Gizeh Records / Consouling Sounds – September 14th 2018
A-Sun Amissa’s fourth album marks something of a shift, which, in their own words, sees them plunge ‘deeper than before. Guitars come to the fore. Heavy, distorted chords are present from the off, complemented by desolate ambient passages of sound. The claustrophobic atmospheres remain but combine with a new density and sonic experimentation to present a huge leap forward in structure and composition.’ The band’s ever-shifting line-up on this outing features the cello work of Jo Quail, which adds to the infinite layers of intricacy and depth.
‘The Back Path’ – the album’s nine-and-a-half minute opener – calls to mind Earth in its exploration of space and tone, as the chords hang, reverberating, into near silence. But there are echoes in the distance, and slowly, it builds as the percussion enters the mix in the background and a persistent, throbbing lead guitar line takes the foreground. It’s a funereal trudge, but it’s also a powerful soaring monolith that’s pure post-rock – with a dash of funeral post-metal in the mix, too.
Elsewhere the sparse, more melodic and melancholic ‘With Wearied Eyes’ trips a trail of latticework guitars that echo into space, and while ‘To The Ashes’ starts with heavy lifting from I Like Trains, it evolves into something infinitely heavier, bolder, not only more metal but also more resonant in some way.
This is very much the stylistic form that Ceremony in the Stillness pursues over its vast expanse. And it is vast: the album’s six tracks cover a full three-quarters of an hour. Everything is slow, deliberate, spaced and paced. And herein lies the album’s intrigue: it employs familiar genre tropes, but approaches them from a unique perspective, and when not pitching a carefully-poised balance of soaring airiness and cinematic vistas, there are passages of ambience which stir the senses and pull at different emotional chords of the psyche.
Closer ‘Remenbrancer’ proffers blasts of sinewy guitar noise and propellant percussion, before giving way to delicate strings and a slow fade, both sonically and emotionally rounding off an album that’s both breathtaking and, in places, harrowing, and above all, immersive.
AA