Posts Tagged ‘The Plague’

Australian death-metal quintet The Plague have just shared a music video for a crushing new song off their second album "Erosion of Gods", which is set to be released on October 27th on vinyl, cd and digital via Brilliant Emperor Records.

Titled ‘Hacked and Butchered’, this new video is now playing here:

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Vocalist Mike says: “I think the title pretty much speaks for itself, I was watching a lot of documentaries and reading articles about cannibalism at the time and thought a song in that vein would be very fitting for the album. I enjoy stories about horror and the macabre so I wrote some words to provoke thoughts about that subject. The song is about hacking and butchering a human being and eating them, an unpleasant occurrence but it happens nonetheless.”

Erosion of Gods follows-up the band’s critically lauded 2021 debut album Within Death, and once again sees The Plague churning out a raw, unadulterated death-metal sound inspired by the forefathers of Swedish death metal such as Dismember and Entombed. This chainsaw-fueled masterpiece features ten brand-new tracks that will leave even the most hardened death metal fanatic reeling in awe. Brace yourselves for an onslaught of biblical proportions.

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7th March 2023

Christopher Nosnibor

Having emerged in 2016, Metamorph are, in the grand scheme, relative newcomers to the goth scene, but the voice behind the name, Margot Day was an integral part of the 80’s NYC underground music scene while fronting the legendary Goth band The Plague with their album Naraka in 1987.

While goth tends to be associated with the early 80s, it was in 87/88 that the genre broke the mainstream, with The Sisters of Mercy’s Floodland and The Mission’s Children going massive on an international level. It was a boom time slightly below the mainstream radar, too, with Fields of the Nephilim releasing two major albums (Dawnrazor in ‘87 and The Nephilim in ’88), and Christian Death’s controversial landmark Sex and Drugs and Jesus Christ also being released in ’88. These were still dark times – the opening of Disneyland Paris provided only so much distraction from the fact this was the height of the cold war.

No doubt the Metamorph story, whereby Margot ‘escaped temporarily to the jungle by the sea to conjure new witchy Metamorph songs… after she had a miracle healing and felt summoned to make more music’ will be repeated ad infinitum, so instead, I’ll skip straight to the new single, the first new material since the Kiss of the Witch concept / narrative album released in September 2022.

‘Witchlit’ may not belong to the same suite of songs as the album, but there are clear thematic connections, and it’s a corking slice of quintessential gothy electropop, dark, seductive, a driving beat and bass and a teasing twist of menace and aggression with an explosive chorus that speaks of obsessive tendencies and longing – and it’s all tightly packed into a concise two and a half minutes. ‘Witchlit’ is single perfection.

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