Posts Tagged ‘Sigh’

The special 30th anniversary editions of Sigh’s groundbreaking and boldly experimental second album Infidel Art are out now on Peaceville. The new release is available on a selection of formats including a limited marble vinyl LP, standard black vinyl LP, 2CD, and cassette. Alongside the release, the band have also shared a new lyric video for the track ‘The Zombie Terror’, created by Matt Vickerstaff.

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Speaking on the new edition, bandleader and songwriter Mirai Kawashima shared - 

“I am well aware that Sigh’s albums released via Cacophonous Records in the 90s have been hard to find for a long time. Actually so many labels tried to re-release those albums, but it never worked. However, finally the wait is over! Soon you can get them on both vinyl and CD via Peaceville Records. Of course the albums are way more primitive than what we are doing today, but they definitely are the albums that shaped who we are today. And what really surprised me was that those 4 albums were released within 5 years. How productive we were!”

INFIDEL ART VINYL EDITIONS: MARBLE VINYL LP AND BLACK VINYL LP

Infidel Art is also available as a Double CD Edition and a collectible Cassette Edition. The CD includes a rare first mix of the entire album, as well as additional tracks ‘The Zombie Terror’ from the ‘Far East Gate In Inferno’ compilation, plus songs originally included for a split release with Kawir, having also received a new transfer from the original DAT source.

All formats apart from the cassette also include a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history and legacy of the album.

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Marking 35 years of boundary-shattering existence, Japanese avant-garde metal pioneers Sigh returned with I Saw the World’s End (Hangman’s Hymn MMXXV) – a fully re-recorded, reimagined version of their 2007 cult opus. Released last Friday via Peaceville, the album arrives alongside a brand-new video for the blistering track ‘Me-Devil,’ produced by Matt Vickerstaff.

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Sigh

Following the announcement of the band’s new live album, ‘Live: Eastern Forces of Evil 2022’ and first single ‘Mayonaka no Kaii’. The band have unveiled their next track to come off the live album ‘A Victory of Dakini’.

The track is taken from the band’s visionary album ‘Scorn Defeat’, which the band will be performing in full, later this year at the UK’s Damnation Festival. The track, reminds us of the band’s beginnings and explores their more primitive style that would come to progressive into the fully fledged Sigh sound we know now.

The song details the story of a Japanese goddess ‘Dakini’ that rides on a white fox, according to Buddhist religion. Kujaku-Ou is a Japanese manga published around 1988 – 1991 and in it featured a lot of oriental occultism and were often the inspiration behind Sigh’s early material. Originally Dakiki is a goddess from India that would eat human flesh, however in Japan she is considered to be the goddess of sexual lust.

Mirai elaborates below:

‘A Victory of Dakini" is the opening track of our debut album "Scorn Defeat". I believe the first track of the first album is something special for most bands, and this is true to our case, too. Of course the song is way more primitive and simpler than what we are doing today, but obviously it’s got a magic feeling, which we will never ever recapture. "Dakini" is a goddess riding on a white fox in Buddhism. I wrote this song inspired by a Japanese manga, "Kujaku-ou".

‘A Victory of Dakini’ kicks off the live performance with ominous chanting before Sigh’s signature Death Metal crawl begins, conjuring all manner of otherworldly entities. The song itself is a masterful blend of Japanese culture with angular Death Metal precision, a style that has only been improved upon with each release right up until 2022’s ‘Shiki’.

Watch the video here:

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Sigh by POKO

Following the announcement of Shiki, their new studio album, on 26th August through Peaceville, the cult Japanese black metal legends Sigh have released a video for the track ‘Satsui’.

Sigh mainman Mirai Kawashima explains the track – somewhat cryptically – “The album Shiki is mostly about my personal fear of getting old and my fear of death, but some of the songs are a bit off topic and ‘Satsui’ is one of them. ‘Satsui’ means ‘Intent to Kill’ and it is my personal view on the death penalty. You often hear people say ‘The criminal penalty is not meant to be for revenge’ or ‘we all live in a country governed by law’, but I do not think things are that simple; but of course everybody has the right to have their own opinions though. I guess the song is one of the most straightforward ones on the album.”

Watch ‘Satsu’ here:

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Sigh

He goes on to explain the full album version of the song – “Satsui – Geshi No Ato” – “On the other hand, ‘Geshi no Ato’ is a completely different song. I composed that as an outro to ‘Satsui’, and the lyrical concept followed. The title means ‘After Summer Solstice’’, which is a metaphor saying that your heyday is gone. I played all the guitars on this and Mike Heller banged chairs, pieces of wood, boxes, water bottles, etc to create the beat!”

The full version of the song, “Satsui – Geshi No Ato” will be released as a digital single on all streaming platforms on Thursday 10th August.

Sigh’s forthcoming opus, ‘Shiki’, is dark & eclectic blackened heavy metal, shrouded in traditional eastern influences, and marks the latest chapter in the Sigh legacy, which includes some of the band’s heaviest and darkest material for some years; a fine hybrid of at times primitive black metal akin to early influences such as Celtic Frost amid more epic melodic heavy metal riffing and solos. It will take you on a journey through the strange and the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career. Highlighting that Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots.

The word "Shiki" itself has various meanings in Japanese such as four seasons, time to die, conducting an orchestra, ceremony, motivation, colour. The two primary themes for the album are "four seasons" and "time to die". The concept and artwork is based around a traditional Japanese poem, and on ‘Shiki’ Mirai explores how at this stage of life he himself is going through Autumn, with Winter coming soon, and so empathises with the contrasting sentimental feelings from watching cherry blossoms (a symbol of spring) in full bloom.

Joining Mirai and Dr Mikannibal for this release are Frédéric Leclercq of Kreator, plus US drummer extraordinaire, Mike Heller of Fear Factory and Raven, along with an appearance by longtime member Satoshi Fujinami on bass. ‘Shiki’ was recorded across multiple studios, and mixed and mastered by Lasse Lammert at LSD studios in Germany. The album utilises a whole host of instruments to give further texture and dynamics to the compositions and eerie atmosphere, incorporating traditional oriental instruments such as the Shakuhachi & Sinobue flutes.