the singer-songwriter in bands — and this is the third Mandala album. It was decided to call this a Rhys Marsh & Mandala album, as thematically and stylistically it follows on from Marsh’s previous solo album, Towards The West, which was a direct refection on the loss of his Dad.

Formed in London in 1997, Mandala have toured the UK, Scandinavia and North America over the years, playing at iconic venues such as CBGB’s in NYC and The Marquee Club in London. Their blend of folk-noir, progressive rock, psychedelia — all wrapped in Marsh’s atmospheric and dynamic melodies — has garnered acclaim and airplay across multiple countries, with singles A-listed on Radio Caroline, and chart success on iTunes in the UK and Canada.

Critics have called Mandala’s sound “a kaleidoscope of prog, psychedelia, and folk”, and praised their “knife-edge atmospheres and Eastern-tinged melodies” (The Independent), with The Guardian describing their music as “folk-noir”, and Time Out highlighting their “melancholy laden melodies”.

Until The End Of Time is the kind of album that needs to be listened to from start to end. The songs are long, and the themes expand and unfold gradually. There are elements of post-rock with the long build-ups, progressive rock with the sweeping Mellotrons, and a deep sense of melancholy.

The album features spoken word in three languages: English, Norwegian and Welsh. Marsh says that this verse can sum up the overall feeling of the album:

“The kingdoms of eternity

Will bring you here

Until the end of time

Where nothingness

Leads us into forever”

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Mandala_ 2025. Photo by Silje Marsh

Gothenburg’s drunk’n’roll/hardcore-punk wrecking crew Spøgelse have dropped a brand-new video for their track ‘Speedfreaks’, delivering another feral taste of their forthcoming second album Spøgelse II, set to be released on October 24 via Welfare Sounds & Records.

Loud, raw, and one beer away from total collapse, Spøgelse embody what punk is supposed to feel like. Spøgelse II packs fifteen (!!) tracks that hit like a fist to the jaw for anyone sick of polished, overproduced punk.

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Born in the deep Swedish woods but raised on Gothenburg afterparties, Spøgelse have spent the last five years cramming into beat-up cars, dragging gear across highways, and spilling beer on every stage reckless enough to host them. Their mission has never changed: fast riffs, feral live energy, and zero fucking compromises.

‘Speedfreaks’ captures the band in their purest form, a chaotic, adrenaline-fueled anthem that barrels forward with the same unhinged force that has made Spøgelse one of Sweden’s most trusted live acts.

Self-described as “beer and guitar-shrimp specialists” and “your favorite fuck-ups,” Spøgelse aren’t here to clean things up, they’re here to tear it all down.

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