Posts Tagged ‘human rights’

Oakland-based alternative rock / darkwave trio Sword Tongue presents the video for ‘We Are The Resistance’ , a dark gem showcasing their explosive fourth EP Bonfire In The Tempest. Galvanized, song by song, during our current age of cultural upheaval, this release is bursting with raw emotion and tempered by sophisticated production, launching the band into uncharted territory.

This EP is a love letter to the music we all loved in the 90s. Long delays, lush chorus sounds, deep flanges and modulations – a guitar tone chaser’s dream, married with deep distorted growling bass lines, hard driven drums and pulsing, electronic dance beats provide the texture over which soaring female vocals triumph. At times a whisper, and other times a roar, each song crafted in the crucible of these modern, unprecedented times.

In these five loaded tracks, vocalist Jennifer Wilde delivers alluring vocal lines that oscillate between a croon and a roar, seduction and rage. Gaetano Maleki’s signature shimmering guitar tones and bass lines mesmerize and ensnare, while Dan Milligan’s intricate drum lines drive the message and become the heartbeat of this sonic tour de force reminiscent of the 90s.

Capturing the essence of 90s alternative music, reimagined for a new era, Sword Tongue weaves together rock, industrial, shoegaze, post-punk and trip hop, giving voice to anguish, anger, transformation and triumph. Pulling from an array of musical styles, from electronic music to space rock, the band earlier shared the single ‘Diamonds To Rust’.

“Originally, this album was meant to be more of a danceable opus with a trip hop flavor. However, after the U.S. Presidential election, we realized that our album had to carry a more specific message on the current pollical climate, on aging, and on transitions. We wanted to give voice to the frustration, the anguish, the strength, and the hope in all of us,” says Jennifer Wilde.

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Debuting in 2020 during the pandemic, Sword Tongue creates dark music for dark times, casting a shadow of hope in the twilight. Formed by husband-and-wife duo Gaetano Maleki and Jennifer Wilde, the project is their love language and the culmination of their life’s work as musicians. Wilde, a classically trained vocalist who has performed with the Oakland Symphony Chorus, has been a guest vocalist and lyricist for seminal shoegaze band Love Spirals Downwards. Maleki brings an intensity from his background in heavy music, infusing his shimmering guitar soundscapes with sonic weight.

The pair were then joined by renowned producer and drummer Dan Milligan, whose driving contribution has infused the music with more depth, drive and dimension. The brainchild of The Joy Thieves, he has quite the history co-creating, producing and remixing such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.

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NYC-based quintet Ecce Shnak (pronounced Eh-kay sh-knock) presents ‘Fight Song’ (Live), a hard-hitting track with a potent message, presenting an ironic take on violence and addressing today’s rampant spread of hate-filled vitriol.

This is the second taste of their Backroom Sessions EP, following the downtempo groove-inducing opus ‘Prayer On Love’ (Live). Recorded at the Backroom Studios in Rockaway, NJ, the EP is out May 22 via Records, Man Records).

Rejecting conventional aesthetics, Ecce Shnak whimsically incorporates diverse artistic expressions, tackling profound subjects and intriguing minutiae with remarkable clarity. Building on the success of their recently-released debut ‘Shadows Grow Fangs’ EP, this new release previews June’s West coast tour with platinum-selling legends Spacehog and EMF.

Ecce Shnak is David Roush (composer, bassist and one of two singers), Bella Komodromos (vocals), Chris Krasnow (guitar), Gannon Ferrell (guitar), and Henry Buchanan-Vaughn (drums). Where fervent brilliance blurs into absolute, uncontainable madness, there resides Ecce Shnak, balanced precariously upon an illuminated sonic high wire.

“The hardcore slammer ‘Fight Song’ is not a Katy Perry cover. Instead, it is a djent-forward ramble on the ubiquity of violence in human life, be it literal or metaphorical. It was originally an ironic joke when it was released on our first EP, Letters to German Vasquez Rubio in 2012,” says David Roush.

“We decided to change the lyrics and release a new version in reaction to the rancid bigotries that so plague the human spirit nowadays, in America and elsewhere. The final line is a call to defend our basic human freedoms while we still have them: ‘Fight for your right to fight!’”

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The Venomous Pinks fight against abortion bans in their newest release, “We Must Prevail”. In collaboration with Eternal Film Productions, and directors Nikki Carmela and Alexander Thomas, the Arizona-based band delivers an unforgettable visual response to the overturning of Roe v. Wade.

Staked full of social commentary, a distraught Lady Liberty gripping a bloody wire coat hanger, acts as a narrator of the video. Through music, The Pinks lead an angry mob of pro-choice protesters who demand immediate change. Symbolizing the injustice many Americans are currently facing, destruction overtakes the infamously engraved words “equal justice under law” that’s displayed above the United States Supreme Court entrance. With anti-abortion laws on the rise, this politically charged anthem encourages the masses to rally for reproductive rights.

Directors Alexander Thomas and Nikki Carmela (known collectively as “Eternals”) have issued the following statement:

“The right to choose is a human rights issue at its core. We stand vehemently against oppression in all forms and appreciate the opportunity to voice our dissent using art. When we first conceptualized this video we based it on a series of photographs we had created when Roe was initially repealed depicting Lady Liberty, bloodied from a coat hanger abortion to represent the current tidal shift of our society. The images, although disturbing, represent the reality that with abortion bans healthcare has been pushed back decades. Combined with images of the Supreme Court house cracking (a blatant metaphor for the disintegration of the “highest law in the land” who’s building is emboldened with the phrase “Equal Justice Under Law”) and the electric music of The Venomous Pinks this video is a protest to abortion bans and the assault of women’s rights.”

Guitarist/vocalist Drea Doll adds, "The government does not have the right to tell a woman what she should be doing with her own body. To quote Angela RoseRed (Photographer/Writer) ‘Angered by the misogynist men who forcefully shove religion into our uterus.’"

The band will be touring Europe this summer with Bad Cop/Bad Cop followed by a U.S. run with Less Than Jake and The Toasters.

Watch the video here:

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Photo: Jack Grisham

The Venomous Pinks On Tour

Europe with Bad Cop/Bad Cop followed by a US run with Less Than Jake & The Toasters

July 27 • DE, Hamburg • Hafenklang (SOLD OUT) *

July 28 • DE, Berlin • Cassiopeia *

July 29 • DE, Goldenstedt • Afdreiht un Buten *

July 30 • DE, Essen • Don’t Panic *

August 1 • DE, Stuttgart • JuHa West*

August 2 • DE, Wiesbaden • Schlachthof*

August 3 • DE, Hanover • Faust*

August 4 • DE, Cologne • Helios37 (SOLD OUT)*

August 5 • BE, Duffel • Brakrock Ecofest*

August 6 • NL, Utrecht • De Helling (SOLD OUT)*

August 8 • CH, Zurich • Dynamo*

August 10 • SI, Tolmin • Punk Rock Holiday (SOLD OUT)*

August 12 • DE, Munich • Strom*

August 13 • IT, Rimini • Bay Fest

August 21 • Seattle, WA • Showbox + ^

August 22 • Portland, OR • Revolution Hall + ^

August 23 • Medford, OR • Johnny B’s ^

August 24 • San Francisco, CA • Great American Music Hall + ^

August 25 • Los Angeles, CA • Echoplex + ^

August 26 • Santa Ana, CA • Observatory OC+ ^

August 27 • Tempe, AZ • Marquee Theatre+ ^

August 28 • El Paso, TX • Rock House ^

August 29 • Dallas, TX • Granada Theatre+ ^

August 30 • Austin, TX • Mohawk+ ^

* BadCop/BadCop +Less Than Jake ^The Toasters