Ahead of the release of their new album, Burn Me Once, cult Yorkshire goth act Westenra have released ‘Time’ as a single.
Blending the feel of Siouxsie and the Banshees with arena-sized production values, it’s an instant classic.
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LA-based psychedelic rock outfit Tombstones In Their Eyes presents their brooding single ‘Under Dark Skies’, previewing their Under Dark Skies album, to be released via Little Cloud Records (for North America) and Shore Dive Records (for the UK and EU). Without wallowing in self-pity and emotional upheaval, this song leans hopefully toward a new beginning in the understanding that sometimes the bottom is the best place to start.
The video was created by Italian multi-arts visionary Francesca Bonci, known for her work with Federale (BJM’s Collin Hegna), British bard Philip Parfitt, The Dandy Warhols’ Peter G. Holmström a.k.a. Pete International Airport and Slowdive’s Rachel Goswell.
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Tombstones In Their Eyes is made up of John Treanor (vocals & guitar), Stephen Striegel (drums), Courtney Davies (vocals), Phil Cobb (guitar), Paul Boutin (guitar), Nic Nifoussi (bass) and Clea Cullen (vocals). What began casually a decade ago has evolved into a powerhouse band known for their expansive psychedelic soundscapes. For Treanor, these sonic explorations are like a cosmic therapy session – an immersive subliminal journey, as well as a way to grapple with anxiety.
This record was created during a year of intense personal change, followed by a clearing of the decks and a move forward into a place light and gratitude. Recorded and engineered by Paul Roessler (Josie Cotton, Nina Hagen, Hayley and the Crushers, Gitane Demone) at Kitten Robot Studios, this album was co-produced by John Treanor and mastered by multi-platinum engineer Alex DeYoung at DeYoung Masters (Michael Jackson, BTS, Macy Gray, The Linda Lindas, TSOL).
“’Under Dark Skies’ is essentially a prayer sent for a path forward from the darkness of the spirit into the light. When the spirit is crushed, a rebirth is possible but the way forward is not always obvious. I feel fortunate to have a creative outlet like music to deal with the chaos in my head. Having said that, fighting the urges for self destruction by self-soothing in harmful ways is still not easy,” says John Treanor.
“We live in a tough and harsh world that is also filled with beauty and joy. Finding beauty and joy is the goal. I’m aware that I have many privileges and do not discount that, but mental health challenges do not seem to discriminate. Finding strength and hope is a daily practice that I must undertake and writing these songs is one of the many ways that I cope. By expressing and sharing these feelings, I let go of the poison and seek connection with others.”
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The Hangnails have certainly evolved. Recent releases have been a very far cry from the raw garage blasts of their early works, starting out almost fifteen years as a full-throttle garage duo.
There was something of a fallow spell after the release of DOG in 2017, after which Martyn Fillingham and Steven Reid made an understated return, the dropping of the ‘…and the’ signifying their shift towards different territories.
‘Come On Outside’ may be their most different yet. Stripped back, mellow, atmospheric, and synthy, it boasts epic, cinematic qualities – and they still make sound that you’d think impossible for a two-piece.
The visuals for the video are pretty striking, too.
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Oakland-based alternative rock / darkwave trio Sword Tongue presents the video for ‘We Are The Resistance’ , a dark gem showcasing their explosive fourth EP Bonfire In The Tempest. Galvanized, song by song, during our current age of cultural upheaval, this release is bursting with raw emotion and tempered by sophisticated production, launching the band into uncharted territory.
This EP is a love letter to the music we all loved in the 90s. Long delays, lush chorus sounds, deep flanges and modulations – a guitar tone chaser’s dream, married with deep distorted growling bass lines, hard driven drums and pulsing, electronic dance beats provide the texture over which soaring female vocals triumph. At times a whisper, and other times a roar, each song crafted in the crucible of these modern, unprecedented times.
In these five loaded tracks, vocalist Jennifer Wilde delivers alluring vocal lines that oscillate between a croon and a roar, seduction and rage. Gaetano Maleki’s signature shimmering guitar tones and bass lines mesmerize and ensnare, while Dan Milligan’s intricate drum lines drive the message and become the heartbeat of this sonic tour de force reminiscent of the 90s.
Capturing the essence of 90s alternative music, reimagined for a new era, Sword Tongue weaves together rock, industrial, shoegaze, post-punk and trip hop, giving voice to anguish, anger, transformation and triumph. Pulling from an array of musical styles, from electronic music to space rock, the band earlier shared the single ‘Diamonds To Rust’.
“Originally, this album was meant to be more of a danceable opus with a trip hop flavor. However, after the U.S. Presidential election, we realized that our album had to carry a more specific message on the current pollical climate, on aging, and on transitions. We wanted to give voice to the frustration, the anguish, the strength, and the hope in all of us,” says Jennifer Wilde.
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Debuting in 2020 during the pandemic, Sword Tongue creates dark music for dark times, casting a shadow of hope in the twilight. Formed by husband-and-wife duo Gaetano Maleki and Jennifer Wilde, the project is their love language and the culmination of their life’s work as musicians. Wilde, a classically trained vocalist who has performed with the Oakland Symphony Chorus, has been a guest vocalist and lyricist for seminal shoegaze band Love Spirals Downwards. Maleki brings an intensity from his background in heavy music, infusing his shimmering guitar soundscapes with sonic weight.
The pair were then joined by renowned producer and drummer Dan Milligan, whose driving contribution has infused the music with more depth, drive and dimension. The brainchild of The Joy Thieves, he has quite the history co-creating, producing and remixing such artists as Chris Connelly, PIG and Consolidated, and members of such bands as Ministry, Stabbing Westward, The Rollins Band, Killing Joke, David Bowie, Marilyn Manson, Depeche Mode and Nine Inch Nails, among others.
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One of Arizona’s fastest-rising hardcore acts, OVERSTAND, are taking things to the next level with the release of their long-awaited debut full-length album, Take Control, out October 3.
In a major show milestone, Overstand brought their explosive live energy to Arizona’s legendary Marquee Theatre earlier this summer, supporting hardcore icons Suicidal Tendencies. It was a fitting match for a band that’s spent the past few years building a reputation for unrelenting, classic hardcore fury with a modern edge.
Born during the stillness of the pandemic lockdown, Overstand formed in 2020 when longtime collaborators and veterans of the hardcore scene came together with purpose and urgency. In isolation, they wrote 23 songs, seven of which became their 2022 debut EP — released self-titled in the U.S. and as 24 Hour Catastrophe in Europe via Conviction Records. That record lit the match, and now Take Control is the explosion: ten tracks of pure, unrelenting, no-bullshit hardcore.
Check the title track here:
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With former members of Warzone, Roger Miret and The Disasters, Vision, District 9, Casket Life, and North Side Kings in the ranks, Overstand has quickly become a name to watch, both in the States and abroad. They’ve torn up stages alongside Sheer Terror, Ignite, The Dwarves, Death by Stereo, Manic Hispanic, Kill Your Idols, and more, as well as holding their own at festivals like Within These Walls.
The full-length’s cover art is a collaboration between Mick Lambrou and Steven Huie — two highly respected names in the world of punk and hardcore visual culture. Lambrou, based in Australia, is known for his iconic designs for Murphy’s Law, Slapshot, Shutdown, Agnostic Front, Madball, and many more. Huie, owner of Flyrite Tattoo, is behind legendary artwork for bands like Madball, Crown Of Thornz, and Sick Of It All, adding even more legacy and impact to Take Control’s visual identity.
Bassist Roy Valencia also holds down low-end duties for The Outlaw Vinnie Stigma, a powerhouse lineup featuring Vinnie Stigma (Agnostic Front), Chip Hanna (U.S. Bombs), and Jesse Wagner (The Aggrolites) — along with members of Gogol Bordello, including Eugene Hütz, Sergey Ryabtsev, and Leo Mintek. Roy recently wrapped a high-energy East Coast run with the band, delivering the same fierce intensity onstage that defines his work with Overstand.
Overstand isn’t interested in nostalgia or posturing — they’re here to Take Control, and their new material makes that abundantly clear. Brutal, focused, and burning with intent, this is hardcore done right.
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Upcoming Shows:
Oct 11th – Middletown, Connecticut @ Silk Arcade
Oct 12th – NYC @ The Bowery Electric w/ Incendiary Device
Oct 18th – Tempe, AZ – Record Release Show @ Yucca Tap Room
Nov 20 – Houston, TX – Winter Weekender Preshow
Nov 22 – Tempe, AZ @ Marquee Theater w/ FEAR
Dec 12 – Mesa, AZ @ Rosetta Room w/ Madball
Spotlights, the beloved trio of Mario and Sarah Quintero with drummer Chris Enriquez, release Rarities, a remastered nine-song compilation of early and rare tracks spanning the band’s full discography on 21st November via Ipecac Recordings.
A preview arrives with ‘050809’, the first song the now married Mario and Sarah Quintero ever wrote together. “Sarah and I had been talking about making music together before we were even dating,” Mario shares. “05/08/09 is the day we became an item.”
Hear it here:
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Rarities traces the band’s evolution, from their debut single to standout tracks from their 2023 Séance EP. After relocating from San Diego to New York in 2013, the band released their first EP, Demonstrations, in 2015. That was followed by the Spiders EP and their full-length debut, Tidals, in 2016 – releases that drew attention from artists like Deftones, Shiner, If These Trees Could Talk, and ultimately led to their signing with Ipecac Recordings.
Now, after a decade of releases, the band is reflecting on these songs, all of which are appearing on vinyl for the first time. “It’s a really fun listen,” Mario adds. “You can hear and feel the development of the band over the years, not only musically but emotionally and production wise as well.”
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The band will be selling copies of the Rarities vinyl on tour, and via the Ipecac website. Tickets for the band’s shows supporting AA Williams are on sale now, via Ipecac.com/tours.
LIVE DATES IN SUPPORT OF AA WILLIAMS:
27/01 – UK Norwich, Arts Centre
28/01 – UK Milton Keynes, Craufurd Arms
29/01 – UK Nottingham, Bodega
30/01 – UK Manchester, Deaf Institute
31/01 – UK Glasgow, G2
01/02 – UK Leeds, Brudenell Social Club
03/02 – UK Birmingham, Hare & Hounds
04/02 – UK Bristol, Strange Brew
05/02 – UK London, Bush Hall
06/02 – UK Southampton, Papillon
07/02 – BE Diksmuide, 4AD
08/02 – FR Paris, Nouveau Casino
10/02 – FR Toulouse, Le Rex
11/02 – ES Barcelona, La Nau
12/02 – ES Madrid, Villanos
13/02 – PT Lisbon, Casa Capitão
14/02 – PT Porto, Mouco
15/02 – ES Donosti, Dabadaba
17/02 – FR Grenoble, l’Ampérage
18/02 – IT Milan, Legend Club
19/02 – CH Aarau, KiFF
20/02 – DE Munich, Live / Evil
21/02 – AT Vienna, Chelsea
22/02 – CZ Prague, SUBZERO
24/02 – PL Warsaw, VooDoo
25/02 – DE Berlin, Neue Zukunft
26/02 – DE Cologne, Gebäude 9
27/02 – NL Eindhoven, Effenaar
28/02 – NL Utrecht, Tivoli Cloud Nine
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