Posts Tagged ‘William Gibson’

Swedish experimental noise-rock outfit The Family Men return on May 8 with their second full-length album Co/de/termination, set for release via Welfare Sounds & Records.
To mark the occasion, the band have unveiled a brand new video for the track ‘Luxury’.

‘Luxury’ channels the band’s sonic identity into a single, tightly focused piece. As Echoes & Dust put it: “Built upon looping, intertwining rhythms and heavily processed instruments and samples, ‘Luxury’ distils the band’s unmistakable sonic identity into one focused strike. It’s a precise yet overwhelming construction – mechanical, hypnotic, and abrasive – and a perfect example of what we’ve come to expect from the proprietors of the ‘total harmful sound.’”

The band themselves add: “‘Luxury’ is heavily inspired by William Gibson’s writing. It also feels like it encapsulates every part of the new album in some way, so it fits really well as a final single before the release. The video was a collaborative effort between Gustav and this really talented guy from Stockholm named Henke Luhr, and we feel it reflects the music in a very fitting manner.”

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Following their debut album No Sound Forever, The Family Men have spent the past years performing extensively across Sweden and internationally, building a reputation as one of the most intense and uncompromising live acts around. That relentless momentum feeds directly into Co/de/termination, a natural yet sharpened continuation of the band’s sonic evolution.
Pushing both intensity and precision to new extremes, the album refines their sound into something tighter, heavier, and more deliberate than ever before. Urgent yet controlled, abrasive yet purposeful, Co/de/termination stands as a focused and uncompromising statement.

Operating across a wide sonic spectrum, The Family Men resist easy categorization. Samplers, broken electronics, tape loops, and heavily distorted guitars collide into a sound that is both confrontational and immersive.

Their live shows, often accompanied by feverish VHS projections, towering waves of feedback, and vocalist Gustav Danielsbacka performing directly within the crowd, have become legendary for dissolving the boundary between band and audience.

With Co/de/termination, The Family Men further cement their position as one of the most uncompromising voices in contemporary experimental rock.

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Forking Paths PF0013 – 13th July 2018

Christopher Nosnibor

With a title referencing William Gibson’s Neuromancer, L5 finds maker of experimental minimal electronica New Tendencies explore an array of textures and tones with a real focus on the space around the sound. Sonar bleeps warp into whistles of feedback, consumed by underwater monsters and sonic detonations that linger like a heavy cloud of smoke, dust and rubble.

The shifts aren’t always delicate, the tones rarely gentle: the listener is dragged and hurled from high to low, abrasive, serrated edges sharpening the intensity of upper frequencies juxtaposed with rumbling, muffled lower ranges which pull at the pit of the stomach. The album’s ten compositions – which, given the way New Tendencies pull, drag, stretch, twist, and manipulate, are perhaps as well described as decompositions – are affecting by virtue of the physicality of the sound, and this in turn provokes a cerebral response.

Ordinarily, I find abstraction gives rise to an analytical rather than emotive response, but L5 is a different beast. The beats and rhythms – however diversely they manifest (and they range from distorted, crunching poundings to EQ-tweaked whiplash cracks via blasts of static) – create a sense of structure, however vague, a frame on which to hang the infinite varieties of noise, and thus draw the pieces back from absolute abstraction. And with the combination of structure and sonic impact comes a different type of response. Instead of seeking to analyse the technique, L5 invites the listener to feel the effects. And the effect becomes emotional on a certain level: the rippling waves and vibrations test the tension levels, pushing the up and pulling them down. Tense, intense, and at the very least, interesting.

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New Tendencies – L5