Noisepicker – Peace Off

Posted: 13 May 2018 in Albums
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Exile On Mainstream – 11th May 2018

English intergenerational duo Noisepicker are one of the new generation of two-piece acts who sound like full bands. Not by virtue of any trickery, but because they whack everything up full tilt and rock hard. Peace Off sounds like a band, albeit one with the guitars and drums dominating the mix.

There are so many shades, but for Noisepicker, it’s a spectrum of subtle blues that colours their lumbering, riffy racket. The songs are heavy, raw, the lyrics dark. It may mark something of a stylistic shift for Earl of Mars and former Lord of Putrefaction Harry Armstrong, but he still pours all the anger into it, his thick-throated vocal roar the perfect vehicle for this kind of heavy, heavy scuzzed-out stoner blues metal.

Pulverizing, slow, heavy discord worthy of Swans circa 1984 swiftly yields to swaggering heavy rock on opener ‘No Man Lies Blameless, which thunders away with the grainy grungy heft of Black Sabbath as filtered through Melvins. It sets the tone, and the tempo: Peace Off very much favours weight and groove over pace, the riffs big and gutsy (although when they do pick up the face, as on ‘O What Mercy Sorrow Brings’, they really do drive hard and fast.

‘A Taste of My Dying’ is the grittiest, grainiest blues, dark and dirty and slowed to a crawl. Under any other circumstances, you’d be thinking about grime and sweat, but at this low, low tempo, it’s more of a case of Led Zep on Temazepam. Armstrong gargles and spits the words to ‘He Knew it Would All End in Tears’ against a roar of guitars and crashing drums: there’s nothing fancy about Kieran Murphy’s style, and that’s a virtue, as the songs are focused in a fashion that delivers optimal force.

AA

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