Posts Tagged ‘Simian Angel’

Editions Mego – EMEGO264 – 5th July 2019

Australian avant-gardist Oren Ambarchi has enjoyed a varied career spanning over three decades, and includes among his associations Sunn O))), Merzbow, and Burial Chamber Orchestra. To describe his output as ‘prodigious’ would be an understatement.

According to the press release, ‘Simian Angel finds Oren Ambarchi renewing his focus on his singular approach to the electric guitar, returning in part to the spacious canvases of classic releases like Grapes from the Estate while also following his muse down previously unexplored byways’.

It continues: ‘Reflecting Ambarchi’s profound love of Brazilian music – an aspect of his omnivorous musical appetite not immediately apparent in his own work until now – Simian Angel features the remarkable percussive talents of the legendary Cyro Baptista, a key part of the Downtown scene who has collaborated with everyone from John Zorn and Derek Bailey to Robert Palmer and Herbie Hancock’. Some of this has meaning: a lot of it doesn’t. I don’t know everything, and nor have the time or inclination to research. Jobbing reviewers crib from press blurbs and make like they know stuff. The majority are lying.

Neither Brazilian music nor guitar are overtly apparent on the two long-form tracks which make up Simian Angel: the sixteen-minute ‘Palm Sugar Candy’ consists of supple, trilling organ notes drifting across clopping, loping, irregular wood-based percussion which fades out to nothing leaving only soft, whisping tones which weave in and out of one another.

The title track is vague, piano notes rising into a rarefied air. It builds gradually into flurries of notes which flutter like snow in a breeze, skittering unpredictably. Baptista’s contribution is remarkable in its subtlety: a sedated heartbeat pulse which occasionally stutters and stammers. Around the mid-point of this twenty-minute mod-inspiring epic, the piano halts unexpectedly and an upward gliding drone alters the previously straightforward trajectory of the composition. Simmering down into twittering gentleness, subtly twisted with the slightest hints of dissonance and eventually transitioning into some mellowed-out semi-ambient reinterpretation of minimalist jazz – which isn’t nearly as bad as it sounds. Instead, the slowly insistent beats force something approximating a solid frame on which all the other abstraction hangs – and it works.

AA

Oren Ambarchi – Simian Angel