Karlrecords – KR077 – 24th April 2020

Christopher Nosnibor

For those unfamiliar (and that may well be many), die ANGEL is the collaborative project of Ilpo Väisänen (ex Pan Sonic) and Dirk Dresselhaus, which began in 1999 on a joint tour with Pan Sonic and Dresselhaus’ Schneider TM, with an objective to ‘use electronics, string instruments and effect loops to develop a sonic world that goes beyond fixed structures and clearly defined genres’. 30 years and 10 albums on, they’re still pushing those boundaries, and on this outing, the duo are joined by Oren Ambarchi.

It’s interesting to note that the material was recorded between December 2015 and January 2016, with Ambarchi adding overdubs in the spring of 2016, and the album being edited and mixed in the May of the same year, meaning it’s languished for the best part of four years., although it’s unclear as to why.

The album, available only on digital formats, comprises four longform tracks that would commonly correspond to a double 12” format

The album starts with ‘Epikurous’, which begins with a long, quavering drones that oscillates menacingly and ambulates directionless, a dark ambient cloud that drifts into the minimal throb of ‘Cargo Cult’. This piece is loosely formed around a rhythmic pulsation, a long, sonorous drone, interspersed with occasional interjections of ranging textures and frequencies. Sharp clustering bleeps and squiggling electronic fizz disrupt the smooth flow as echoic explosions and fractured rattles skitter and scuttle and scrape in and out of the frame.

‘Coup d’État’ is a bubbling foment that foams and froths unsettlingly, like a rumbling gut: it’s queasy, uncomfortable, a difficult, awkward churning that nags and grumbles, and filters into the dank miasma of the fourth and final piece, the ten-minute ‘Khormanoupka’. This is the deepest and darkest of the set, and rumbles almost subliminally, creating a deep, subterranean atmosphere, and as it crackles to a close, the listener is left empty and alone.

There is nowhere to go after this. The world didn’t end but what are you left with? An uncomfortable silence after half an hour of uncomfortable noise, noise that’s dissonant, difficult, and murky. And it works well.

AA

KR077_front

Comments
  1. Thomas Herbst says:

    album is available as DL AND LP! as written in the info sheet

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