Posts Tagged ‘Wylderness’

Cardiff Indie-gaze band Wylderness release their brand new and highly anticipated EP Safe Mode via digital streaming platforms.

The concept for this EP is reimagining the software and tech boom of the 90s. But instead of being centred on the west coast of America, it takes place in the south coast of Wales.

About ‘What Happens To The Rain’ single:

This is the closer to the EP and really it’s another two songs in one. The title could be a question or a statement. The first half has a Real Estate vibe and the second half goes in a more trippy Brian Jonestown direction.

It’s a song about going back to where you grew up, retracing memories and finding that they don’t quite add up to how you remember them (“Seeing faces you had forgotten / Crying for no-one / Recollections made of concrete / Fade in the sun”).

Woozy sun-drenched pop wrapped in a wall of stabbing fuzzy guitars and mesmerising shoegaze, echoing the sounds of Ride, DIIV, Sonic Youth and Yo La Tengo. Wylderness’ eponymous debut album, released in 2018, was championed by SteveLamacq (BBC 6 Music), Huw Stephens (BBC Radio 1) and was part of Radio 1’s Best of BBC Music Introducing.

It garnered critical acclaim from Clash, DIY and Drowned inSound, with the song On a Dais being featured on the US version of the TV show Shameless.

Wylderness have played shows for Huw Stephens, Sonic Cathedral, Swn Festival and support with Acid Mothers Temple.

The Cardiff band’s second album, Big Plans for a Blue World (2022), was recorded with an expanded line up and featured added layers of vintage synths and clarinet. It placed no.28 in Far Out Magazine’s Best Albums of 2022 and charted in the North American College & Community Radio Chart.

2025 will see the release of their much anticipated new Safe Mode EP recorded with producers Andrew Sanders and long time collaborator Rory Attwell.

Wylderness are: Ian (guitars/vox), Jim (bass/guitars), Ben (drums/percussion), Dan(guitars/vox), and Harri (clarinet/keys)

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Cardiff Shoegazer’s ‘WYLDERNESS’ are back with a brand new single. ‘Big Idea’ will be released digitally on Monday 18th of November 2024.

Taken from their forthcoming new EP entitled ‘Safe Mode’ which will be released in 2025.

Woozy sun-drenched pop wrapped in a wall of stabbing fuzzy guitars and mesmerising shoegaze,echoing the sounds of Ride, DIIV, Sonic Youth and Yo La Tengo.

Wylderness’ eponymous debut album, released in 2018, was championed by Steve Lamacq (BBC 6 Music), Huw Stephens (BBC Radio 1) and was part of Radio 1’s Best of BBC Music Introducing. It garnered critical acclaim from Clash, DIY and Drowned in Sound, with the song On a Dais being featured on the US version of the TV show Shameless.

Wylderness have played shows for Huw Stephens, Sonic Cathedral, Swn Festival and support with Acid Mothers Temple.

The Cardiff band’s second album, Big Plans for a Blue World (2022), was recorded with an expanded line up and featured added layers of vintage synths and clarinet. It placed no.28 in Far Out Magazine’s Best Albums of 2022 and charted in the North American College & Community Radio Chart.

Wylderness are Ian (guitars/vox), Jim (bass/guitars), Ben (drums/percussion), Dan (guitars/vox), and Harri (clarinet/keys).

Hear ‘Big Idea’ here:

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Arriving as a third and final glimpse into their upcoming sophomore album,  Wylderness have unleashed a scintillating new shoegaze cut, ‘Chet Chat’. 

Boasting their knack for creating sprawling soundscapes and deeply textured instrumentals, Wylderness’ latest offering arrives as the band gear up to release their long-awaited second album Big Plans For A Blue World (out 15th July, via Succulent Recordings).

Written when Marz of Wylderness experienced the full, frightening force of an earthquake while on a trip to Greece some years ago, the new track finds the singer and guitarist reflecting on what was a life-changing event and seeking to emulate the force of nature that reverberated through him that day. As Marz remembers:

“I was on the balcony of an apartment in Athens writing lyrics for this song when all of a sudden there was this enormous roar and the building started shaking. The earthquake lasted about 15 seconds but seemed like it went on forever. Everyone was fine thankfully and I wanted to write something about what had happened, but not make it too obvious and clunky, so it ended up being a bit cryptic.”

Echoing the raw sonic energy of a tectonic shift, ‘Chet Chat’ ripples like an agitated seismic wave impacting the earth’s surface. From its sparse and seemingly tranquil beginnings, the track builds towards an immense crescendo as towering electric guitars, warped organ grindings and distorted rhythmic pulses stretch-out into a six-minute shoegaze epic that evokes the likes of DIIV, Spacemen 3 or Sonic Youth at their climactic heights.

Recorded at Giant Wafer Studios on a farm in rural Wales, and with wonky organ sounds added in by producer Rory Atwell, the enigmatic new track sees Wylderness further find themselves in their sound as they deftly forge their own cataclysmic and confident path on their second studio outing.

Check the slow-burning ‘Chet Chat’ here:

 

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Wylderness

1st June 2022

Christopher Nosnibor

It’s not often I’m on the fence, but here I am, the splynters stabbing into my arse. Opening bars of the new single form Wylderness, taken from second album Big Plans for a Blue World (out 1 June vi Succulent Records)  suggest dreamy, chyming shoegaze, but y’know, I’ve heard it a myllion tymes before doing this. And much as I lyke it, much as I dig Slowdive, Ride, Chapterhouse, and later exponents like The Early Years (criminally underrated and sadly failed to really make their mark), I have to admit that so much is wishy-washy, winsome and airy to the point of lacking in enough substance to really prove compelling.

Past the opening bars… layers and aspects reveal themselves. ‘Wet Look’ is still dreamy, wynsome, wystful, but there’s a brooding steeliness infused within it, with hints of Interpol and post-millennium post-punk, and it just nags hard enough to draw you in for a second listen. Something about that reverb, that interplay between the guitars, that spaciousness, that melancholy… sigh.

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