Posts Tagged ‘USA’

Oakland-based alternative rock / darkwave trio Sword Tongue presents the video for ‘We Are The Resistance’ , a dark gem showcasing their explosive fourth EP Bonfire In The Tempest. Galvanized, song by song, during our current age of cultural upheaval, this release is bursting with raw emotion and tempered by sophisticated production, launching the band into uncharted territory.

This EP is a love letter to the music we all loved in the 90s. Long delays, lush chorus sounds, deep flanges and modulations – a guitar tone chaser’s dream, married with deep distorted growling bass lines, hard driven drums and pulsing, electronic dance beats provide the texture over which soaring female vocals triumph. At times a whisper, and other times a roar, each song crafted in the crucible of these modern, unprecedented times.

In these five loaded tracks, vocalist Jennifer Wilde delivers alluring vocal lines that oscillate between a croon and a roar, seduction and rage. Gaetano Maleki’s signature shimmering guitar tones and bass lines mesmerize and ensnare, while Dan Milligan’s intricate drum lines drive the message and become the heartbeat of this sonic tour de force reminiscent of the 90s.

Capturing the essence of 90s alternative music, reimagined for a new era, Sword Tongue weaves together rock, industrial, shoegaze, post-punk and trip hop, giving voice to anguish, anger, transformation and triumph. Pulling from an array of musical styles, from electronic music to space rock, the band earlier shared the single ‘Diamonds To Rust’.

“Originally, this album was meant to be more of a danceable opus with a trip hop flavor. However, after the U.S. Presidential election, we realized that our album had to carry a more specific message on the current pollical climate, on aging, and on transitions. We wanted to give voice to the frustration, the anguish, the strength, and the hope in all of us,” says Jennifer Wilde.

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Debuting in 2020 during the pandemic, Sword Tongue creates dark music for dark times, casting a shadow of hope in the twilight. Formed by husband-and-wife duo Gaetano Maleki and Jennifer Wilde, the project is their love language and the culmination of their life’s work as musicians. Wilde, a classically trained vocalist who has performed with the Oakland Symphony Chorus, has been a guest vocalist and lyricist for seminal shoegaze band Love Spirals Downwards. Maleki brings an intensity from his background in heavy music, infusing his shimmering guitar soundscapes with sonic weight.

The pair were then joined by renowned producer and drummer Dan Milligan, whose driving contribution has infused the music with more depth, drive and dimension. The brainchild of The Joy Thieves, he has quite the history co-creating, producing and remixing such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

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Darkwave duo, Johnathan|Christian return with ‘Where Do We Go From Here’—a brooding, cinematic post-election anthem that captures the emotional wreckage of a divided nation. The track opens in hushed reflection (90 BPM) and erupts into a 125 BPM pulse of unrest and reluctant clarity. No slogans. Just aftermath.

The video integrates footage from Maya Deren’s At Land—a woman lies on a beach, disoriented yet unbroken, before rising with quiet resolve. What begins in poetic isolation transforms into documentary collapse: flickering headlines, divided families, shuttered classrooms, and hands reaching—but not always finding. It opens with: “We Still Remain.” It ends with: “WE STILL RISE.”

“We didn’t want spectacle—we wanted aftermath,” says the band. “No fire. No fury. Just a reckoning in the ruins.”

Included in the release are: a 125 BPM DJ Edit for live mixing and DJ sets, and remixes by industrial supergroup, The Joy Thieves and Stoneburner’s Steven Archer. Also included is the track, ‘Fall from Grace’ – a short, ghostly instrumental layered with static and decay; a requiem for what was, and a reflection on what remains.

For fans of Peter Murphy, Human Drama, Laibach, New Order, and politically-driven dance stompers.

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Darkwave/Post-Punk duo, REDWING BLACKBIRD have just unveiled their latest single, ‘Black Cloud’. This single is a departure from the more guitar-based approach of earlier tracks and sees the band leaning more into the energy of modern darkwave, synth bass & drive.

Lyrical Inspiration for the track comes from the fragile balance between faith & fanaticism – the ongoing blurring of the separation of church & state, the horrific loss of women’s rights & the slow, steady rise of nationalistic fascism, too often disguised as religious morality. All of this is put to an almost satirical "dance while your heads on fire " irreverence.

‘Black Cloud’ marks a clear change in direction leaning into more of the  duo’s darkwave vocabulary that has only briefly surfaced on previous tracks, as it is the first recording of collaboration between Paul Baker & Lisa Jensen on entirely new material. ‘Black Cloud’ is also the fourth single collaboration with producer/engineer Tiffany Flanagan of Audio Pervert recordings.

Listen here:

REDWING BLACKBIRD is the focal project of Paul Baker & Lisa Jensen, currently based in Denver, Colorado, USA. Baker is perhaps best known for his time with nineties goth rockers Second Skin, and more recently, the deathrock trio Plague Garden’s first two full length releases on lead guitar & bass.

REDWING BLACKBIRD, on the other hand, distils influences from Baker’s extensive background working across multiple genres: from the political ideology and ethos of punk; the guitar tonality and melodic lead bass of post-punk, proto-goth, shoegaze, drone-rock, and dark wave; to the sonic nuances with the vocal growl of classic goth rock.

Comparisons have been drawn to everyone from Red Lorry Yellow Lorry, Big Black, and Joy Division to Swans and Nick Cave; Dead Kennedys and The Clash; and even points of reference as disparate as Slint or Ween. And yet, despite having clearly defied and confounded convenient genre pigeonholes, there is certainly a coherent, distinctive, and immediately identifiable REDWING BLACKBIRD sound.

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