Posts Tagged ‘Neon Insect’

German electro-industrial band, NEON INSECT has just unveiled their ambitious, & highly-anticipated album, LIBERTY FLOWERS.

LIBERTY FLOWERS sheds some light into different aspects of life in New Moscow, in times where unrest slowly settles in, even though everything is done to oppress its citizens. The ever-recurring concept of NEON INSECT’s music features the only habitable place in North America. It’s a dystopian version of New York in an alternative timeline, serving as a experimental playground for implants, cyborgs and indoctrination.

With this album, NEON INSECT also takes you on a trip sonically, with noises sounding like they’ve been taken straight from a dystopian nightclub, combined with analogue madness. The goal with this record was to rephrase the grit of old-school, early 90s electronic-industrial music, while not shying away to cross some boundaries. LIBERTY FLOWERS is a love letter to this era of music.

LIBERTY FLOWERS is currently available on CD and cassette formats as well as Bandcamp, digitally. It will be available on most major streaming services on August 30th.

Watch the video for ‘There is Beauty in Noise’ here:

NEON INSECT (Nils Sinatsch) is a dystopian storyteller, telling tales from New Moscow – New York in an alternative reality, where the cold war went hot and the soviets won.
As a normal citizen somewhere in Germany by day and a rebel by night, NEON INSECT fetches the stories through the cyber web from his contacts in New Moscow. – he only habitable city in a nuked America, where cyborgs rule the streets, where lower Manhattan is a prison and the last bastion of the local rebellion.

The stories are told in an old-school industrial fashion, the sound of the cold war, enhanced with stutters and glitches, the sound of the cyber web – a soundtrack George Orwell would approve of.

Bring Your Own Gasmask.

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Christopher Nosnibor

Former Radio 1 DJ Chris Moyles dominated social media here in the UK following the tubby tosser’s proclamation that he doesn’t play unsigned bands because they’re crap. He has, naturally, provoked a virtual riot. All bands were unsigned at some point, and without anyone backing them, they’d have remained unsigned forever, even hiss beloved oasis – who should have probably remained unsigned and instead played their pedestrian pub rock to pub-gig audiences before fucking off to the mediocre day jobs they deserved.

The same applies to so many bands. Most bands who get the break do so because of luck, not talent. They’re not better than the unsigned acts, they just have a contract because someone decided they might have commercial potential. But what do labels know, really? They select taste based on their opinion and observation.

A large percentage of the bands I review are unsigned or otherwise independent, and Neon Insect are yet another. The musical vehicle of German composer and multi-instrumentalist Nils Sinatsch, Neon Insect is a project which provides the soundtrack to thee dystopian present.

The press release reports how ‘Nils found it difficult to continue on the cyberpunk, dystopian-themed path that began on the preceding release; the full-length LP, New Moscow Underground. It’s not hard to understand why. But ahead of the forthcoming album, they’ve given us ‘Rewired’.

It’s industrial, alright, in the 80s sense, a grinding mess of crunching drums, swampy synths and churning bass, bringing elements of Ministry, NIN, and Foetus. It really gets dark and dingy in the final minute, and it’s heavy and intense.

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