Posts Tagged ‘ballad’

‘Dröm Sång’ emerges as a poignant ballad from Këkht Aräkh, blending melancholic melodies with an introspective narrative. Rooted in a draft originally conceived during the Pale Swordsman sessions in 2021, the song carries a familiar resonance, particularly reminiscent of the track "Swordsman" from the same album. However, its creation followed an unconventional path, with recording taking place under spontaneous, often cramped conditions across Berlin, Germany, and Tokyo, Japan.

The accompanying music video was shot entirely in Tokyo and features scenes filmed by Nick from the electronic duo IC3PEAK and additional footage self-recorded by Dmitry, all using a handheld camcorder to create a raw, personal aesthetic.

Dmitry explains:

“There’s a deeper reason behind choosing Tokyo as the location for the music video, beyond my admiration for Japan. This particular place is often idealized by people around the world who have never lived there, making it a perfect fit for the song’s escapist theme. The song reflects on life, with all its hardships and evils, as nothing more than a dream from which you’ll eventually wake into a peaceful world.”

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Photo credit: Nick Kostylev (IC3PEAK)

Nothing last forever. Yet moments are timeless and will always have existed. This is the song’s central theme. The video, directed by Jason P. Schumacher features Volstead’s Emporium, an underground speakeasy in Minneapolis. The video plays off of the lyrics which address feeling trapped in a melodrama.

"It’s about my divorce and all. The whole album is. I was feeling like a character at the time, like I was stuck in a movie where the end was clear, and my feelings were larger than life. I realize now I did have control and responsibility but in a lot of ways it feels like fate too.” – Carrellee

‘Stay’ is the hazy, electro-ballad from electronic artist Carrellee’s latest album, Scale Of Dreams. Watch the video here:

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CARRELLEE’S 2023 SCALE OF DREAMS TOUR


2/23 Indianapolis, IN @ State Street Pub 
2/24 Louisville, KY @ Art Sanctuary 
2/25 Lexington, KY @ The Green Lantern 
2/26 Johnson City, TN @ The HideAway 
2/27 Savannah, GA @ Lodge of Sorrows 
3/1 Gainesville, GA @ Portal 4 
3/2 Orlando, FL @ Will’s Pub w/ Vision Video 
3/3 St. Augustine, FL @ Sarbez! 
3/4 Tampa, FL @ New World Music Hall w/ Vision Video 
3/5 Jacksonville, FL @ 1904 Music Hall 
3/8 Tallahassee, FL @ The Bark 
3/9 Mobile, AL @ Alabama Music Box 
3/10 Atlanta, GA @ Sweetwater 
3/11 Huntsville, AL @ Gold Sprint w/ Snooper 
3/12 Chattanooga, TN @ Exit Off Main Street 
3/13 Nashville, TN @ The East Room 
4/1 Madison, WI @ Mickeys Tavern w/ Scott Yoder 
4/22 Madison, WI @ Crystal Corner 
4/27 Tulsa, OK @ Sound Pony 
4/28 Norman, OK @ Opolis
4/29 Wichita, OK @ Private Party 
4/30 Colorado Springs, CO @ Fritzys 
5/3 Albuquerque, NM @ El Rey Mezzanine 
5/4 Tucson, NM @ Groundworks 
5/5 San Diego, NM @ The Comet 
5/6 Los Angeles, CA @ Luna Negra Goth Nights 
5/7 Oakland, CA @ The Golden Bull 
5/9 Eugene, OR @ Old Nick’s Pub 
5/10 Olympia, OR @ Le Voyeur 
5/11 Seattle, OR @ The Cherry Pit w/ Scott Yoder 
5/14 Vancouver, Canada @ Verboden Festival 
5/18 Portland, OR @ Coffin Club 
5/20 Boise, ID @ Boise Hive 
5/23 Salt Lake City, ID @ Kilby Court 
5/24 Fort Collins, CO @ Lyric Cinema 
5/25 Denver, CO @ The Crypt 
5/26 Kansas City, MO @ recordBar 
5/27 Omaha, NE @ The Sydney 
5/28 Ames, IA @ The London. Underground

Emma Ruth Rundle (appearing courtesy of Sargent House) and Thou’s groundbreaking collaborative album, May Our Chambers Be Full sees its release October 30th via Sacred Bones. While their solo material seems on its face to be quite disparate, both prolific groups have spent their lauded careers lurking at the outer boundaries of heavy scenes, each having more in common with DIY punk and its spiritual successor, grunge.

The debut straddles a similar, very fine line both musically and thematically. While Emma’s standard fare is a blend of post-rock-infused folk music, and Thou is typically known for its downtuned, doomy sludge, the conjoining of the two artists has created a record more in the vein of the early ’90s Seattle sound and later ’90s episodes of Alternative Nation, while still retaining much of the artists’ core identities.

The visual art accompanying this work was created in collaboration with preeminent New Orleans photographer Craig Mulcahy. The faceless, genderless models are meant to emphasize this pervasive state of ambiguity and emotional vacillation, the images falling somewhere between modern high fashion and classical Renaissance.

Check the single here:

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Album Artwork | Photo By Craig Mulcahy