Posts Tagged ‘Nova Alternativa’

Nova Alternativa – 16th April 2021

Christopher Nosnibor

The two Ks are Gintas K & Jan Kruml, and Environmental Framework is a collaborative work, whereby, as the liner notes outline, Jan worked with the historically first and last track that Gintas published. Gintas reworked tracks from Jan’s (Instinct Primal) live set from January 2021.

But rather than simply rendering this as an album of two sides, which would be perhaps the obvious approach, but instead, the seven tracks are sequenced with A1-A2-A4-B1 composed by JK, remixed by GK, and A3-B2-B3 composed by GK, remixed by JK.

Bring unfamiliar with Jan Kruml’s work, and having not heard the live set in question, it’s difficult to judge just how radically Gintas K has reworked the pieces here, but the remixes 1 and 3 of ‘Myths’, with their combined running time of ten minutes are sparse, spacious, and unsettling, as an elongated droning drift hangs, conjuring n eerie atmosphere. Incidental echoes and flickers, barely-present crackles of static rise and fall, fading in and out of the mist almost subliminally, but growing thicker and denser and more layered over time in the first, before transitioning into the explosive digital sloshing that is something of a signature for Gintas K. If this raises the question of the extent to which a remix can become more the work of the remixer than the original artist, here it’s worth commenting that it does work well, and places a complimentary light on Kruml’s sounds, and the way in which Jan approaches the ‘Noisebient RMX’ of ‘Phono’ very much returns the favour as it presents a clamorous babbling microtonal rush against a broad sweep backdrop.

The first remix of ‘Entering the Cave’ (which is in fact Remix 4) is hectic, a busy bubbling rush of sound that recreates that vintage analogue froth, only on a cocktail of steroids and speeds – amped-up and foaming away at a blizzard’s pace. Remix 1, which immediately follows, is altogether more low-key, shadowy, manifesting as a rumbling, grumbling ominous ambience. It’s dank, dark, and very much does evoke the scene of the title.

As the liner notes point out, ‘they never met in person, but sonically it’s like if they knew each other for decades’ – and certainly, there is a keen sense of intuition displayed here, as the two artists seemingly become interchangeable in their works.

It’s drone that defines Kruml’s remix of ‘Almost the End’, which is, fittingly, the penultimate track, before he revisits the ‘Noisebient’ theme for the epic span of the album’s bookending ‘Invite Round For A Cup Of Tea’, which strains and clamours and whirs in a flurry of granular tonality for over ten minutes. If it’s familiar territory for Gintas K, it equally highlights how at ease Jan Kruml is with this type of electronica, and despite its segregated origins, the remixing process has given the material a sense of unity that renders Environmental Framework a remarkably cohesive work that actually feels like ‘an album’ rather than a bunch of remixes. A true artistic triumph.

AA

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